A musical instrument holder clip includes a first holding unit and a second holding unit. The first holding unit includes a main body and a clamping member that extends movably into the main body, and is operable to generate a clamping force adapted for clamping a microphone between the main body and the clamping member. The second holding unit includes a first holding member adapted for abutting against an outer surface of a bell wall of a wind instrument, and a second holding member adapted for abutting against an inner surface of the bell wall of the wind instrument. The first holding member and the second holding member cooperatively define a holding space adapted for receiving the bell wall of the wind instrument therebetween.

A musical instrument holder clip includes a first holding unit and a second holding unit. The first holding unit includes a main body and a clamping member that extends movably into the main body, and is operable to generate a clamping force adapted for clamping a microphone between the main body and the clamping member. The second holding unit includes a first holding member adapted for abutting against an outer surface of a bell wall of a wind instrument, and a second holding member adapted for abutting against an inner surface of the bell wall of the wind instrument. The first holding member and the second holding member cooperatively define a holding space adapted for receiving the bell wall of the wind instrument therebetween.

The musical instrument shield invention is a clear or translucent enclosure made of flexible plastic material that aids to contain droplets from spreading while still providing full view of the instrument. Access ports for the musicians' hands, fingers, clip rings, and thumb rests are cut in the plastic and reinforced as needed to prevent tearing. The musical instrument shield is attached to the neck of the instrument with ties, string, elastic, laces, Velcro or other suitable material to hold the proximal end of the shield around the instrument. The woodwind shield can incorporate one or more filtered vents that prevent pressure from building up during playing yet still resist any infectious droplets from passing out of the shield. The access ports are closed when not in use and direct any aerosols that may escape through the ports while in use down toward the ground. The clear shield allows teachers and others to see the instrument and musician's fingering while still providing unencumbered playing and clear producing sound. The see through shield can be made of any non-porous material that can effectively block transmission of infectious droplets or air borne viruses. A hybrid shield made of both clear and opaque materials would allow for the instrument to be visualized as well as vented to prevent pressure build-up within the shield.

Other objects and advantages of the invention will become apparent from the following claims and detailed description of the invention taken in conjunction with the accompanying drawings.

The musical instrument shield invention is a clear or translucent enclosure made of flexible plastic material that aids to contain droplets from spreading while still providing full view of the instrument. Access ports for the musicians' hands, fingers, clip rings, and thumb rests are cut in the plastic and reinforced as needed to prevent tearing. The musical instrument shield is attached to the neck of the instrument with ties, string, elastic, laces, Velcro or other suitable material to hold the proximal end of the shield around the instrument. The woodwind shield can incorporate one or more filtered vents that prevent pressure from building up during playing yet still resist any infectious droplets from passing out of the shield. The access ports are closed when not in use and direct any aerosols that may escape through the ports while in use down toward the ground. The clear shield allows teachers and others to see the instrument and musician's fingering while still providing unencumbered playing and clear producing sound. The see through shield can be made of any non-porous material that can effectively block transmission of infectious droplets or air borne viruses. A hybrid shield made of both clear and opaque materials would allow for the instrument to be visualized as well as vented to prevent pressure build-up within the shield.

Other objects and advantages of the invention will become apparent from the following claims and detailed description of the invention taken in conjunction with the accompanying drawings.

A musical instrument support system provides support to a musician's elbow when the musician's arm is in a raised position, thus alleviating fatigue and strain on the musician's shoulder, neck, back and arms. The support system includes a harness worn on the musician's torso, a rib plate supported by the harness that is worn along the musician's torso, an elbow support that receives the musician's elbow, and a swivel joint that joins the elbow support to the rib plate and permits the elbow plate to rotate and angulate about a vertical axis and move laterally from the rib plate in all directions within a horizontal plane.

A musical instrument support system provides support to a musician's elbow when the musician's arm is in a raised position, thus alleviating fatigue and strain on the musician's shoulder, neck, back and arms. The support system includes a harness worn on the musician's torso, a rib plate supported by the harness that is worn along the musician's torso, an elbow support that receives the musician's elbow, and a swivel joint that joins the elbow support to the rib plate and permits the elbow plate to rotate and angulate about a vertical axis and move laterally from the rib plate in all directions within a horizontal plane.

A wind instrument neck receiver tension mechanism is provided having a body, a retaining ridge, and a tension band. The body has a lower body end and a upper body end. The upper body end defines a thin collar seating wall, which has at least one notch. In some embodiments there are four equally sized notches. A retaining ridge extends from the thin collar seating wall and a tension band having an adjustable compression ring, the adjustable compression ring disposed between said thin collar seating wall and the retaining ridge. When adjusted to a first position, the compression ring compresses the thin collar seating wall in a uniform compression around a circumference of a neck receiver of a wind instrument.

A wind instrument neck receiver tension mechanism is provided having a body, a retaining ridge, and a tension band. The body has a lower body end and a upper body end. The upper body end defines a thin collar seating wall, which has at least one notch. In some embodiments there are four equally sized notches. A retaining ridge extends from the thin collar seating wall and a tension band having an adjustable compression ring, the adjustable compression ring disposed between said thin collar seating wall and the retaining ridge. When adjusted to a first position, the compression ring compresses the thin collar seating wall in a uniform compression around a circumference of a neck receiver of a wind instrument.

The Bass Clarinet Body Strap allows a bass clarinetist to attach their body to their bass clarinet and its loop attachment point on the instrument situated above the bass clarinet thumb rest. A wide strap has one end that goes in front of the player approximately at chest level, and extends over one shoulder, across the back, down around the other side of their body coming out below the other arm, and around the front of the player's body where the two wide strap ends meet. One end of the wide strap has a lace attached that is manually passed through an opening in the other end of the wide strap and is affixed to the closed loop of a hook. This hook is then affixed to the bass clarinet loop attachment point above the thumb rest. A buckle on the strap allows for size adjustment.

The Bass Clarinet Body Strap allows a bass clarinetist to attach their body to their bass clarinet and its loop attachment point on the instrument situated above the bass clarinet thumb rest. A wide strap has one end that goes in front of the player approximately at chest level, and extends over one shoulder, across the back, down around the other side of their body coming out below the other arm, and around the front of the player's body where the two wide strap ends meet. One end of the wide strap has a lace attached that is manually passed through an opening in the other end of the wide strap and is affixed to the closed loop of a hook. This hook is then affixed to the bass clarinet loop attachment point above the thumb rest. A buckle on the strap allows for size adjustment.