Patent classifications
H03G9/00
Transforming audio content for subjective fidelity
A method or apparatus for delivering audio programming such as music to listeners may include identifying, capturing and applying a listener's audiometric profile to transform audio content so that the listener hears the content similarly to how the content was originally heard by a creative producer of the content. An audio testing tool may be implemented as software application to identify and capture the listener's audiometric profile. A signal processor may operate an algorithm used for processing source audio content, obtaining an identity and an audiometric reference profile of the creative producer from metadata associated with the content. The signal processor may then provide audio output based on a difference between the listener's and creative producer's audiometric profiles.
System and method for optimizing loudness and dynamic range across different playback devices
Embodiments are directed to a method and system for receiving, in a bitstream, metadata associated with the audio data, and analyzing the metadata to determine whether a loudness parameter for a first group of audio playback devices are available in the bitstream. Responsive to determining that the parameters are present for the first group, the system uses the parameters and audio data to render audio. Responsive to determining that the loudness parameters are not present for the first group, the system analyzes one or more characteristics of the first group, and determines the parameter based on the one or more characteristics.
SYSTEM AND METHOD FOR DIGITAL SIGNAL PROCESSING
The present invention provides for methods and systems for digitally processing an audio signal to reproduce high quality sounds on various materials. In various embodiments, a method comprises filtering the signal with a low shelf filter and/or high shelf filter, passing the signal through a first compressor that, filtering the signal again with a low shelf filter and/or high shelf filter, processing the signal with a graphic equalizer based on a selected material profile, passing the signal through a second compressor, and outputting the signal to a transducer.
Dynamic range control for a wide variety of playback environments
In an audio encoder, for audio content received in a source audio format, default gains are generated based on a default dynamic range compression (DRC) curve, and non-default gains are generated for a non-default gain profile. Based on the default gains and non-default gains, differential gains are generated. An audio signal comprising the audio content, the default DRC curve, and differential gains is generated. In an audio decoder, the default DRC curve and the differential gains are identified from the audio signal. Default gains are re-generated based on the default DRC curve. Based on the combination of the re-generated default gains and the differential gains, operations are performed on the audio content extracted from the audio signal.
ADC CIRCUITRY
This application relates to ADC circuitry. An ADC circuit (200) has first and second conversion paths (201a, 201b) for converting analogue signals to digital and is operable in first and second modes. In the first mode, the first and second conversion paths are connected to respective first and second input nodes (202a, 202b) to receive and convert full scale first and second analogue input signals (Ain1, Ain2) to separate digital outputs (Dout1, Dout2). In the second mode, the first and second conversion paths are both connected to the first input node (202a), to convert the first analogue input signal (Ain1) to respective first and second digital signals, and the first and second conversion paths are configured for processing different signal levels of the first analogue input signal. A selector (207) select the first digital signal or the second digital to be output as an output signal based on an indication of amplitude of the first analogue input signal.
Audio Control Using Auditory Event Detection
In some embodiments, a method for processing an audio signal in an audio processing apparatus is disclosed. The method includes receiving an audio signal and a parameter, the parameter indicating a location of an auditory event boundary. An audio portion between consecutive auditory event boundaries constitutes an auditory event. The method further includes applying a modification to the audio signal based in part on an occurrence of the auditory event. The parameter may be generated by monitoring a characteristic of the audio signal and identifying a change in the characteristic.
CONCEPT FOR COMBINED DYNAMIC RANGE COMPRESSION AND GUIDED CLIPPING PREVENTION FOR AUDIO DEVICES
The invention provides a concept for combined dynamic range compression and guided clipping prevention for audio devices. An audio decoder for decoding an audio bitstream and a metadata bitstream related to the audio bitstream according to the concept includes an audio processing chain including a plurality of adjustment stages including a dynamic range control stage for adjusting a dynamic range of the audio output signal and a guided clipping prevention stage for preventing clipping of the audio output signal; and a metadata decoder configured to receive the metadata bitstream and to extract dynamic range control gain sequences and guided clipping prevention gain sequences from the metadata bitstream, at least a part of the dynamic range control gain sequences being supplied to the dynamic range control stage, and at least a part of the guided clipping prevention gain sequences being supplied to the guided clipping prevention stage.
SYSTEM AND METHOD FOR DIGITAL SIGNAL PROCESSING
The present invention provides methods and systems for digital processing of an input audio signal. Specifically, the present invention includes a high pass filter configured to filter the input audio signal to create a high pass signal. A first filter module then filters the high pass signal to create a first filtered signal. A first compressor modulates the first filtered signal to create a modulated signal. A second filter module then filters the modulated signal to create a second filtered signal. The second filtered signal is processed by a first processing module. A band splitter splits the processed signal into low band, mid band, and high band signals. The low band and high band signals are modulated by respective compressors. A second processing module further processes the modulated low band, mid band, and modulated high band signals to create an output signal.
Signal processing device, control method, program and storage medium
A converter includes a time window cut-out block, a fast Fourier transform (FFT) block, an attenuation amount limitation block, a quantization noise attenuation block, an overtone generation block, an inverse fast Fourier transform (IFFT) block, and a time window resynthesis block. The attenuation amount limitation block determines the maximum attenuation amount of quantization noise to be attenuated in the quantization noise attenuation block based on the magnitude of a signal level of sound data supplied from the time window cut-out block. The quantization noise attenuation block adjusts amplitude in a frequency domain based on the maximum attenuation amount determined by the attenuation amount limitation block, to attenuate the quantization noise.
LOUDNESS CONTROL METHODS AND DEVICES
Audio data in a first format may be processed to produce audio data in a second format, which may be a reduced or simplified version of the first format. A loudness correction process may produce loudness-corrected audio data in the second format. A first power of the audio data in the second format and a second power of the loudness-corrected audio data in the second format may be determined. A second-format loudness correction factor for the audio data in the second format may be based, at least in part, on a power ratio between the first power and the second power. A first-format loudness correction factor for the audio data in the first format may be based, at least in part, on the power ratio and a power relationship between the audio data in the first format and the audio data in the second format.