The present invention relates to the entertainment industry and allows to improve the sound quality in audiences for different purposes. The implementation of the present control method is based on the creation of sound clusters, each of them can include any number of nearby located seats equipped with sound reproduction systems. The sound movement through the audience is created by the activation and following deactivation of the acoustic equipment in the mentioned clusters according to the indicated trajectory.

The present invention relates to the entertainment industry and allows to improve the sound quality in audiences for different purposes. The implementation of the present control method is based on the creation of sound clusters, each of them can include any number of nearby located seats equipped with sound reproduction systems. The sound movement through the audience is created by the activation and following deactivation of the acoustic equipment in the mentioned clusters according to the indicated trajectory.

A harness for receiving a special effects squib charge includes: a substantially planar base bound by opposing first and second surfaces joined at a perimeter; a tubular sidewall extending from the first surface of the base to form a tubular receptacle; an inward extension from the tubular sidewall defining a receiving aperture, the receiving aperture sized to be elastically deformed to allow insertion of the squib charge; and the distance between the base and the inward extension sized to be substantially equal to the axial length of the squib charge. A bullet hit device includes the harness, and a kit is for assembly and/or use of the harness as a bullet hit device.

An attraction system of an amusement park includes an observation area, a primary area, a primary real object, a reflective component positioned to create a reflection of the primary real object, and a secondary area. The controller is configured to release the primary real object, wherein the reflective component reflects imagery of the primary real object in motion, thereby creating a virtual object that appears to be moving toward a guest within the secondary area.