An insert is provided for insertion in a space between a guitar neck and a guitar body to provide for adjustment of the geometric characteristics of the assembled guitar. The insert is configured to allow insertion of the insert body into the space without dismounting the guitar neck from the body. Using scanning of the guitar neck and guitar body mounting points, an exterior surface configuration of the insert can be calculated to yield the desired geometric characteristics.

A method of producing and assembling carbon composite based stringed musical instruments. The assembled stringed musical instrument is relatively inexpensive, extremely sturdy, light weight and simulates tones as deep and resonant as obtained by any other wood based instruments. The method also provides for manufacturing geometrically identical stringed musical instruments and the method being adaptable for producing and assembling any stringed musical instrument.

The present invention relates to a musical instrument for producing a harmonious scale of musical notes. The instrument includes nine separate sound actuators each of which is configured to cause the musical instrument to generate a different frequency selected from the group of frequencies comprising 174 Hz, 285 Hz, 396 Hz, 417 Hz, 528 Hz, 639 Hz, 741 Hz, 852 Hz and 963 Hz, the musical instrument being configured such that physically manipulating the sound actuators causes the musical instrument to generate the frequency corresponding to the sound actuator manipulated. The invention is also directed at a system for—writing music to be played with a musical instrument incorporating the harmonious scale of musical notes as described above. The notation system includes a staff of five parallel and horizontal lines separated by four spaces, the first line indicating a first note of 174 Hz, the space immediately above the first line indicating a second note of 285 Hz, the second line indicating a third note of 396 Hz, the space immediately above the second line indicating a fourth note of 417 Hz, the third line indicating a fifth note of 528 Hz, the space immediately above the third line indicating a sixth note of 639 Hz, the fourth line indicating a seventh note of 741 Hz, the space immediately above the fourth line indicating an eighth of 852 Hz and the fifth line, indicating a ninth note of 963 Hz.

A string instrument is disclosed having a body with an air cavity defined by a top plate, a bottom plate, and one or more ribs, a bass bar being secured to an inside surface of the top plate, the bass bar comprising a layup of a plurality of laminates constructed from western red cedar and comprising particular dimensions and placement on the top plate relative to the length of the instrument body.

A string instrument is disclosed having a body with an air cavity defined by a top plate, a bottom plate, and one or more ribs, a bass bar being secured to an inside surface of the top plate, the bass bar comprising a layup of a plurality of laminates constructed from western red cedar and comprising particular dimensions and placement on the top plate relative to the length of the instrument body.

In a method for producing a musical string, wherein at least one first winding element is wound on a string core of the musical string in the form of a helical line around the string core, it is proposed that during the winding of a first longitudinal section of the string core using the first winding element, a first pre-tension is applied to the string core, and during the winding of a second longitudinal section of the string core, which is different from the first longitudinal section, using the first winding element, a second pre-tension, which is different from the first pre-tension, is applied to the string core.

In a method for producing a musical string, wherein at least one first winding element is wound on a string core of the musical string in the form of a helical line around the string core, it is proposed that during the winding of a first longitudinal section of the string core using the first winding element, a first pre-tension is applied to the string core, and during the winding of a second longitudinal section of the string core, which is different from the first longitudinal section, using the first winding element, a second pre-tension, which is different from the first pre-tension, is applied to the string core.

Certain embodiments of the present invention are directed to a device for shaping and/or adjusting the shape and/or height of a guitar saddle. The present invention allows for the radius and/or height of the guitar saddle to be shaped and adjusted accurately using dial indicators coupled to mechanical positioning apparatus that provide for positioning of a saddle or saddle material for removal of a prescribed amount of material from the top of the guitar saddle while maintaining the radius.

A Bohemian Instrument may be a musical instrument, acoustic or electric, with a metallic semi-hollow or hollow body. The Bohemian Instrument may comprise a neck extending from the body. In various embodiments, the Bohemian Instrument may comprise, but not be limited to, for example, a through-body neck, extending from the head of the neck into the body of the instrument. Within the body, the Bohemian Instrument may comprise a frame reinforcing at least one inner-edge of the body. In various embodiments, the frame within the body may be comprised of wood and be connected to, or comprise a part of, the through-body neck. By reinforcing the body, the frame also serves to improve a resonation quality of the hollow or semi-hollow metallic body. In turn, the Bohemian Instrument's unique and distinct sound is further articulated.

Method for making light and stiff panels and structures using natural fiber composites. An improved composite material utilized in musical instruments. Bio-based industrial fiber such as flax, cellulose, hemp, bamboo, and jute combined with a core material such as foam, aramid honeycomb, carbon fiber or balsa wood, and a resin, serves as a replacement to traditional tone wood. In another embodiment, the bio-based composite has no core material but simply layers of fabric with resin. Another embodiment finds layers of the woven bio-composite as the core between outside layers of carbon fiber or aramid. In the case of a string instrument, bio-composites can be used to make a substantially hollow unitary body, neck and head as well as soundboard. Another usage is for the bracing material of the soundboard. In fact in its various forms, bio-composite can effectively replace all the old growth wood currently used.