A musical instrument comprising a mouthpiece and an elongated body, the elongated body comprises a plurality of finger contacts. The finger contacts comprise a first set of contacts arranged such that they may be simultaneously contacted by the little, ring, middle and index finger of the right hand and a second set of contacts arranged such that they may be simultaneously contacted by the little, ring, middle and index finger of the left hand. It further comprises a first thumb contact for contact by the right thumb and a second thumb contact for contact by the left thumb. The instrument comprises a tone generator controlled by the plurality of contacts, such that a first set of successive half tones is generated under control of the second set of contacts when the first thumb contact is operated, a second set of successive half tones is generated under control of the first set of contacts when the second thumb contact is operated, a third set of successive half tones is generated under control of the second set of contacts when the first thumb contact is freed; and a fourth set of successive half tones is generated under control of the first set of contacts when the second thumb contact is freed.

A wind instrument includes a tube body; a tone hole tube that has an inner open end formed extending from the outer periphery of the tube body and opening to the inside of the tube body, and an outer open end opening to the outside of the tube body; and a finger pressing plate that, in the radial direction of the tone hole tube, extends from the outer open end of the tone hole tube to the outside of the tone hole tube.

A wind instrument includes a tube body; a tone hole tube that has an inner open end formed extending from the outer periphery of the tube body and opening to the inside of the tube body, and an outer open end opening to the outside of the tube body; and a finger pressing plate that, in the radial direction of the tone hole tube, extends from the outer open end of the tone hole tube to the outside of the tone hole tube.

Structures and methods are provided for adjusting a size of a slide ring aperture for a musical instrument. Embodiments include a trumpet slide ring spacer adapted to be mounted on an instrument and retained within a valve slide ring.

Structures and methods are provided for adjusting a size of a slide ring aperture for a musical instrument. Embodiments include a trumpet slide ring spacer adapted to be mounted on an instrument and retained within a valve slide ring.

A valved wind instrument including a tubular body having a tuning section, a lead pipe connected to a first end of the tuning section and a bell pipe connected to a second end of the tuning section, said tubular body being configured to allow a vibrating column of air to pass therethrough; wherein the tuning section includes an air inlet port for receiving air flow from the lead pipe at the first end, an air outlet port for delivering said air flow to the bell tube at the second end, a plurality of user operable valves; wherein each valve of said plurality of valves is in fluid communication with an adjacent valve by a first tubular portion so as to provide fluid communication between the inlet port and the outlet port, and wherein each valve of said plurality of valves is user moveable between a first position and a second position and each so as to increase the air pathway length between the inlet port and the outlet port by way of a second tubular portion; and wherein each second tubular portions is coplanar with each other, and wherein the second tubular portions are integrally formed from a polymeric material within the tuning section, wherein the tuning section is provided by molded first and second body member that are bonded together and sealingly engaged along a plane parallel to the longitudinal axes of the second tubular portions.

A valved wind instrument including a tubular body having a tuning section, a lead pipe connected to a first end of the tuning section and a bell pipe connected to a second end of the tuning section, said tubular body being configured to allow a vibrating column of air to pass therethrough; wherein the tuning section includes an air inlet port for receiving air flow from the lead pipe at the first end, an air outlet port for delivering said air flow to the bell tube at the second end, a plurality of user operable valves; wherein each valve of said plurality of valves is in fluid communication with an adjacent valve by a first tubular portion so as to provide fluid communication between the inlet port and the outlet port, and wherein each valve of said plurality of valves is user moveable between a first position and a second position and each so as to increase the air pathway length between the inlet port and the outlet port by way of a second tubular portion; and wherein each second tubular portions is coplanar with each other, and wherein the second tubular portions are integrally formed from a polymeric material within the tuning section, wherein the tuning section is provided by molded first and second body member that are bonded together and sealingly engaged along a plane parallel to the longitudinal axes of the second tubular portions.

A valve block for a valve assembly of a wind musical instrument, said valve block comprising a monolithic structure having a plurality of parallel and linearly spaced apart valve bores extending at least partially therethrough and for receiving a corresponding plurality of valve pistons therein an air ingress port extending through the valve block from external of the valve block and providing fluid communication between external of the valve block and a first valve bore; an air outlet port extending through the valve block from external of the valve block and providing fluid communication between external of the valve block and a further valve bore; transverse connecting passageways for providing fluid communication between adjacent valve bores; and a plurality of pairs of tuning section ports with each pair extending through the valve block from external of the valve block and providing fluid communication between external of the valve block and a valve bore.

A valve block for a valve assembly of a wind musical instrument, said valve block comprising a monolithic structure having a plurality of parallel and linearly spaced apart valve bores extending at least partially therethrough and for receiving a corresponding plurality of valve pistons therein an air ingress port extending through the valve block from external of the valve block and providing fluid communication between external of the valve block and a first valve bore; an air outlet port extending through the valve block from external of the valve block and providing fluid communication between external of the valve block and a further valve bore; transverse connecting passageways for providing fluid communication between adjacent valve bores; and a plurality of pairs of tuning section ports with each pair extending through the valve block from external of the valve block and providing fluid communication between external of the valve block and a valve bore.

A musical instrument comprising a mouthpiece and an elongated body, the elongated body comprises a plurality of finger contacts. The finger contacts comprise a first set of contacts arranged such that they may be simultaneously contacted by the little, ring, middle and index finger of the right hand and a second set of contacts arranged such that they may be simultaneously contacted by the little, ring, middle and index finger of the left hand. It further comprises a first thumb contact for contact by the right thumb and a second thumb contact for contact by the left thumb. The instrument comprises a tone generator controlled by the plurality of contacts, such that a first set of successive half tones is generated under control of the second set of contacts when the first thumb contact is operated, a second set of successive half tones is generated under control of the first set of contacts when the second thumb contact is operated, a third set of successive half tones is generated under control of the second set of contacts when the first thumb contact is freed; and a fourth set of successive half tones is generated under control of the first set of contacts when the second thumb contact is freed.