A method implemented in an audio editing device comprises retrieving, by the editing device, audio content and obtaining from a user via the user interface an effect to be applied to the audio content. The method further comprises determining a target number of samples based on the obtained effect, obtaining the target number of samples of the audio content, and identifying, within the obtained target number of samples, a maximum amplitude and a minimum amplitude. The method further comprises applying the effect to the obtained target number of samples and displaying on the user interface, a graphical representation of the obtained target number of samples with the applied effect, wherein the graphical representation depicts amplitude varying as a function of time, wherein displaying the graphical representation is performed prior to generating an audio output file with the effect applied to the audio content.

A system and method for interfacing and controlling multiple musical instrument effects modules on a common platform. The system includes: a system processor; a backplane coupled with the system processor; a plurality of musical instrument effects modules removably inserted into the backplane, each of the plurality of musical instrument effects modules including an audio input signal interface and an audio output signal interface, at least one of the musical instrument effects modules including a programmable potentiometer and/or programmable switch to modify an audio output signal; and a user interface configured to enable a user to apply a desired setting on the programmable potentiometer of the musical instrument effects modules via the system processor and the backplane.

A content control device includes: a plurality of controls to which a plurality of parameters for controlling properties of a content containing at least one of sound and video are respectively assigned, each of the plurality of controls outputting a first indicated value in accordance with an operation amount of the control; and a processor configured to previously create setting information used to determine respective values of the plurality of parameters in accordance with the second indicated value; determine the values of the plurality of parameters corresponding to the second indicated value respectively in accordance with the second indicated value and the setting information; and revise each of the values of the parameters to be determined in accordance with the first indicated value outputted for the control assigned to the parameter.

The invention is a process for the creation of an audio effect in the context of an audio editing software. The effect is created by applying a series or sequence of reversal instances across a sample or waveform in time.

A device including: first and second input units providing first and second input signals of first and second audio tracks, a decomposition unit to decompose the first input audio signal to obtain decomposed signals, a playback unit to start playback of a first output signal obtained from recombining at least first and second decomposed signals at first and second volume levels, respectively, and a transition unit for performing a transition between playback of the first output signal and playback of a second output signal obtained from the second input signal. The transition unit is adapted for reducing the first/second volume levels according to first/second transition functions. The device includes an analyzing unit to analyze an audio signal to determine a song part junction between two song parts. The transition time interval of at least one of the transition functions is set such as to include the song part junction.

A performance analysis method is realized by a computer and includes acquiring a time series of input data representing played pitch that is played, inputting the acquired time series of input data into an estimation model that has learned a relationship between a plurality of items of training input data representing pitch and a plurality of items of training output data representing an acoustic effect to be added to sound having the pitch, and generating a time series of output data for controlling an acoustic effect to be added to sound having the played pitch represented by the acquired time series of input data.

A musical sound producing apparatus includes a plurality of keys; a sound production information generator configured to generate sound production information for producing a musical sound based on a first key operation on any key among the plurality of keys; a control information generator configured to generate control information for controlling, on the basis of a second key operation different from the first key operation, a mode of the musical sound produced on the basis of the first key operation; and a musical sound signal generator configured to generate a musical sound signal on the basis of the sound production information and the control information.

A social entertainment user interface operating on a wireless networked record session device capable of producing a live video and/or audio stream as if made in a vintage record booth. Record sessions are listened to and/or watched by a plurality of other social entertainment user interfaces operating on other networked listening/watching wireless networked devices. Video and audio filters emulate various altered looks and sounds. Record sessions are streamed live or near-live for other social entertainment user interfaces operating on other networked wireless devices to listen and/or watch, and passively and actively rated to dynamically enable watching of the most preferred record sessions.

The present invention provides a method for processing music audio data, comprising the steps of providing input audio data representing a first piece of music containing a mixture of predetermined musical timbres, decomposing the input audio data to generate at least a first audio track representing a first musical timbre selected from the predetermined musical timbres, and a second audio track representing a second musical timbre selected from the predetermined musical timbres, applying a predetermined first audio effect to the first audio track, applying no audio effect or a predetermined second audio effect, which is different from the first audio effect, to the second audio track, and obtaining recombined audio data by recombining the first audio track with the second audio track.

The present document relates to audio coding systems which make use of a harmonic transposition method for high frequency reconstruction (HFR), and to digital effect processors, e.g. so-called exciters, where generation of harmonic distortion adds brightness to the processed signal. In particular, a system configured to generate a high frequency component of a signal from a low frequency component of the signal is described. The system may comprise an analysis filter bank (501) configured to provide a set of analysis subband signals from the low frequency component of the signal; wherein the set of analysis subband signals comprises at least two analysis subband signals; wherein the analysis filter bank (501) has a frequency resolution of Δf. The system further comprises a nonlinear processing unit (502) configured to determine a set of synthesis subband signals from the set of analysis subband signals using a transposition order P; wherein the set of synthesis subband signals comprises a portion of the set of analysis subband signals phase shifted by an amount derived from the transposition order P; and a synthesis filter bank (504) configured to generate the high frequency component of the signal from the set of synthesis subband signals; wherein the synthesis filter bank (504) has a frequency resolution of FΔf; with F being a resolution factor, with F≥1; wherein the transposition order P is different from the resolution factor F.