The described technology is generally directed towards providing a visible waveform representation of an audio signal, by processing the audio signal with a polynomial (e.g., cubic) mapping function. Coefficients of the polynomial mapping function are predetermined based on constraints (e.g., slope information and desired range of the resultant curve), and whether the plotted audio waveform corresponds to sound field quantities or power quantities. Once the visible representation of the reshaped audio waveform is displayed, audio and/or video editing operations can be performed, e.g., by time-aligning other audio or video with the reshaped audio waveform, and/or modifying the reshaped audio waveform to change the underlying audio data.

The described technology is generally directed towards providing a visible waveform representation of an audio signal, by processing the audio signal with a polynomial (e.g., cubic) mapping function. Coefficients of the polynomial mapping function are predetermined based on constraints (e.g., slope information and desired range of the resultant curve), and whether the plotted audio waveform corresponds to sound field quantities or power quantities. Once the visible representation of the reshaped audio waveform is displayed, audio and/or video editing operations can be performed, e.g., by time-aligning other audio or video with the reshaped audio waveform, and/or modifying the reshaped audio waveform to change the underlying audio data.

The described technology is generally directed towards providing a visible waveform representation of an audio signal, by processing the audio signal with a polynomial (e.g., cubic) mapping function. Coefficients of the polynomial mapping function are predetermined based on constraints (e.g., slope information and desired range of the resultant curve), and whether the plotted audio waveform corresponds to sound field quantities or power quantities. Once the visible representation of the reshaped audio waveform is displayed, audio and/or video editing operations can be performed, e.g., by time-aligning other audio or video with the reshaped audio waveform, and/or modifying the reshaped audio waveform to change the underlying audio data.

The described technology is generally directed towards providing a visible waveform representation of an audio signal, by processing the audio signal with a polynomial (e.g., cubic) mapping function. Coefficients of the polynomial mapping function are predetermined based on constraints (e.g., slope information and desired range of the resultant curve), and whether the plotted audio waveform corresponds to sound field quantities or power quantities. Once the visible representation of the reshaped audio waveform is displayed, audio and/or video editing operations can be performed, e.g., by time-aligning other audio or video with the reshaped audio waveform, and/or modifying the reshaped audio waveform to change the underlying audio data.

Computer-based systems, devices, and methods for generating variations of musical compositions are described. Musical compositions stored in digital media include one or more music data object(s) that encode notes. A first set of notes is characterized and a transformation is applied to replace at least one note in the first set of notes with at least one note in a second set of notes. The transformation may explore or call upon the full range of musical notes available without being constrained by conventions of musicality and harmony. For each particular note in the second set of notes that replaces a note in the first set of notes, whether the particular note is in musical harmony with other notes in the music data object is separately assessed and, if not, the particular note is adjusted to bring it into musical harmony with other notes in the music data object.

Computer-based systems, devices, and methods for generating variations of musical compositions are described. Musical compositions stored in digital media include one or more music data object(s) that encode notes. A first set of notes is characterized and a transformation is applied to replace at least one note in the first set of notes with at least one note in a second set of notes. The transformation may explore or call upon the full range of musical notes available without being constrained by conventions of musicality and harmony. For each particular note in the second set of notes that replaces a note in the first set of notes, whether the particular note is in musical harmony with other notes in the music data object is separately assessed and, if not, the particular note is adjusted to bring it into musical harmony with other notes in the music data object.

Computer-based systems, devices, and methods for generating musical note sequences are described. One or more musical composition(s) stored in digital media include one or more data object(s) that encode notes and/or note sequences. At least one note sequence is processed to form a time-ordered sequence of parallel notes, which is analyzed to determine a k-back probability transition matrix for the at least one note sequence. An attribute, such as a style, of the at least one note sequence is thus encoded and used to generate new note sequences that embody a similar attribute or style. In some implementations, the at least one note sequence may include a concatenated set of note sequences representative of a particular library of musical compositions.

Computer-based systems, devices, and methods for generating musical note sequences are described. One or more musical composition(s) stored in digital media include one or more data object(s) that encode notes and/or note sequences. At least one note sequence is processed to form a time-ordered sequence of parallel notes, which is analyzed to determine a k-back probability transition matrix for the at least one note sequence. An attribute, such as a style, of the at least one note sequence is thus encoded and used to generate new note sequences that embody a similar attribute or style. In some implementations, the at least one note sequence may include a concatenated set of note sequences representative of a particular library of musical compositions.

The described technology is generally directed towards providing a visible waveform representation of an audio signal, by processing the audio signal with a polynomial (e.g., cubic) mapping function. Coefficients of the polynomial mapping function are predetermined based on constraints (e.g., slope information and desired range of the resultant curve), and whether the plotted audio waveform corresponds to sound field quantities or power quantities. Once the visible representation of the reshaped audio waveform is displayed, audio and/or video editing operations can be performed, e.g., by time-aligning other audio or video with the reshaped audio waveform, and/or modifying the reshaped audio waveform to change the underlying audio data.

The described technology is generally directed towards providing a visible waveform representation of an audio signal, by processing the audio signal with a polynomial (e.g., cubic) mapping function. Coefficients of the polynomial mapping function are predetermined based on constraints (e.g., slope information and desired range of the resultant curve), and whether the plotted audio waveform corresponds to sound field quantities or power quantities. Once the visible representation of the reshaped audio waveform is displayed, audio and/or video editing operations can be performed, e.g., by time-aligning other audio or video with the reshaped audio waveform, and/or modifying the reshaped audio waveform to change the underlying audio data.