An apparatus and method for pitch-shifting an audio signal with low complexity are disclosed. The method includes identifying a distance between an audio object included in the audio signal and a listener, checking whether the distance between the audio object and the listener decreases, and performing stepwise stretching pitch-shifting of repeatedly using at least one of frequency components of the audio signal when the distance between the audio object and the listener decreases.

An apparatus and method for pitch-shifting an audio signal with low complexity are disclosed. The method includes identifying a distance between an audio object included in the audio signal and a listener, checking whether the distance between the audio object and the listener decreases, and performing stepwise stretching pitch-shifting of repeatedly using at least one of frequency components of the audio signal when the distance between the audio object and the listener decreases.

The present disclosure relates to a method of automatically preparing a MIDI file based on a target MIDI file comprising respective note information about each of a plurality of target notes and a source MIDI file comprising respective note information about each of a plurality of source notes. Each note information comprises pitch information defining a pitch of the note. The method comprises ranking the plurality of target notes based on the pitch of each target note. The method also comprises, for each of the ranked target notes, removing the pitch information from the note information of the target note. The method also comprises, for each of the ranked target notes, replacing the removed pitch information with pitch information of a corresponding source note, whereby the target note has the same pitch as the corresponding source note, forming a plurality of new notes of a new MIDI file.

In a performance operator group, a partial region including at least one first performance operator and at least one second performance operator is set as a first key region. An allocator allocates musical sound data to the first key region. An operation detector detects an operation using each of the plurality of first and second performance operators of the performance operator group. A reproduction controller carries out first control relating to a reproduction method of the allocated musical sound data in response to detection of an operation using one of the first and second performance operators in the first key region, and carries out second control relating to the reproduction method of the allocated musical sound data and being different from the first control in response to detection of an operation using another one of the first and second performance operators in the first key region.

A method for adjusting accompaniment music is disclosed. The method transposes the musical key of at least one section of the accompaniment music such that a song will have different musical key transpositions for different sections of the accompaniment music, so that singers whose vocal ranges are narrow can sing songs after the adjustment.

Computer systems and methods are provided for processing audio queries. An electronic device receives an audio clip and performs a matching process on the audio clip. The matching process includes comparing at least a portion of the audio clip to a plurality of reference audio tracks and identifying, based on the comparing, a first portion of a particular reference track that corresponds to the audio sample. Upon identifying the matching portion, the electronic device provides a backing track for playback which corresponds to the particular reference track, and an initial playback position of the backing track.

The present disclosure relates to a method of automatically preparing a MIDI file based on a target MIDI file comprising respective note information about each of a plurality of target notes and a source MIDI file comprising respective note information about each of a plurality of source notes. Each note information comprises pitch information defining a pitch of the note. The method comprises ranking the plurality of target notes based on the pitch of each target note. The method also comprises, for each of the ranked target notes, removing the pitch information from the note information of the target note. The method also comprises, for each of the ranked target notes, replacing the removed pitch information with pitch information of a corresponding source note, whereby the target note has the same pitch as the corresponding source note, forming a plurality of new notes of a new MIDI file.

A 128-note MIDI-range monophonic musical keyboard instrument (100) includes an octave keypad (106) with eleven keys arranged in an analog clock face format for octave selection with the thumb of one hand, a pitch keypad (108) with twelve pitch keys similarly disposed in a clockface arrangement around a central omnivalent thirteenth key (128), enabling the nondisjointed sounding of nonadjacent notes with the thumb of the other hand. Spatial manipulation of the device, such as tilting and jabbing, can switch octaves and activate other functions, enabling one-handed operation and overcoming small-screen space limitation. Aside from producing typical electronic piano or synthesizer sounds, the device can sing in human voice an extended monosyllabic solfege covering all twelve pitch families of the common chromatic 12-tone even-tempered scale. A pictograph-based music notation (156) mirrors the circular geometry of the pitch and octave keyboards and facilitates the intuitive reading and playing of a melody.

Methods and systems are described that are utilized for remotely controlling a musical instrument. A first digital record comprising musical instrument digital commands from a first electronic instrument for a first item of music is accessed. The first digital record is transmitted over a network using a network interface to a remote, second electronic instrument for playback to a first user. Optionally, video data is streamed to a display device of a user while the first digital record is played back by the second electronic instrument. A key change command is transmitted over the network using the network interface to the second electronic instrument to cause the second electronic instrument to playback the first digital record for the first item of music in accordance with the key change command. The key change command may be transmitted during the streaming of the video data.

Methods and systems are described that are utilized for remotely controlling a musical instrument. A first digital record comprising musical instrument digital commands from a first electronic instrument for a first item of music is accessed. The first digital record is transmitted over a network using a network interface to a remote, second electronic instrument for playback to a first user. Optionally, video data is streamed to a display device of a user while the first digital record is played back by the second electronic instrument. A key change command is transmitted over the network using the network interface to the second electronic instrument to cause the second electronic instrument to playback the first digital record for the first item of music in accordance with the key change command. The key change command may be transmitted during the streaming of the video data.