A multifunctional microphone, includes a controlling mainboard; a sound collector electrically connected with the controlling mainboard; a speaker electrically connected with the controlling mainboard; and a sound adjusting module arranged on the controlling mainboard and configured to adjust sound collected by the sound collector.

Disclosed herein are method, system, and computer program product embodiments for performing the continuous tuning of received audio input from an earpiece or microphone especially customized for karaoke singing, wherein the audio input may be mixed with user-selected song input, and the joint mixed input is independently altered in the frequency domain for output to an earpiece worn by a user as well as separately for an additional audio output to an external connected speaker, for an optimal karaoke experience.

This present invention relates to a stringed musical instrument with an integrated touch video screen allowing a user to play the instrument while singing along with a variety of pre-recorded songs. The video screen displays the words and other information of a user selected song. More specifically, the stringed musical instrument has built in karaoke components and the strings of the instrument can be strummed by the user to play a melody, or the user may mimic playing the instrument strings, wherein the sounds emitted from the strings can be muted.

A method includes uploading a plurality of songs to a server; allowing a first user to listen to a selected song from the plurality on an electronic device, the selected song being transmitted across an electronic network from the server; allowing the first user to record a user-generated stem track using the electronic device, the electronic device being located at the user location; without saving the user-generated stem track, transmitting only the user-generated stem track across the electronic network to the server; storing the user-generated stem track on the server; allowing the first user to select a plurality of other individual user-generated stem tracks from the server and combine the selected user-generated stem tracks to form a user-generated cover song; and transmitting an electronic message to other users who generated the other individual user-generated stem tracks, informing them of the combination of their stem tracks to form the cover song.

Digital signal processing and machine learning techniques can be employed in a vocal capture and performance social network to computationally generate vocal pitch tracks from a collection of vocal performances captured against a common temporal baseline such as a backing track or an original performance by a popularizing artist. In this way, crowd-sourced pitch tracks may be generated and distributed for use in subsequent karaoke-style vocal audio captures or other applications. Large numbers of performances of a song can be used to generate a pitch track. Computationally determined pitch trackings from individual audio signal encodings of the crowd-sourced vocal performance set are aggregated and processed as an observation sequence of a trained Hidden Markov Model (HMM) or other statistical model to produce an output pitch track.

For each sound of a model performance, performance information designating a sound generation timing and sound are supplied, and for each of a plurality of phrases into which the model performance is divided, intensity information indicative of an intensity of sound for the phrase is supplied. In accordance with a progression of a performance time and for each phrase of the model performance, the intensity information is acquired ahead of a start timing when a performance of the phrase is to be started, and the intensity of sound common to sounds in the phrase is presented based on the acquired intensity information. The intensity of the sound is presented in a visual or audible manner. In this way, a human player can know, through a visual display and/or an audible sound, an intensity of a key depression operation for each phrase of the model performance before starting the phrase. As a result, the human player can practice the performance while being aware of the intensity of sound for each phrase.

User interface techniques provide user vocalists with mechanisms for seeding subsequent performances by other users (e.g., joiners). A seed may be a full-length seed spanning much or all of a pre-existing audio (or audiovisual) work and mixing, to seed further contributions of one or more joiners, a user's captured media content for at least some portions of the audio (or audiovisual) work. A short seed may span less than all (and in some cases, much less than all) of the audio (or audiovisual) work. For example, a verse, chorus, refrain, hook or other limited “chunk” of an audio (or audiovisual) work may constitute a seed. A seeding user's call invites other users to join the full-length or short-form seed by singing along, singing a particular vocal part or musical section, singing harmony or other duet part, rapping, talking, clapping, recording video, adding a video clip from camera roll, etc. The resulting group performance, whether full-length or just a chunk, may be posted, livestreamed, or otherwise disseminated in a social network.

A system is described that permits identified musical phrases or themes to be synchronized and linked into changing real-world events. The achieved synchronization includes a seamless musical transition—achieved using a timing offset, such as relative advancement of an significant musical “onset,” that is inserted to align with a pre-existing but identified music signature, beat or timebase—between potentially disparate pre-identified musical phrases having different emotive themes defined by their respective time signatures, intensities, keys, musical rhythms and/or musical phrasing. The system operates to augment an overall sensory experience of a user in the real world by dynamically changing, re-ordering or repeating and then playing audio themes within the context of what is occurring in the surrounding physical environment, e.g. during different phases of a cardio workout in a step class the music rate and intensity increase during sprint periods and decrease during recovery periods.

A wall-mountable jukebox and cover assembly in which a jukebox chassis is exposed by the cover in a display screen and in one or more payment receptors for pay-for-play payment collection devices. The jukebox chassis and cover are designed to enable the jukebox chassis to detachably slide-on to the cover. Various securing mechanisms and access mechanisms may be configured. The jukebox and cover assembly is configured for use in commercial venues and can be customized to each location.

The information providing method includes: sequentially identifying a performance speed at which a user performs a piece of music; identifying, in the piece of music, a performance position that is performed by the user; setting an adjustment amount in accordance with a temporal variation in the identified performance speed; and providing the user with music information corresponding to a time point that is later, by the adjustment amount, than a time point that corresponds to the performance position identified in the piece of music.