A system is described that permits identified musical phrases or themes to be synchronized and linked into changing real-world events. The achieved synchronization includes a seamless musical transitionachieved using a timing offset, such as relative advancement of an significant musical onset, that is inserted to align with a pre-existing but identified music signature, beat or timebasebetween potentially disparate pre-identified musical phrases having different emotive themes defined by their respective time signatures, intensities, keys, musical rhythms and/or musical phrasing. The system operates to augment an overall sensory experience of a user in the real world by dynamically changing, re-ordering or repeating and then playing audio themes within the context of what is occurring in the surrounding physical environment, e.g. during different phases of a cardio workout in a step class the music rate and intensity increase during sprint periods and decrease during recovery periods.

The present disclosure relates to an apparatus, system, and method that allow non-musicians to compose and perform a musical composition. Although some existing electronic devices can provide a virtual environment to compose and play musical sound digitally, manipulating such a virtual environment can be difficult and may require specific software expertise, as well as knowledge of music theory. The present disclosure provides a platform that facilitates the creation of a musical composition without such software expertise or knowledge of music theory. The platform models a musical composition as a simultaneous playback of one or more musical contents. The platform allows players to control or modify one or more of the plurality of musical contents to generate or synthesize a musical composition.

Systems and methods for re-arranging a musical composition using augmented reality are disclosed. A user can be provided with one or more physical image markers representative of at least one of a musical entity and a musical style in which a musical track has been pre-recorded. Upon capturing a visual scene in which one or more of these physical image markers are included, an augmented reality version of the visual scene is displayed along with audio corresponding to the musical style(s) and/or entities represented by the one or more physical image markers.

Systems and methods for creating and presenting sensory stimulating content in a cyber reality environment. One aspect of the disclosure allows a composer to associate audio content with one or more virtual triggers, and to define behavior characteristics which control the functioning of each virtual trigger. Another aspect of the disclosure provides a variety of user interfaces through which a performer can cause content to be presented to an audience.

A music composition, editing, and playback system and method provides a user interface design based on geometric interpretation of music theory replacing traditional modern music notation with geometric shapes including chords represented by polygons that are colored with colors or hues.

In some implementations, a computing device can be configured to present a graphical user interface that enables the dynamic authoring of music by a user of the computing device. The computing device can present a grid of cells, where each cell represents a music segment. The cells can be configured to playback the music segment once or playback the music segment in a repeating loop. The user can select (e.g., touch) one or more cells in the grid to cause the corresponding music segment to play. While playing selected cells, the user can provide input selecting various musical effects to apply to the playing music. The user can record a dynamically selected sequence of cells and musical effects to create an original musical product.

Automated music composition and generation machine, systems and methods, and architectures that allow anyone, without possessing any knowledge of music theory or practice, or expertise in music or other creative endeavors, to instantly create unique and professional-quality music, synchronized to any kind of media content, including, but not limited to, video, photography, slideshows, and any pre-existing audio format, as well as any object, entity, and/or event, wherein the system user only requires knowledge of ones own emotions and/or artistic concepts which are to be expressed in a piece of music that will ultimately composed by the automated composition and generation system of the present invention.

A method for visually representing a recording session on a display, the method including displaying, by a processor on a display device, an icon having a shape, receiving audio data, and generating pulses that radiate outwardly, concentrically, and separately from the icon. A timing of the pulses may correspond to audio events within the audio data, a starting size of the pulses may correspond to an amplitude of the audio events within the audio data, and a spacing between consecutive pulses may correspond to a timing between the audio events within the audio data. The radiating pulses can be circular and may expand outwardly from the icon. The audio events may include audio transients. The icon can be circular, polygonal, three-dimensional (e.g., spherical), or the like.

Performance information of one or more accompaniment parts is extracted from original performance information. Arranged accompaniment performance information is created using, in accordance with a predetermined arranging condition, only any one or more of pitch names included in the extracted accompaniment performance information. The predetermined arranging condition comprises instructing that any of chord component notes be thinned out in an identified chord progression, and arranged accompaniment performance information is created by thinning out an accompaniment note of a pitch name corresponding to the chord component note having been instructed to be thinned out. Another predetermined arranging condition comprises setting a ratio between chords and arpeggios in one or more measures, and a combination of chords and arpeggios in the extracted accompaniment part performance information is changed so that a ratio between chords and arpeggios in one or more measures in the extracted accompaniment performance information assumes the set ratio.

Disclosed herein is a method for facilitating creating of music in real time by multiple users, in accordance with some embodiments. Accordingly, the method comprises receiving first music segment selections from a first user device, receiving second music segment selections from a second user device, transmitting the first music segment selections to the second user device, and transmitting the second music segment selections to the first user device. Further, each of the first user device and the second user device is configured for retrieving the first music segments, retrieving the second music segments, determining a universal time, synchronizing the second music segments with the first music segments to a common musical beat based on the universal time, mixing the second music segments with the first music segments based on the synchronizing, and generating a mixed music comprising the first music segments and the second music segments based on the mixing.