A system is described that permits identified musical phrases or themes to be synchronized and linked into changing real-world events. The achieved synchronization includes a seamless musical transitionachieved using a timing offset, such as relative advancement of an significant musical onset, that is inserted to align with a pre-existing but identified music signature, beat or timebasebetween potentially disparate pre-identified musical phrases having different emotive themes defined by their respective time signatures, intensities, keys, musical rhythms and/or musical phrasing. The system operates to augment an overall sensory experience of a user in the real world by dynamically changing, re-ordering or repeating and then playing audio themes within the context of what is occurring in the surrounding physical environment, e.g. during different phases of a cardio workout in a step class the music rate and intensity increase during sprint periods and decrease during recovery periods.

Techniques are provided for generating an output file. One technique involves the steps of generating audio or MIDI content blocks from one or more musical performances; receiving an input file having audio or MIDI music content; generating a harmonic chord map for the input file; using the harmonic chord map to automatically select a subset of the audio or MIDI content blocks, and generating the output file by combining the selected subset of content blocks and the input file. This technique may enable the creation of unique and new musical accompaniments by re-purposing audio or MIDI content from back catalogs and/or out-takes of musical works. The new arrangement may be provided in multiple music styles, genres, or moods and may contain performances from multiple musical instruments, which may be pre-recorded from live instrument performances and/or of MIDI generated musical content.

A system and method for synchronizing an audio or MIDI file with a video file are provided. The method includes receiving a first audio or MIDI file, receiving a video file, and operating an audio synchronization module to perform steps of synchronizing the first audio or MIDI file with the video file, marking an event in the video file at a point on a timeline, detecting a first musical key for the event, retrieving a musical stinger or swell from a library, in which the musical stinger or swell is a second audio or MIDI file and is tagged with a second musical key, and the second musical key is relevant to the first musical key, and placing the musical stinger or swell at the point of the timeline marked for the event.

A media-content augmentation system includes a processing system that receives input data in the form of temporally-varying events data. The processing system resolves the input into one or more categorized contextual themes, correlates the themes with metadata associated with at least one reference media file, and then splices or fades together selected parts of the media file, thus generating as an output, a media product in which transitions between its contextual themes are aligned with selected temporal events in the input data. The temporarily-varying events take the form of a beginning and an end in the case of a sustained feature, or a specific point in time for a hit point. A method aligns sections in digital media files with temporally-varying events data to compose a media product. The system augments a sensory experience of a user by dynamically changing and then playing selected media files within the context of the categorized themes input to the processing system.

Techniques are disclosed relating to determining composition rules, based on existing music content, to automatically generate new music content. In some embodiments, a computer system accesses a set of music content and generates a set of composition rules based on analyzing combinations of multiple loops in the set of music content. In some embodiments, the system generates new music content by selecting loops from a set of loops and combining selected ones of the loops such that multiple ones of the loops overlap in time. In some embodiments, the selecting and combining loops is performed based on the set of composition rules and attributes of loops in the set of loops.

In accordance with implementations of the subject matter described herein, there is provided a solution for supporting a machine to automatically generate a song. In this solution, an input from a user is used to determine a creation intention of the user with respect to a song to be generated. Lyrics of the song are generated based on the creation intention. Then, a template for the song is generated based at least in part on the lyrics. The template indicates a melody matching with the lyrics. In this way, it is feasible to automatically create the melody and lyrics which not only conform to the creation intention of the user but also match with each other.

The present invention relates to a method and a device 10 for processing mixed audio data, including decomposing in real-time with low latency, in which a continuous stream of mixed audio data is received from an audio source 14, a first chunk of the stream of mixed audio data is loaded into a buffer, the audio data contained in the buffer is decomposed to obtain first decomposed audio data representing audio signals of a predetermined timbre, and a first chunk of output data is obtained from the first decomposed audio data, preferably for direct playback via speaker 26.

A method for automatically generating an audio signal, the method comprising receiving a source audio signal analyzing the source audio signal to identify a musical parameter characteristic thereof obtaining a supplemental audio signal based on the identified musical parameter characteristic and combining the source audio signal and the supplemental audio signal to form an extended audio signal.

Methods of creating and recreating a mix instructions file for mixing two or more music tracks are disclosed including the comparison of the music tracks used in creation and recreation, respectively. If possible and necessary, the recreation music tracks may be adjusted to correspond better to the creation music tracks.

A music production system comprises: a computer interface comprising at least one input for receiving an external request for a piece of music and at least one output for transmitting a response to the external request which comprises or indicates a piece of music incorporating first music data; a first music production component configured to process second music data according to at least a first input setting so as to generate the first music data; a second music production component configured to receive via the computer interface an internal request, and provide the second music data based on at least a second input setting denoted by the internal request; and a controller configured to determine in response to the external request the first and second input settings, and instigate the internal request via the computer interface.