A method comprises providing an audio file comprising two or more discrete tracks; separating the two or more discrete tracks; setting a limit on an amount at least one of the two or more discrete tracks may be altered; and outputting the separated and limited discrete tracks as a file for use by an end user.

A media-content augmentation system includes a database with a multiplicity of media files and associated metadata. Each media file is mapped to at least one contextual theme defined by beginning and end timings. A processing system couples to the database; and an input couples to the processing system. The input is in the form of temporally-varying events data. The processing system resolves the input into one or more categorized contextual themes, correlates the themes with metadata associated with selected media files relevant to the themes, and then splices or fades together selected media files to reflect the events as the input varies with time, thus generating as an output, a media product in which transitions between media are aligned with the temporally-varying events. The database may contain sections of digital media files. A method aligns sections in digital media files with temporally-varying events data to compose a media product.

Computer-based systems, devices, and methods for generating musical compositions are described. A population of musical compositions stored in digital media are each segmented to produce abridged samples. The samples are analyzed to identify parent compositions that best exhibit or evoke a particular desired quality. The parent compositions are cross-bred to generate a set of child compositions which are similarly segmented and analyzed. The child compositions that best exhibit or evoke the particular desired quality are re-cast as parent compositions from which another generation of child compositions are bred. Mutations in the form of musical variations are inserted in at least some iterations and the process is repeated until at least one child composition that satisfies some exit criterion is returned.

A method and an apparatus for generating a remix. The method comprises: obtaining at least two audios which are different singing versions of a same song: extracting, from each audio, a vocal signal and an instrumental signal to obtain a vocal set the vocal signal of each audio and a instrumental set comprising the instrumental signal of each audio: aligning tracks of all vocal signals in the vocal set based on reference rhythm information selected from rhythm information of all vocal signals in the vocal set, where all vocal signals having the aligned tracks serve as to-be-mixed vocal audios: determining an instrumental signal, of which a track is aligned with those of the to-be-mixed vocal audios, from the instrumental set as a to-be-mixed instrumental audio: and mixing the to-be-mixed vocal audios with the to-be-mixed instrumental audio to obtain the remix.

Audio mix information is received from a plurality of users. Mix rules are determined from the audio mix information from the plurality of users, wherein the mix rules include a first mix rule associated with a first audio item. The first mix rule relates to an overlap of the first audio item with another audio item. The first mix rule is made available to one or more clients. After making the first mix rule available, an indication, from a respective client device, that the first audio item is to be mixed with a second audio item at the respective client device in accordance with the first mix rule is received. In response to the indication, a specification of the first mix rule is transmitted to the respective client device to be applied by the respective client device to generate a transition between the first audio item and the second item.

Musical catalog amplification services that leverage or deploy a computer-based musical composition system are described. The computer-based musical composition system employs algorithms and, optionally, artificial intelligence to generate new music based on analyses of existing music. The new music may be wholly distinctive from, or may include musical variations of, the existing music. Rights in the new music generated by the computer-based musical composition system are granted to the rights holder(s) of the existing music. In this way, the musical catalog(s) of the rights holder(s) is/are amplified to include additional music assets. The computer-based musical composition system may be tuned so that the new music sounds more like, or less like, the existing music of the rights holder(s). Revenues generated from the new music are shared between the musical catalog amplification service provider and the rights holder(s).

An auditory augmentation system includes a database with a multiplicity of audio sections and associated metadata for digital audio files. Each audio section is mapped to a contextual theme, each contextual theme being mapped to an audio section having an entry point and an exit point. The entry and exit points support seamless splice or fade transitions between different audio sections. A processing system couples to the database along with an input; the input is in the form of temporally-varying events data that defines a temporal input. The processing system resolves the temporal input into one or more of a plurality of categorized contextual themes, correlates the categorized contextual themes with metadata associated with selected audio sections relevant to the one or more categorized contextual themes, and splices or fades together selected audio sections, and generates, as an output, a media product in which transitions between audio sections are seamless.

Computer-based systems, devices, and methods for assigning mood labels to musical compositions are described. A mood classifier is trained based on mood-labeled musically-coherent segments of musical compositions and subsequently applied to automatically assign mood labels to musically-coherent segments of musical compositions. In both cases, the musically-coherent segments are generated using automated segmentation algorithms.

A system is described that permits identified musical phrases or themes to be synchronized and linked into changing real-world events. The achieved synchronization includes a seamless musical transitionachieved using a timing offset, such as relative advancement of an significant musical onset, that is inserted to align with a pre-existing but identified music signature, beat or timebasebetween potentially disparate pre-identified musical phrases having different emotive themes defined by their respective time signatures, intensities, keys, musical rhythms and/or musical phrasing. The system operates to augment an overall sensory experience of a user in the real world by dynamically changing, re-ordering or repeating and then playing audio themes within the context of what is occurring in the surrounding physical environment, e.g. during different phases of a cardio workout in a step class the music rate and intensity increase during sprint periods and decrease during recovery periods.

Audio mix information is received from a plurality of users. Mix rules are determined from the audio mix information from the plurality of users, wherein the mix rules include a first mix rule associated with a first audio item. The first mix rule relates to an overlap of the first audio item with another audio item. The first mix rule is made available to one or more clients. After making the first mix rule available, an indication, from a respective client device, that the first audio item is to be mixed with a second audio item at the respective client device in accordance with the first mix rule is received. In response to the indication, a specification of the first mix rule is transmitted to the respective client device to be applied by the respective client device to generate a transition between the first audio item and the second item.