A virtual instrument can manage separate static and dynamic samples for various notes that can be played by the virtual instrument. In some cases, the static samples correspond to resonance sounds recorded for an instrument and are the same for every note. However, the dynamic samples may correspond to isolated sounds that are recorded for each variation of a note that can be played. In response to a user's selection of a note on a user interface of the virtual instrument, the virtual instrument may determine a rule for layering the various static and dynamic samples for playback.

A computing device may provide a control interface that enables the user to manage the synchronized output of companion content (e.g., textual content and corresponding audio content). For example, the computing device may display a visual cue to identify a current location in textual content corresponding to a current output position of companion audio content. As the audio content is presented, the visual cue may be advanced to maintain synchronization between the output position within the audio content and a corresponding position in the textual content. The user may control the synchronized output by dragging her finger across the textual content displayed on the touch screen. Accordingly, the control interface may provide a highlight or other visual indication of the distance between the advancing position in the textual content and the location of a pointer to the textual content indicated by the current position of the user's finger.

A music generating system enables a user to generate independent and sequential musical melodies, having reduced latency periods, without playing an electronic percussion instrument. The music generating system includes an electronic percussion instrument, a MIDI controller coupled to the electronic percussion instrument, a unidirectional USB communication link coupled to the MIDI controller, a MIDI converter coupled to the unidirectional USB communication link, a bidirectional USB-MIDI communication link coupled to the MIDI converter, and a rhythm drum machine in communication with the bidirectional USB-MIDI communication link. The MIDI converter is configured to independently and sequentially receive and learn a first audio control signal and a second audio control signal in a non-overlapping pattern, and thereby independently and sequentially generates and transmits to the rhythm drum machine a first musical melody and a second musical melody corresponding to the first audio control signal and the second audio control signal, respectively.

An electronic device and a method for controlling the electronic device are provided. The method includes receiving at least one input sound from a user, determining one of a plurality of reference sounds included in a guide track as a device playing sound corresponding to the at least one input sound, and playing the device playing sound.

A wearable pressure sensor coupled to a controller and transmitter/receiver that when activated sends a control signal.

A musical instrument, for example, a keyboard guitar, includes a body, an elongated neck coupled to the body, neck keys disposed on the elongated neck, and an output for transmitting an electrical signal generated by the musical instrument. Activation of each neck key generates an electrical signal at the output representing a pitch associated with a musical note. The musical instrument may also include body keys disposed on the body, and a strum bar that generates an electrical signal at the output representing a pitch associated with a musical note based on which of the body keys are activated during activation of the strum bar. Further, the musical instrument may include a continuous graphic image spanning the front face of the body and the body keys, forming a continuous pattern that is unbroken across a transition between key surfaces of the body keys and the front face of the body.

User interface techniques provide user vocalists with mechanisms for seeding subsequent performances by other users (e.g., joiners). A seed may be a full-length seed spanning much or all of a pre-existing audio (or audiovisual) work and mixing, to seed further contributions of one or more joiners, a user's captured media content for at least some portions of the audio (or audiovisual) work. A short seed may span less than all (and in some cases, much less than all) of the audio (or audiovisual) work. For example, a verse, chorus, refrain, hook or other limited “chunk” of an audio (or audiovisual) work may constitute a seed. A seeding user's call invites other users to join the full-length or short-form seed by singing along, singing a particular vocal part or musical section, singing harmony or other duet part, rapping, talking, clapping, recording video, adding a video clip from camera roll, etc. The resulting group performance, whether full-length or just a chunk, may be posted, livestreamed, or otherwise disseminated in a social network.

A method for generating music is provided, the method comprising receiving, on a capacitive touch sensitive interface such as a keyboard, multi-finger gesture inputs having a first component and a second component, wherein the second component has a temporal evolution such as speed; determining the onset of an audio signal, such as a tone, based on the first component, analyzing the temporal evolution of the second component to determine MIDI or Open Sound Control OSC instructions; modifying the audio signal based on the instructions, in particular by decoupling the temporal relationship between specific gesture inputs (e.g. at key onset, during a note and upon key release), thus mapping gesture and motion inputs, to thus obtain previously unachievable musical effects with music synthesizers.

A wall-mountable jukebox and cover assembly in which a jukebox chassis is exposed by the cover in a display screen and in one or more payment receptors for pay-for-play payment collection devices. The jukebox chassis and cover are designed to enable the jukebox chassis to detachably slide-on to the cover. Various securing mechanisms and access mechanisms may be configured. The jukebox and cover assembly is configured for use in commercial venues and can be customized to each location.

A highly configurable controller is described that includes a number of different types of control mechanisms that emulate a wide variety of conventional control mechanisms using pressure and location sensitive sensors that generate high-density control information which may be mapped to the controls of a wide variety of devices and software.