Visual effects schedules are applied to audiovisual performances with differing visual effects applied in correspondence with differing elements of musical structure. Segmentation techniques applied to one or more audio tracks (e.g., vocal or backing tracks) are used to compute some of the components of the musical structure. In some cases, applied visual effects schedules are mood-denominated and may be selected by a performer as a component of his or her visual expression or determined from an audiovisual performance using machine learning techniques.

Vocal audio of a user together with performance synchronized video is captured and coordinated with audiovisual contributions of other users to form composite duet-style or glee club-style or window-paned music video-style audiovisual performances. In some cases, the vocal performances of individual users are captured (together with performance synchronized video) on mobile devices, television-type display and/or set-top box equipment in the context of karaoke-style presentations of lyrics in correspondence with audible renderings of a backing track. Contributions of multiple vocalists are coordinated and mixed in a manner that selects for presentation, at any given time along a given performance timeline, performance synchronized video of one or more of the contributors. Selections are in accord with a visual progression that codes a sequence of visual layouts in correspondence with other coded aspects of a performance score such as pitch tracks, backing audio, lyrics, sections and/or vocal parts.

A wireless controller that allows a musician to wirelessly switch between audio effect presets, loops, and/or songs which are stored in a specialized audio/instrument cable or adapter. The wireless controller can be located in the same place as (or incorporated into) a digital guitar tuner on a guitar headstock allowing the musician to operate the wireless controller in a familiar location while switching between audio effect presets, loops, and/or songs by tapping on small buttons.

Techniques have been developed to facilitate the livestreaming of group audiovisual performances. Audiovisual performances including vocal music are captured and coordinated with performances of other users in ways that can create compelling user and listener experiences. For example, in some cases or embodiments, duets with a host performer may be supported in a sing-with-the-artist style audiovisual livestream in which aspiring vocalists request or queue particular songs for a live radio show entertainment format. The developed techniques provide a communications latency-tolerant mechanism for synchronizing vocal performances captured at geographically-separated devices (e.g., at globally-distributed, but network-connected mobile phones or tablets or at audiovisual capture devices geographically separated from a live studio).

Techniques have been developed to facilitate the livestreaming of group audiovisual performances. Audiovisual performances including vocal music are captured and coordinated with performances of other users in ways that can create compelling user and listener experiences. For example, in some cases or embodiments, duets with a host performer may be supported in a sing-with-the-artist style audiovisual livestream in which aspiring vocalists request or queue particular songs for a live radio show entertainment format. The developed techniques provide a communications latency-tolerant mechanism for synchronizing vocal performances captured at geographically-separated devices (e.g., at globally-distributed, but network-connected mobile phones or tablets or at audiovisual capture devices geographically separated from a live studio).

A stringed instrument tuner that senses the vibration of all the strings of the instrument independently and simultaneously via ultraviolet reflective light sensors that are immune to interference from ambient alternating-current lighting. The pitches of the strings are then measured continuously in real-time and transmitted wirelessly to a receiver that simultaneously graphically displays how far out-of-tune all of the strings are so that the musician can instantly see which strings need tuning and tune them quickly. The receiver may be a smartphone, smartwatch, smart glasses, computer, self-tuning system, or a dedicated wearable receiver-display unit.

Certain exemplary embodiments relate to entertainment systems and, more particularly, certain exemplary embodiments relate to jukebox systems that incorporate digital downloading jukebox features along with karaoke jukebox and/or photo booth features. A combined karaoke/photo booth/jukebox may enable more integrated performance-like experiences in an in-home or out-of-home location or venue. By leveraging vast audio media libraries, trusted rights-respecting network infrastructure, and on-site image/video capturing from integrated recorders and/or remote portable devices, a more sociable experience may be created for karaoke jukebox patrons, e.g., where custom content can be generated and shared in a safe and legally appropriate manner.

Playback, recording, and analysis of music scales via software configuration. In an embodiment, a graphical user interface is generated with staff and keyboard canvases, visually representing a music staff and keyboard, respectively, a scale input, parameter input(s), and a play input. In response to selection of a scale, the staff canvas is updated to visually represent the notes in the scale. In response to the selection of a musical parameter, the staff canvas and/or keyboard canvas are updated to reflect the musical parameter. In response to selection of the play input, a soundtrack of the scale is output, while simultaneously highlighting the note, being played, on the staff canvas and the key, associated with the note being played, on the keyboard canvas.

An electronic musical instrument includes a communication unit and a processing unit. The communication unit is capable of performing short-range wireless communication with a terminal. In a case where the terminal performs an operation according to an operation pattern including an operation of repeating, in a predetermined pattern, at least one of transmission of a reading request of data and transmission of writing target data and a writing request for the writing target data while the electronic musical instrument and the terminal are in a state in which the short-range wireless communication is possible, the processing unit performs a process of transmitting corresponding data when the reading request is received using the communication unit, and performs a process of writing the writing target data when the writing target data and the writing request for the writing target data are received via the communication unit.

The present technology relates to a signal processing device, a signal processing method, and a program that enable intuitive operation of sound.

The signal processing device includes an acquisition unit that acquires a sensing value indicating a motion of a predetermined portion of a body of a user or motion of an instrument, and a control unit that performs non-linear acoustic processing on an acoustic signal according to the sensing value. The present technology can be applied to an acoustic reproduction system.