A dynamic, chord based, MIDI scale and pattern generator effects creation system and method is disclosed. This software eliminates the need for a specific chord information device and allows for any audio or MIDI input to influence MIDI effects for creating melodies, basslines and arpeggios that fit over specific chords.

This is a method and installation in which a time-domain digital audio signal is split into a plurality of narrow-band time-domain digital audio signals confined to specific frequency bands, short-term segments of which are temporarily stored in memory. The method comprises the use of signal processing algorithms for extracting multiple signal features from said short-term segments in a fixed sequence or upon request from a decision-making algorithm. Said decision-making algorithm makes tentative or final decisions about the type of occupancy of frequency bands resulting from the extracted features. Said decision-making algorithm may request from said signal processing algorithms further specific feature extractions from specific short-term segments and make further tentative or final decisions about the type of occupancy of frequency bands resulting from the requested features. Next, said decision-making algorithm stores its tentative decisions and makes final decisions about band occupancy for processing together with results from later short-term segments. Eventually, said decision-making algorithm outputs final decisions derived from current and past short-segments in the form of a set of notes having been played over some recent time interval, together with information as to the timing of each note from the set.

A chord judging method performed by a processor to judge chords of a musical piece, in which the processor estimates plural chord candidates of each of plural parts specified in the musical piece; calculates connection costs, each of which is defined between the chord candidates of adjacent parts of the musical piece; obtains total sums of the connection costs between the chord candidates along plural routes through the musical piece; and selects a route from among the plural routes, which route shows a less total sum of the connection costs of the chord candidates, thereby outputting an appropriate chord candidate of each of the parts along the found route of the musical piece.

A system for analyzing an emotion of a sound includes: an input unit to which target sound data is input; a basic element extraction unit extracting a basic element from the target sound data to generate target basic element information; a chord progression extraction unit extracting a chord progression from the target sound data to generate target chord progression information; and an emotion determining unit calculating a target emotion value by applying the target basic element information and the target chord progression information to an emotion extraction model generated by using sample sound data.

A method of generating a musical score file for one or more target musical instruments with a score generation component based on input audio data. The score generation component finds candidate musical notes within the input audio data using a frequency analysis to identify segments that share substantially the same audio frequency, and finds a best match for those candidate musical notes in audio data associated with target musical instruments in a sound database. Note, chord, and/or rhythm information is saved to a musical score file along with a page description header describing print settings. The generated musical score file can then be printed as sheet music or audibly played back over speakers.

A visualization method for music-color synesthesia, belonging to the fields of cognitive psychology, color science and computer graphics, and relating to the visualization of the music synesthesia correlation of colors and the generation of a musical color combination scheme. In the method, a musical scale system is presented in the form of a color scale system, and the musical elements are presented through the color correlation to realize the synesthetic conversion between colors and musical elements, and on this basis, a color graphical conversion of the musical structure is performed. The implementations include: a conversion from colors to musical scales, a conversion from colors to chords, a conversion from colors to rhythm and a conversion from colors to texture etc.

A method and system for analyzing patterns in the relationships of notes of an input piece of music. The method comprises generating a set of the most frequently occurring note pitches in ascending pitch order that matches an interval pattern, and detecting out-of-key pitches that lie outside of this internal pattern. One or more potential key sequence bifurcations are identified which represent a list of possible key sequences according to forwards and backwards analysis. By finding patterns of repetition in the chordal sequences that may be generated according to these key sequence bifurcations, a key sequence that allows the most frequently recurring chord sequences may be chosen. Chord sequences may be analyzed by using ghost chords, temporary harmonic structures that are created, updated and finalized over time according to a combination of essential and inessential note fragments. The method further comprises identifying non-harmony pitches according to the analyzed chord sequence.

A chord judging method performed by a processor to judge chords of a musical piece, in which the processor estimates plural chord candidates of each of plural parts specified in the musical piece; calculates connection costs, each of which is defined between the chord candidates of adjacent parts of the musical piece; obtains total sums of the connection costs between the chord candidates along plural routes through the musical piece; and selects a route from among the plural routes, which route shows a less total sum of the connection costs of the chord candidates, thereby outputting an appropriate chord candidate of each of the parts along the found route of the musical piece.

A chord judging apparatus for judging chords of a musical piece, is provided with a processor and a memory for storing data of the musical piece, wherein the processor specifies plural segments in the data of the musical piece, estimates a tonality of each of the specified segments based on component tones included in the segment, and judges a chord of the plural segments of the musical piece based on modulation in tonality, when modulation is introduced in the estimated tonalities of the plural segments.

A method and system for analyzing patterns in the relationships of notes of an input piece of music. The method comprises generating a set of the most frequently occurring note pitches in ascending pitch order that matches an interval pattern, and detecting out-of-key pitches that lie outside of this interval pattern. One or more potential key sequence bifurcations are identified which represent a list of possible key sequences according to forwards and backwards analysis. By finding patterns of repetition in the chordal sequences that may be generated according to these key sequence bifurcations, a key sequence that allows the most frequently recurring chord sequences may be chosen. Chord sequences may be analyzed by using ghost chords, temporary harmonic structures that are created, updated and finalized over time according to a combination of essential and inessential note fragments. The method further comprises identifying non-harmony pitches according to the analyzed chord sequence.