A method and system for visualizing music using a perceptually conformal mapping system are provided. A music source file is input into a processor configured to carry out a series of steps on audio cues identified within the music and ultimately generate a simultaneous visual representation on a display device. The series of steps include application of one or more perceptually conformal mapping systems that essentially induce a synesthetic experience in which a person can experience music both acoustically and visually at the same time. The device extracts cues from the music that are designed to specifically capture fundamentals of human appreciation, maps them into visual cues, then presents those visual cues synchronized with the source music.

A DJ media player is provided. The DJ media player has a control wheel used to control audio playback and a customizable first electronic display located about the center of the platter for displaying a graphic. The DJ media player has a second electronic display to show audio playback information. The graphic is dynamically updated. The graphic corresponds to at least one of a logo, an artist, an album, a song playback information, or a selection made by a user.

Techniques are disclosed relating to implementing audio techniques for real-time audio generation. For example, a music generator system may generate new music content from playback music content based on different parameter representations of an audio signal. In some cases, an audio signal can be represented by both a graph of the signal (e.g., an audio signal graph) relative to time and a graph of the signal relative to beats (e.g., a signal graph). The signal graph is invariant to tempo, which allows for tempo invariant modification of audio parameters of the music content in addition to tempo variant modifications based on the audio signal graph.

Techniques are disclosed relating to implementing user-created controls to modify music content. A music generator system may be configured to automatically generate output music content by selecting and combining audio tracks based on various parameters. Users may create their own control elements that the music generator system may train (e.g., using AI techniques) to generate output music content according to a user's intended functionality of a user-created control element.

Techniques are disclosed relating to tracking contributions to composed music content. In some embodiments, a computer system determines playback data for a music content mix, where the playback data indicates characteristics of playback of the music content mix and the music content mix includes a determined combination of multiple audio tracks. In some embodiments, the system records, in an electronic block-chain ledger data structure, information specifying individual playback data for one or more of the multiple audio tracks in the music content mix. The information specifying individual playback data for an individual audio track may include usage data for the individual audio track and signature information associated with the individual audio track.

Techniques are disclosed relating to automatically generate new music content based on image representations of audio files. A computer system generate image representations of audio files. The image representations may be generated, for example, based on data in the audio files and MIDI representations of the audio files. Audio files for combination may then be selected based on analysis of the image representations. For example, image-based machine learning algorithms may be implemented to assess the image representations and select music for combining.

Systems, devices, media, and methods are presented for playing audio sounds, such as music, on a portable electronic device using a digital color image of a note matrix on a map. A computer vision engine, in an example implementation, includes a mapping module, a color detection module, and a music playback module. The camera captures a color image of the map, including a marker and a note matrix. Based on the color image, the computer vision engine detects a token color value associated with each field. Each token color value is associated with a sound sample from a specific musical instrument. A global state map is stored in memory, including the token color value and location of each field in the note matrix. The music playback module, for each column, in order, plays the notes associated with one or more the rows, using the corresponding sound sample, according to the global state map.

A method includes displaying a graphical user interface (GUI) for a step sequencer in a digital audio workstation. The GUI includes a sequence of user interface elements corresponding to a portion of a roll for an audio composition. Each user interface element in the sequence of user interface elements represents a respective time interval for a note. The sequence of user interface elements. The method includes receiving a user input interacting with a first user interface element. The method includes, in response to the user input: splitting a played note represented by the first user interface element into two or more played notes. The method further includes providing the audio composition for playback by a speaker.

A music composition, editing, and playback system and method provides a user interface design based on geometric interpretation of music theory replacing traditional modern music notation with geometric shapes including chords represented by polygons that are colored with colors or hues.

An automated music performance system that is driven by the music-theoretic state descriptors of any musical structure (e.g. a music composition or sound recording). The system can be used with next generation digital audio workstations (DAWs), virtual studio technology (VST) plugins, virtual music instrument libraries, and automated music composition and generation engines, systems and platforms. The automated music performance system generates unique digital performances of pieces of music, using virtual musical instruments created from sampled notes or sounds and/or synthesized notes or sounds. Each virtual music instrument has its own set of music-theoretic state responsive performance rules that are automatically triggered by the music theoretic state descriptors of the music composition or performance to be digitally performed. An automated virtual music instrument (VMI) library selection and performance subsystem is provided for managing the virtual musical instruments during the automated digital music performance process.