In example implementations, an apparatus is provided. The apparatus includes a communication interface, a sentiment analysis component, a vocal analysis component, and a processor communicatively coupled to the communication interface, the sentiment analysis component, and the vocal analysis component. The communication interface is to receive a phrase captured by a printer. The sentiment analysis component identifies an emotion of a user based on the phrase. The vocal analysis component converts the phrase into X-Y coordinates of a coordinate plane. The processor generates an image based on the emotion and the X-Y coordinates and transmits the image to the printer via the communication interface.

An apparatus, method, and computer-readable storage medium that generate a harmonized musical piece. The method includes receiving a chord selection including a musical key and a scale selection, generating, within a digital audio work session, a chord progression sequence based on the received chord selection, in response to a detected chord selection change, modifying the chord progression sequence to include a chord progression corresponding to the chord selection change, setting the chord progression sequence as a master sequence, in response to detecting a second progression sequence within the digital audio work session, transmitting an identifier to the second progression sequence setting it as a slave sequence, and establishing a synchronized communication link between the master and the slave sequences such that changes made in the master sequence are automatically effectuated in the slave sequence, and combining the master sequence and the slave sequence to form a composed musical piece.

A music composition, editing, and playback system and method provides a user interface design based on geometric interpretation of music theory replacing traditional modern music notation with geometric shapes including chords represented by polygons that are colored with colors or hues.

Apparatus configured to, based on visual and audio content captured of a scene comprising at least one audio source and the content including at least two audio tracks, each audio track comprising audio captured by a respective one of at least two audio capture devices located at different locations in the scene, and audio-capture-direction information indicative of at least the direction towards each of the audio capture devices; provide for display of a user selectable audio-capture-location graphic for each of the audio tracks, wherein each audio-capture-location graphic is associated with one of the audio tracks and visually associated with the audio source wherein the form or position of the audio-capture-location graphics is indicative of the direction towards the audio source capture device and wherein based on selection of one of the audio-capture-location graphics, provide for audible presentation of the audio track associated therewith.

A computer implemented media synchronization platform has a receiver that receives, from a user-operated computing device located at a live performance, a device media file. Furthermore, the computer implemented media synchronization platform receives, from a soundboard positioned at the live event, a soundboard audio file. The computer implemented media synchronization platform synchronizes, and receives, from the user-operated computing device via a synchronization interface, a realignment of a soundboard audio track. The device media file has a device video track and the device audio track. The soundboard audio file has the soundboard audio track. The computer implemented platform media synchronization platform has a processor that synchronizes the soundboard audio track with the video track, generates dual audio track A/V data based on the synchronization, generates the synchronization interface, and generates a single audio track A/V file based on the realignment. The processor is remotely positioned from the live performance.

An apparatus, method, and computer-readable storage medium that generate a harmonized musical piece. The method includes receiving a chord selection including a musical key and a scale selection, generating, within a digital audio work session, a chord progression sequence based on the received chord selection, in response to a detected chord selection change, modifying the chord progression sequence to include a chord progression corresponding to the chord selection change, setting the chord progression sequence as a master sequence, in response to detecting a second progression sequence within the digital audio work session, transmitting an identifier to the second progression sequence setting it as a slave sequence, and establishing a synchronized communication link between the master and the slave sequences such that changes made in the master sequence are automatically effectuated in the slave sequence, and combining the master sequence and the slave sequence to form a composed musical piece.

An apparatus, method, and computer-readable storage medium that generate a harmonized musical piece. The method includes receiving a chord selection including a musical key and a scale selection, generating, within a digital audio work session, a chord progression sequence based on the received chord selection, in response to a detected chord selection change, modifying the chord progression sequence to include a chord progression corresponding to the chord selection change, setting the chord progression sequence as a master sequence, in response to detecting a second progression sequence within the digital audio work session, transmitting an identifier to the second progression sequence setting it as a slave sequence, and establishing a synchronized communication link between the master and the slave sequences such that changes made in the master sequence are automatically effectuated in the slave sequence, and combining the master sequence and the slave sequence to form a composed musical piece.

A music composition, editing, and playback system and method provides a user interface design based on geometric interpretation of music theory replacing traditional modern music notation with geometric shapes including chords represented by polygons that are colored with colors or hues.

Methods and apparatus to use predicted actions in VR environments are disclosed. An example method includes predicting a predicted time of a predicted virtual contact of a virtual reality controller with a virtual object, determining, based on at least one parameter of the predicted virtual contact, a characteristic of a virtual output the object would make in response to the virtual contact, and initiating producing the virtual output before the predicted time of the virtual contact of the controller with the virtual object.

Musical attribution is performed in a two-dimensional (2D) digital representation. A piece of music representing a musical score is inputted. An abstracted representation of blanks of the score, called a digital audio canvas, is produced. Interactive, dynamic attribution is performed by a user to bring to life the musical score of abstracted blanks. Instrumentation selection, relative volume, scale selection, and score tempo are all musical attributes that are conveyed to the score of abstracted blanks. The score of the digital audio canvas is played back using the attributed blanks. The playback of the score is enabled by selecting appropriate abstracted blanks. The appropriate abstracted blanks are included among other blanks for increased educational and enjoyment value. The modified score is converted back into the format of the original inputted piece of music.