MOTION FEEDBACK DEVICE
20220189335 ยท 2022-06-16
Inventors
- Matthew Phillip Ruffner (Lexington, KY, US)
- Kevin D. Donohue (Lexington, KY, US)
- Michael J. Sikora (Lexington, KY, US)
Cpc classification
G10H2220/401
PHYSICS
G06F3/017
PHYSICS
G10H2220/395
PHYSICS
H04R1/025
ELECTRICITY
G10H2220/201
PHYSICS
G10H2220/311
PHYSICS
G10H2210/101
PHYSICS
G06F3/0346
PHYSICS
G10H2220/391
PHYSICS
G06F3/016
PHYSICS
G10H2220/321
PHYSICS
A63B71/0622
HUMAN NECESSITIES
International classification
G09B19/00
PHYSICS
Abstract
A motion feedback device includes a housing, a speaker and a control module carried by said housing. The control module includes a controller and a motion sensor. The controller is configured to include a mapping adapted for the creation of sound in response to any user-produced movement of the housing as detected by the motion sensor. This allows for continuous original sound generation or composition based upon the user produced movements of the housing.
Claims
1. A motion feedback device, comprising: a housing; a speaker; and a control module carried by said housing, the control module including a controller and a motion sensor wherein the controller is configured to include a mapping adapted for the creation of sound in response to any user-produced movement of the housing as detected by the motion sensor.
2. The motion feedback device of claim 1, wherein the mapping relates (a) a pitch angle of the housing to a first sound characteristic, (b) a roll angle of the housing to a second sound characteristic and (c) a yaw angle of the housing to a third sound characteristic.
3. The motion feedback device of claim 2, wherein the first, second and third sound characteristics are selected from a group of sound characteristics consisting of musical note/frequency, volume and timber.
4. The motion feedback device of claim 1, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a musical note/frequency determined by a pitch angle of the housing.
5. The motion feedback device of claim 4, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a volume determined by a roll angle of the housing.
6. The motion feedback device of claim 5, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a timber determined by a yaw angle of the housing.
7. The motion feedback device of claim 4, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a timber determined by a roll angle of the housing.
8. The motion feedback device of claim 7, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a volume determined by a yaw angle of the housing.
9. The motion feedback device of claim 1, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a volume determined by a pitch angle of the housing.
10. The motion feedback device of claim 9, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a musical note/frequency determined by a roll angle of the housing.
11. The motion feedback device of claim 10, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a timber determined by a yaw angle of the housing.
12. The motion feedback device of claim 9, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a timber determined by a roll angle of the housing.
13. The motion feedback device of claim 10, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a musical note/frequency determined by a yaw angle of the housing.
14. The motion feedback device of claim 1, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a timber determined by a pitch angle of the housing.
15. The motion feedback device of claim 14, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a musical note/frequency determined by a roll angle of the housing.
16. The motion feedback device of claim 15, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a volume determined by a yaw angle of the housing.
17. The motion feedback device of claim 14, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a volume determined by a roll angle of the housing.
18. The motion feedback device of claim 15, wherein the controller is configured so that the user-produced movement of the housing creates the sound in real time having a musical note/frequency determined by a yaw angle of the housing.
19. The motion feedback device of claim 1, further including (a) a laser to help guide the user-produced movements to achieve the orientations to produce a desired sound or sound sequence and (b) a haptic feedback element to provide a beat or a timing guide on when to make the user-produced movements and guide the velocity between the user-produced movements.
20. A method of music creation, comprising: using the motion feedback device of claim 1 to provide visual and haptic feedback representative of user-produced motion and spatial orienting of the motion feedback device; and generating audio feedback as the music creation in response to the user-produced motion and the spatial orienting of the motion feedback device.
Description
BRIEF DESCRIPTION OF THE DRAWING FIGURES
[0017] The accompanying drawing figures incorporated herein and forming a part of the patent specification, illustrate several aspects of the method and together with the description serve to explain certain principles thereof.
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DETAILED DESCRIPTION
[0029] Reference is now made to
[0030] As will become apparent from the following description, the device 10 may be programmed to convert a movement, described by motion and position parameters (either from a specific motion, series of motions, or arbitrary movement), to a particular feedback fingerprint. A feedback fingerprint is a combination of haptic, acoustic, and visual feedback that allows the user to intuitively perceive a richer set of details about the performed movement. The way in which the feedback fingerprint is generated can vary and be adjusted for multiple applications and markets.
[0031] As illustrated in
[0032] The motion feedback device 10 also includes a control module that is illustrated in
[0033] The controller 22 may comprise a computing device, such as a dedicated microprocessor or an electronic control unit (ECU) operating in accordance with instructions from appropriate control software. Thus, it should be appreciated that the device 10 may incorporate hardware and/or software control. In at least one possible embodiment, the controller 22 comprises one or more processors, one or more memories and one or more network interfaces all in communication with each other over one or more communications buses.
[0034] The motion sensor 24 may comprise one or more accelerometers or other motion sensor devices of a type known in the art and adapted to sense, in real time, the user-produced movement or motion of the housing 12.
[0035] The motion feedback device 10 may also include a laser 28, such as a laser pointer of the type well known in the art (note laser 28 and laser beam B in
[0036] The motion feedback device 10 may also include a haptic feedback element 30, of a type known in the art to provide any desired haptic feedback to the user. Haptic feedback elements 30 include, but are not necessarily limited to vibration motors, piezoelectric and linear actuators, stepper motors, air vortex rings, skin electrodes and combinations thereof. In any embodiment including the haptic feedback element 30, the controller 22 may be configured to produce different haptic feedback through the haptic feedback element in response to the different user-produced movement or motion of the housing 12.
[0037] As illustrated in
[0038] As further illustrated in
[0039] The motion feedback device 10 has a number of potential applications including, for example, music education and entertainment. In this application, the object is the sound created (musical), and the remote visual feedback is provided by the laser 28 and the haptic feedback provided by element 30 are used to direct the position and timing of the motion for this purpose. More specifically, the laser 28 is used to point at objects associated with musical notes on a staff or classroom whiteboard. Feedback from the haptic feedback element 30 then provides pulses, patterns, and fluctuating levels of vibration, force, or electrotactical stimulation to give the user complementary signals related to the musical/educational object. Haptic feedback in this case is given to the user when a proper technique is achieved or to maintain timing. The device 10 allows novice users to perform simple musical expressions quickly, while also allowing complex musical expressions with practice.
[0040] For instructional use the device 10 may be handheld and used by teachers and students. Collaboration and composition would be capable if both students and teachers were equipped with a set of these devices 10. The wireless communication feature 26 allows for simultaneous musical collaboration, where multiple devices 10 communicate to share a synchronized metronome signal. This can be computer driven or master control given to the teacher. The students can feel this metronome signal with haptic feedback from the haptic feedback element 30. The remote visual feedback can be directed by the instructor as well, where students follow the positions pointed to by the teacher. The wireless communication feature 26 can also be used to transmit information about each device's feedback state. Any given device 10 can also receive and combine the feedback fingerprints of each transmitting device for a symphony-like effect. The wireless communication feature 26 also facilitates musical composition, where the students' notes are sent to a computer through a designated receiving device and displayed upon a musical score.
[0041] Reference is now made to
[0042] For purposes of this application, the motion feedback device 10 may include the controller 22 connected to the amplifier and speaker 14, the motion sensor 24 and the haptic feedback element 30 all carried by the housing. The housing 12 may also carry (a) a rechargeable power source 32, (b) operator interface or control actuators 18, such as buttons, knobs, slides or the like, to adjust the operation of the device 10 and (c) the wireless communication feature 26 allowing wireless communication, such as Bluetooth communication between the controller 22 held in the housing 12 and remotely located supporting electronic devices such as a display monitor, personal computer or the like (not shown). In some embodiments, the amplifier and speaker 14 may also be remotely located instead of being carried by the housing 12 in order to reduce the packaging requirements and the size of the housing.
[0043] The motion feedback device illustrated in
[0044] While the sport training device 10 illustrated in
[0045] Reference is now made to
[0046] More specifically, the device 10 would consist of at least two components 100 and 200. The first component 100 would be worn on-body, mounted with limited intrusion to arm or leg or other artifact, with a compact, ergonomic design. See, for example,
[0047] The second component 200 is non-battery powered and stationary, and may be connected to the first component 100 wirelessly. The second component 200 would use information from the first component or components100 to provide the user with enhanced contextual feedback.
[0048] More specifically, as illustrated in
[0049] In this application, remote visual and acoustic feedback is provided by the capabilities of the second component 200 which has capability to drive a display and inform the user on a monitor or projector. Component 200 also has connectivity such that it can attach to a personal computer (PC) and supply the remote visual feedback information to the PC over the USB interface 44 for purposes of data compilation, processing and analysis.
[0050] As illustrated in
[0051] The device 10 may also be used for music therapy. For this application, the device 10 may once again include two components 300 and 400. The first component 300 illustrated in
[0052] In this embodiment of the device 10, haptic feedback is externalized in stereo to the two pads 60 at the end of the leads 68. Two channel (stereo) speakers or headphones (not shown) connected to the controller 22 through the headphone jack 62 or the wireless communication feature 26 are used to also provide dual channel acoustic feedback in this scenario as well. The second component 400 may be similar to the second component 200 illustrated in
[0053] The device 10 illustrated in
[0054] As should be appreciated, the motion feedback device 10 device may be used for the sonification or creation of sound sequences in response to any user-produced movement of the housing as dictated by a mapping of the controller, that is user selectable/programmable. For example, a simple mapping would be pitch angle to musical note/frequency, roll angle to volume and yaw angle to timber. The device provides a parameterized mapping or conversion of user-produced motion of the housing into sounds which allow the user to create a variety of sounds for whatever purpose.
[0055] Reference is now made to
[0056] In one possible embodiment, the controller 22 is configured so that the user-produced movement of the housing 12 creates the sound in real time having a musical note/frequency determined by the pitch angle PA of the housing, a volume determined by the roll angle RA of the housing and a timber determined by the yaw angle YA of the housing.
[0057] In another possible embodiment, the controller 22 is configured so that the user-produced movement of the housing 12 creates the sound in real time having a musical note/frequency determined by the pitch angle PA of the housing, a timber determined by the roll angle RA of the housing and a volume determined by the yaw angle YA of the housing.
[0058] In one possible embodiments, the controller 22 is configured so that the user-produced movement of the housing 12 creates the sound in real time having a musical volume determined by the pitch angle PA of the housing, a musical note/frequency determined by the roll angle RA of the housing and a timber determined by the yaw angle YA of the housing.
[0059] In one possible embodiment, the controller 22 is configured so that the user-produced movement of the housing 12 creates the sound in real time having a musical volume determined by the pitch angle PA of the housing, a timber determined by the roll angle RA of the housing and a musical note/frequency determined by the yaw angle YA of the housing.
[0060] In one possible embodiment, the controller 22 is configured so that the user-produced movement of the housing 12 creates the sound in real time having a musical timber determined by the pitch angle PA of the housing, a musical note/frequency determined by the roll angle RA of the housing and a volume determined by the yaw angle YA of the housing.
[0061] In one possible embodiment, the controller 22 is configured so that the user-produced movement of the housing 12 creates the sound in real time having a musical timber determined by the pitch angle PA of the housing, a volume determined by the roll angle RA of the housing and a musical note/frequency determined by the yaw angle YA of the housing.
[0062] Effects such as note bending, vibrato, reverb could also be mapped into an orientation or even the speed of movement in a given orientation. More complex mapping of orientation or velocity (linear or angular) in any of the given directions can be mapped to control the time or spectral envelope for modifications of the timber dynamically. This would be similar to the action of striking a percussive instrument such as a drum or piano, where the velocity and pressure before the strike can be mapped to an initial amplitude and decay of a time envelope. Or in the case of other effects such as a wah wah or voice effects box, orientation or velocity can be mapped into modulations of the spectral envelope of the sound being played.
[0063] Other mappings can be used to adjust tempo of accompanying soundtracks or add harmonies or chord changes. Such mappings could be program based on user preferences with an efficient graphical user interface, where users can set ranges and patterns in the sound and spatial/movement domains.
[0064] The sensory aids can help one learn how to generate original compositions using the motion feedback device 10. This includes the laser pointer 28 adapted so that projections or markings on a screen or wall can be identified by novices to help them learn to move and position the instrument for playing melodies, harmonies, or learning the elements of music. Additionally, a vibrational sensory unit 30 can also be added to a particular embodiment to help with timing (like a metronome) or an invisible conductor when playing in groups.
[0065] In at least one possible embodiment illustrated in
[0066] The foregoing has been presented for purposes of illustration and description. It is not intended to be exhaustive or to limit the embodiments to the precise form disclosed. Obvious modifications and variations are possible in light of the above teachings. All such modifications and variations are within the scope of the appended claims when interpreted in accordance with the breadth to which they are fairly, legally and equitably entitled.