Guitar Armrest

Abstract

A guitar armrest designed to relieve the arm stress that a guitarist experiences in the Palmaris Longus muscle caused by the arm resting against the acoustic guitar's lower bout and soundboard side edge. It is made of a one piece injection-molded flexible polymer solid body, in conjunction with multiple suction cups extending from its inside face. The replaceable suction cups extend through the body of the armrest such that their attachment buttons protrude from the armrest's top face and their suction disks protrude from the bottom face. The armrest is temporarily affixed to the lower bout of the guitar by suction means.

Claims

1. An armrest for an acoustic guitar, comprising: a domed polymer disk with a top panel having a concave bottom face and a convex top face with a top arc and, and a front panel with an outer face, an inner face and an arced front edge parallel with said top arc, said front panel extending from said concave bottom face with an included obtuse angle of 95 degrees formed between said concave bottom face of said top panel and said inside face of said front panel; and at least one suction cup removeably affixed to said disk, said suction cup having a domed configuration.

2. The armrest of claim 1 further comprising: at least one stepped bore formed through said disk extending between said convex top face, and said concave bottom face; at least one concave depression formed in said concave bottom face, centered about said at least one stepped bore, said at least one concave depression matingly conformed to receive said domed configuration of said at least one suction cup; and with an included obtuse angle of 95 degrees formed at the interface between said concave bottom face of said top panel and said inside face of said front panel.

3. The armrest of claim 2, further comprising: a suction button poised above an apex of said at least one suction cup, said suction button connected to said at least one suction cup by a neck, said neck having a diameter less than a diameter of said suction button and less than a diameter of said at least one stepped bore, wherein said diameter of said suction button exceeds said diameter of said at least one stepped bore.

4. The armrest of claim 3, further wherein said neck is frictionally engaged in said at least one stepped bore and said suction button extends above said convex top face, and wherein said at least one suction cup has a bottom circular perimeter that resides in said concave depression above said concave bottom face.

5. The armrest of claim 4, wherein said semi-circular domed polymer disk has a perimeter with at least one suction release notch formed there along, and wherein said at least one suction cup has a suction release tab extending therefrom and positioned to extend from beyond said at least one suction release notch.

6. The armrest of claim 3, wherein said armrest has a hardness in the range of 60 to 65 on the Shore A durometer scale such to allow the flexibility of said armrest enough to deform said at least one stepped bore for the passage of said suction button.

7. The armrest of claim 1, further comprising: at least one V notch formed in said arced front panel.

8. The armrest of claim 6, further comprising: at least on V notch formed in said arced front panel.

Description

BRIEF DESCRIPTION OF THE DRAWINGS

[0013] A further understanding of the nature and advantages of particular embodiments may be realized by reference to the remaining portions of the specification and the drawings, in which like reference numerals are used to refer to similar components.

[0014] FIG. 1 is a side perspective view of a guitar armrest;

[0015] FIG. 2 is a top perspective view of a guitar armrest;

[0016] FIG. 3 is a front view of a guitar armrest;

[0017] FIG. 4 is a top view of a guitar armrest;

[0018] FIG. 5 is a back view of a guitar armrest;

[0019] FIG. 6 is a bottom view of a guitar armrest;

[0020] FIG. 7 is a right end view of a guitar armrest;

[0021] FIG. 8 is a left end view of a guitar armrest;

[0022] FIG. 9 is a side view of the first suction cup;

[0023] FIG. 10 is a side view of the second suction cup;

[0024] FIG. 11 is a right end cross sectional view of the guitar armrest;

[0025] FIG. 12 is a back cross sectional view of the guitar armrest;

[0026] FIG. 13 is a front view of a guitar armrest without suction cups;

[0027] FIG. 14 is a top view of a guitar armrest without suction cups;

[0028] FIG. 15 is a back view of a guitar armrest without suction cups;

[0029] FIG. 16 is a bottom view of a guitar armrest without suction cups;

[0030] FIG. 17 is a right end view of a guitar armrest without suction cups;

[0031] FIG. 18 is a left end view of a guitar armrest without suction cups;

[0032] FIG. 19 is a front view of an alternate embodiment guitar armrest body

[0033] FIG. 20 is a top view of an alternate embodiment guitar armrest body;

[0034] FIG. 21 is a front view of an alternate embodiment guitar armrest body;

[0035] FIG. 22 is a bottom view of an alternate embodiment guitar armrest body;

[0036] FIG. 23 is a left-side view of an alternate embodiment guitar armrest body;

[0037] FIG. 24 is a right-side view of an alternate embodiment guitar armrest body;

[0038] FIG. 25 is a front perspective view of an acoustic guitar;

[0039] FIG. 26 is a front perspective view of an acoustic guitar's lower bout showing the proposed location for the installation of the guitar armrest;

[0040] FIG. 27 is a side perspective of an acoustic guitar's lower bout and the proposed location of the guitar armrest; and

[0041] FIG. 28 is a side perspective of an acoustic guitar with the guitar armrest installed.

DETAILED DESCRIPTION OF CERTAIN EMBODIMENTS

[0042] While various aspects and features of certain embodiments have been summarized above, the following detailed description illustrates a few exemplary embodiments in further detail to enable one skilled in the art to practice such embodiments. The described examples are provided for illustrative purposes and are not intended to limit the scope of the invention.

[0043] Reference will now be made in detail to embodiments of the inventive concept, examples of which are illustrated in the accompanying drawings. The accompanying drawings are not necessarily drawn to scale. In the following detailed description, numerous specific details are set forth to enable a thorough understanding of the inventive concept. It should be understood, however, that persons having ordinary skill in the art may practice the inventive concept without these specific details.

[0044] It will be understood that, although the terms first, second, etc. may be used herein to describe various elements, these elements should not be limited by these terms. These terms are only used to distinguish one element from another. For example, a first attachment could be termed a second attachment, and, similarly, a second attachment could be termed a first attachment, without departing from the scope of the inventive concept.

[0045] It will be understood that when an element or layer is referred to as being “on,” “coupled to,” or “connected to” another element or layer, it can be directly on, directly coupled to or directly connected to the other element or layer, or intervening elements or layers may be present. In contrast, when an element is referred to as being “directly on,” “directly coupled to,” or “directly connected to” another element or layer, there are no intervening elements or layers present. Like numbers refer to like elements throughout. As used herein, the term “and/or” includes any and all combinations of one or more of the associated listed items.

[0046] The terminology used in the description of the inventive concept herein is for the purpose of describing particular embodiments only and is not intended to be limiting of the inventive concept. As used in the description of the inventive concept and the appended claims, the singular forms “a,” “an,” and “the” are intended to include the plural forms as well, unless the context clearly indicates otherwise. It will also be understood that the term “and/or” as used herein refers to and encompasses any and all possible combinations of one or more of the associated listed items. It will be further understood that the terms “comprises” and/or “comprising,” when used in this specification, specify the presence of stated features and/or components, but do not preclude the presence or addition of one or more other features, or components.

[0047] The present invention relates to a novel design for an acoustic guitar armrest. In contrast to other prior art guitar armrests, this armrest does not affect the sound quality of the guitar by putting any pressure on the soundboard that restricts its vibrational “sound pumping” feature.

[0048] In the way of background, the guitar is a musical instrument where a set of different diameter strings resides in tension atop of a hollow body, centered over a sound hole in the top face (soundboard) of the hollow body. The strings themselves make little noise because they are thin and slip easily through the air without making much of a disturbance in the air. In an acoustic guitar, the vibration of the strings is transferred via the bridge and saddle to the soundboard of the guitar. The body transmits the vibration of the bridge into vibration of the air around it, by pumping a reasonable amount of air backwards and forwards. The soundboard is made so that it can vibrate up and down relatively easily. As it does this some of this air flows outwards, compressing the next layer of air. This disturbance in the air spreads out as a travelling sound wave which ultimately causes a very tiny vibration to the eardrum and is interpreted as a sound. The back plate and sides of the guitar body are much less important acoustically for most frequencies, because they is held against the player's body and do not vibrate much. Thus, most of the sound coming from an acoustic guitar is due to the pumping motion of the soundboard.

[0049] Guitar players rest their arm across the side 24 of the lower bout 20 (widest and lowest part of the guitar body 1) and the 90 degree edge where the side 24 meets the soundboard 26. (See FIG. 25) For most players, the strumming/picking forearm (Palmaris Longus muscle) is constantly resting on, and rubbing against these two perpendicular surfaces of the acoustic guitar 1. Because of this sharp angle, prolonged resting at this position causes the reduction in blood circulation causing hand or arm numbness, and general discomfort of this Palmaris Longus muscle leading to a loss of dexterity and stamina. Additionally, the contact between the forearm and the soundboard 26 slightly reduces the frequency the soundboard 26 can produce, and deadens the volume of the sound that comes from the sound hole 22 and off of the soundboard 26.

[0050] The preferred embodiment of the guitar arm rest 2 can best be seen in FIGS. 1-10. Here it can be seen that the guitar arm rest 2 is comprised of three parts, a flexible, solid body 4 and a pair of replaceable suction cups 6 that are removably affixed into the body 4 so as to extend between the top face 8 of the body and the bottom face 10 of the body. (Although depicted herein the preferred embodiment with two identical suction cups, it is envisioned a single, larger suction cup or a series of multiple, smaller suction cups may replace these two identical suction cups with comparable adhesion.)

[0051] The body itself is a unitary injection molded, solid, flexible polymer body. It has an approximate hardness measured at a durometer of 60-65 on the Shore A scale of hardness. This is an important range of hardness, as the body 4 of the armrest 2 must be able to contour to the radius of the lower bouts 20 of different sized and shaped guitars. Between its top face 8 and its bottom face 10 are at least two stepped through bores 12 through which the neck 14 of a suction cup 6 is frictionally constrained. (FIGS. 11 and 12) The suction cups 6 are made of a lower durometer material and are a standard 1¾ inch diameter commercially available suction cups.

[0052] The body 4 is a domed, semi-circular solid disk having a convex top, (outer) face 8, a concave bottom, (inner) face 10 and an arced front lip 16 that extends almost perpendicularly at 95 degrees from the concave bottom face 10 toward the concavity of the body 4. (FIG. 1) The inner face 33 of the front lip 16 is planar. The outer face of the front lip 16 is planar but radiused where it interfaces with the convex top face 8. The perimeter of the back edge 18 is semi-circular such that when the convex top face 8 is viewed from above, the body has a D shaped configuration. In the perimeter of the back edge 18 are two C shaped suction release notches 28 spaced equidistant from the axial centerline of the body 4. Protruding radially outward from the suction release notches 28 are the suction release tabs 30 which extend from the outer perimeter edge 32 of the suction cups 6. The body is a flexible polymer simplifying fabrication and keeping costs down.

[0053] Formed through the body 4 and equally spaced on either side of the axial centerline are two stepped bores 12 (FIGS. 12 and 14). The largest diameters 42 of these stepped bores 12 open from the concave bottom inner face 10 and the smallest diameters 44 of these stepped bores 12 open from the top outer face 8. The concave bottom, (inner) face 10 of the body 4 has 2 identical concave depressions 40 formed thereon and centered about the stepped bores 12. These stepped bores 12 frictionally retain the two suction cups 6 by their necks 14 therein. The smaller diameters 44 of the stepped bores 12 in the top face 8 of the body 4 is less than the diameter of suction buttons 48 of the suction cups 6, preventing the suction cup 6 from dislodging from the body 4.

[0054] The suction cups 6 are made of a flexible, polymer circular disk with a concave lower face having a circular perimeter with a suction release tab 30 extending therefrom. Centrally located at the apex 50 of the circular disk is a suction button 48 that has a two diameter stepped neck 14 capped by a suction button 14. The suction button 48 has a diameter that is larger than the smaller diameter 44 of the stepped bore 12. Because of the 60-65 durometer rating of the body 4, the buttons 48 may be placed with their convex top face 52 adjacent the concave depressions 40 and their buttons 48 pressed through the stepped bores 12, stretching the diameter of the stepped bores 12 to accommodate the passing of the buttons 48. Once the suction button 48 has extended through the stepped bore 12 and protrudes beyond the top face 8 of the body 4, the suction cup 6 is trapped in the thickness of the body 4, although it is free to elastically deform, collapse and pull a vacuum on any planar surface upon the depressing of the suction buttons 48. The suction cups 6 are of a conventional design and a stock, commercially available size of 1¾″. This allows the replacement of damaged or failing suction cups 6.

[0055] Looking at FIGS. 13-18, with the suction cups 6 removed from the body 4 9, 10, 11 and 12 one can more clearly see the stepped bores 12, concave depressions 40, suction release notches 28. It is to be noted that when the suction cups 6 are engaged into the body 4, the suction cups 6 reside in the two identical concave depressions 40 formed under the stepped bores 12 such that the bottom of the suction cup 6 is even or just slightly above the remainder of the bottom inner face 10. In this way the positioning is not hampered by the friction of the suction cups 6 on the guitar side, and when the suction button 48 is depressed the suction cups 6 pull the bottom inner face 10 into frictional contact with the guitar side 24.

[0056] Looking at FIGS. 19-24 it can be seen that the alternate embodiment body 70 differs only from the body 4 of the preferred embodiment only by the introduction of a series of V notches 72 formed partially into the front lip 16 from its outer peripheral edge up to the bottom inner face 10. These notches are widest at the outer peripheral edge and can thus close to accommodate more flexion along the linear axis of the body 4 to increase its curvature for different shaped guitars or placement at a differ position on the guitar 1.

[0057] Looking at FIGS. 11 and 25-28 one can best understand the novelty of the design of the acoustic guitar armrest 2. The side 24 and the soundboard 26 meet at approximately 90 degrees, although some soundboards may be slightly domed having radiuses up to the 25 foot range bringing the intersection to between 90 and 91 degrees. The guitar armrest 2 resides with its concave bottom inner face 10 in contact with the side 24 of the acoustic guitar in the lower guitar bout region downstream of the fretboard 60. Because of the flexibility of the armrest 2 it will be able to contour (if necessary) to the curvature of the side 24. (With more radically sized or shaped guitars the alternate embodiment slotted guitar armrest may be employed.) The intersection of the inner face of the arced front lip 16 and the concave bottom inner face 10 forms an arc and the included obtuse angle between the bottom inner face 10 and the front lip 16 is approximately 95 degrees. (“Approximately” denoting fabrication with a tolerance of +5 degrees and −2 degrees.) When the suction buttons 48 are depressed they contact the side 24 of the guitar and their concave bodies deform to expel the air under the concavity until a suction bond is created. This keeps the armrest 2 from moving on the guitar 1 but most importantly keeps the 90 degree edge of the guitar 1 located at the intersection of the inner face of the arced front lip 16 and the concave bottom inner face 10. In this way the front lip 16 does not contact the soundboard 26 and prevent it from projecting music. In fact, the 95 degree flair out from the soundboard keeps the guitarist's arm from contacting the soundboard as well. Thus, the armrest 2 not only alleviates stress on the guitarist's arm, it actually eliminates the partial muting of the projected sound. The soundboard is free to vibrate and pump air/sound unhampered.

[0058] When it is desirable to decouple the guitar armrest 2 from the guitar 1, the suction release tabs 30 located in the suction release notches 28 are lifted so as to introduce air into the suction cup's concavity and break the suction seal, releasing the armrest 2 from the side of the guitar 1 without damaging the guitar 1.

[0059] It is envisioned that the guitar armrest 2 will be fabricated in various colors other than the conventional black, to compliment the guitar it is used on.

[0060] While certain features and aspects have been described with respect to exemplary embodiments, one skilled in the art will recognize that numerous modifications are possible. Hence, while various embodiments are described with—or without—certain features for ease of description and to illustrate exemplary aspects of those embodiments, the various components and/or features described herein with respect to a particular embodiment can be substituted, added, and/or subtracted from among other described embodiments, unless the context dictates otherwise. Consequently, although several exemplary embodiments are described above, it will be appreciated that the invention is intended to cover all modifications and equivalents within the scope of the following claims.