VISUAL APPROACH-BASED APTITUDE TESTING METHOD
20210150929 · 2021-05-20
Assignee
Inventors
Cpc classification
G09B5/12
PHYSICS
G09B7/077
PHYSICS
G09B5/02
PHYSICS
International classification
G09B7/06
PHYSICS
G09B5/02
PHYSICS
G09B5/12
PHYSICS
Abstract
A visual approach-based aptitude testing method executed by a computer includes receiving test data including positions and a number of icons which are selected and applied by an examinee to a check sheet and an examinee's ID, where the check sheet includes a plurality of areas formed by boundary elements and which include graphic figures having no inherent meaning. The computer counts up a total number of the icons in the test data, discriminates whether or not an arrangement of the icons in the data satisfies definitions in tables stored by the computer, and stores results obtained from the discrimination to be used for evaluation of the examinee's aptitude based on the total number of the icons and the arrangement of the icons.
Claims
1. A visual approach-based aptitude testing method executed by a computer which stores (i) information of a check sheet in which a plurality of areas are formed by boundary elements and which comprises graphic figures having no inherent meaning, (ii) information of a plurality of icons which can be selectively chosen and applied to the check sheet by an examinee, and (iii) a first table including definitions of the boundary elements in the check sheet, a second table including kinds, a number, and definitions of the icons, and a third table including definitions of meanings of positions of the icons in the check sheet, the method comprising: receiving test data comprising positions and a number of the icons selected and applied by the examinee to the check sheet and an examinee's ID; executing a count-up of a total number of the icons in the test data; discriminating whether or not an arrangement of the icons in the test data satisfies the definitions in the tables; and storing results obtained from the discrimination to be used for evaluation of the examinee's aptitude based on the total number of the icons and the arrangement of the icons.
2. The visual approach-based aptitude testing method according to claim 1, wherein the boundary elements comprise at least one of lines and corners.
3. The visual approach-based aptitude testing method according to claim 2, wherein the boundary elements comprise lines, and the lines comprise straight lines, curved lines, broken lines, or any combinations thereof.
4. The visual approach-based aptitude testing method according to claim 2, wherein the boundary elements comprise corners, and the corners comprise at least one of corners of a frame, and points of intersection between lines.
5. The visual approach-based aptitude testing method according to claim 1, wherein the computer further stores a fourth table including meanings of positional relationships between the icons or between the icons and lines in the check sheet, and wherein the method further comprises executing discrimination of whether or not the positional relationships exist in the arrangement of the icons in the test data, with reference to the fourth table.
6. The visual approach-based aptitude testing method according to claim 5, wherein the icon relationships comprise at least one of an overlapping relationship, a contact relationship, a line-contact relationship, and a close-vicinity relationship.
7. The visual approach-based aptitude testing method according to claim 1, wherein the computer further stores a fifth table including meanings of the applied icons forming specific patterns, and wherein the method further comprises executing discrimination of whether or not at least one of the specific patterns exists in the icons applied to the check sheet.
8. The visual approach-based aptitude testing method according to claim 7, wherein said specific patterns include at least one of a crowded arrangement, a dispersive arrangement, a balanced arrangement, a deviative arrangement, a bottom arrangement, an upper arrangement, a top-and-bottom arrangement, a left-and-right arrangement, a protruding arrangement, and a doll arrangement.
9. The visual approach-based aptitude testing method according to claim 1, wherein the computer further stores a sixth table including a meaning of an appearance of a specific one of the icons, and wherein the method further comprises executing discrimination of whether or not the specific icon appears.
Description
BRIEF DESCRIPTION OF THE DRAWINGS
[0053]
[0054]
[0055]
[0056]
[0057]
[0058]
[0059]
[0060]
[0061]
[0062]
[0063]
[0064]
[0065]
[0066]
[0067]
[0068]
[0069]
[0070]
[0071]
[0072]
[0073]
[0074]
[0075]
[0076]
DETAILED DESCRIPTION
[0077] Next, a visual approach-based aptitude testing method according to the present invention will be described in more detail with reference to the drawings showing embodiments of the present invention. For the sake of convenience, the same reference numerals are assigned to portions which perform the same functions, and duplicate descriptions thereof are omitted.
[0078]
[0079] Next, the boundary elements shown in
[0080]
[0081] Here, the contents of TABLES 1A to 8 will be described. TABLE 8 shows relationship among the first table to the sixth table, the individual TABLES, and the drawings. The specified comments in TABLE 3A, TABLE 3B, TABLE 4, TABLE 5 and TABLE 6 are based on the findings statistically obtained from test results.
TABLE-US-00001 TABLE 1A Line Number Position of the Line L-1 A line at the upper side of rectangle chart L-2 Upper part of the line on the right-hand side of rectangle chart L-3 Bottom of the line on the right-hand side of rectangle chart L-4 Right of the line at the lower side of rectangle chart L-5 Left of the line at the lower side of rectangle chart L-6 Bottom of the left-hand side of rectangle chart L-7 Upper part of the line on the left-hand side of rectangle chart L-8 Left of the line at the bottom of trapezoid diagram in the center of the chart L-9 A line on the right-hand side of trapezoid diagram in the center of the chart L-10 Line inclined rightward and upward divided the upper part and bottom of rectangle chart L-11 A line on the right-hand side of a triangular diagram drawn at the center of a chart L-12 A line at the bottom of a triangular diagram drawn at the center of a chart L-13 A line on the left-hand side of a triangular diagram drawn at the center of a chart L-14 A line on the left-hand side of trapezoid diagram in the center of the chart L-15 A line that is an arc of a circle lacking a part of the circumference drawn on the left side of the chart L-16 Line of S curved line that divides the area A-11 and the area A-12 drawn at the bottom of the chart L-17 Right side of the line that forms the bottom of trapezoid diagram drawn in the center of the chart L-18 A line of broken line that divides the upper part and bottom of the chart on the left side join the intersection X-6 and the intersection X-8.
TABLE-US-00002 TABLE 1B Corner Number Position of the Corner C1 Upper left part C2 Upper right part C3 Lower right part C4 Lower left part
TABLE-US-00003 TABLE 1C Area Number Shape of the Area A-1 An area consisting of a circle with a missing upper right corner located in the upper left corner of the chart A-2 The part of the missing arc in the area A-1 (upper right part) A-3 An area consisting of trapezoid located in the center of the chart A-4 Area consisting of a top-missing triangle connected to the upper part of the A-3 area A-5 The upper part missing A-4 area A-6 An area that the upper left part is divided integrally with the area A-7 and the upper right part is divided integrally with the area A-8, a circular arc is formed in a part of the upper part, and consisting heteromorphic figure of a broken line which lower line is inclined A-7 The area that divided as an integral area of each area of the areas A-8 and A-9, left side of the area formed in the upper part of the chart, and circular arc is located in the lower right side and lower left part adjoins A-6 Area. A-8 The area that divided as an integral area of each of the areas A-7 and A-9, the center of the area formed in the upper part of the chart, and the area A-5 is located in the lower part. A-9 The area that divided as an integral area with the areas A-7 and A-8, the right side of the area formed in the upper part of the chart, a line L-10 consisting of a right-up inclined line is formed in the lower part, and a line L-11 consisting of a left-up inclined line is formed in the left side. A-10 It is the upper part area divided as an integral area with A-11, a line L-10 consisting of an inclined line rising to the right is formed at the upper end, and a line L-9 consisting of an inclined line rising to the left is formed at the left end A-11 It is a lower area divided as an integral area with A-10, and a line L-16 made of S curved line is formed at the left end, and a line L-17 is formed at the upper left end. A-12 It is a right side area divided as an integral area with A-13, and a line L-16 made of S curved line is formed at the right end portion. A-13 It is a left side area divided as an integral area with A-12, and a line L-18 composed of a broken line is formed at the upper end.
TABLE-US-00004 TABLE 1D Contact Point Number Position of the contact point X-1 Intersection of line L-2 and line L-10 X-2 Intersection of line L-4 and line L-16 X-3 Intersection of line L-13 and line L-12 X-4 Intersection of line L-11 and line L-12 X-5 Intersection of line L-9 and line L-17 X-6 Intersection of line L-14 and line L-8 X-7 Intersection of line L-8 and line L-16 X-8 Intersection of line L-7 and line L-18
TABLE-US-00005 TABLE 2 Icon Number Shape/Name of the Icon Color 1 Circle Pink 2 Square Light gray 3 Regular pentagon Purple 4 Column Green 5 Ellipse Light yellow 6 Rectangle Light blue 7 Right triangle Yellow 8 Regular hexagon Orange 9 Arrow Dark gray 10 Cube Light pink 11 Face (circle and two eye-like small circles in the White (gray for small circle and mouth-like concave arcuate surface) circles only) 12 Moon (arcuate surface) Gray 13 Doughnut (concentric circle surface) Light yellow green 14 Trapezoid Light blue 15 Isosceles triangle Dark pink 16 Heart shape Blue 17 Rhomboid Ivory 18 Star Yellow
TABLE-US-00006 TABLE 3A Number Icon Overview of Icons' Meanings Specified Comment A Face system 1 11 It represents relationships including people (self and others). Want to be related to The inclination of the icons represents the bias of thought, and people. Have someone who the reversal represents self-denial or neglect of others. If it I want to be targeted. exists in enclosed space (A3), it represents isolation or Cannot ignore people. Have uniqueness, and contact with other icons requires a separate someone important. Have meaning search. someone dislike. B ◯ System 2 1
It It shows soft objects. It expresses peace and satisfaction, Kindness. Warmness. Calm. and it expresses ease of cooperativeness. Contact with a line I'm not be nervous. Gentle. of the check sheet represents a vague request and sense of security. If it exists in enclosed space, it somehow expresses one's feelings of loneliness 3 5
It It shows soft objects. It represents peace and satisfaction, Soft. Good person. People and expresses flexibility in cooperativeness. Contact with a (humans). Eggs, lukewarm. line of the check sheet represents a vague request and sense Can feel easy. of security. If it exists in enclosed space, it somehow represents a feeling of loneliness that is not just oneself. The inclination of the icons represents the instability of thought, and dependence may be strong. If it is selected, it has a somewhat unique aspect. C Three-dimensional system 4 13
It shows soft objects. Though it represents peace and Strange feeling. With holes. satisfaction, cooperativeness with others is thin Contact with Want to escape. Want to a line of the check sheet represents a vague despondency hide. Move. Car. Run. and sense of security. If it exists in enclosed space, there may be some strong claims of loneliness of one's own. The combination with the icons (9: arrow) requires a strong sense of fulfillment. 5 4
It makes people aware of its strong presence, but it does not Want to enrich. Want to be have a very deep meaning. This is often the case because of satisfied. Abundant. the interesting nature of the icons. Sometimes it represents treasure, and sometimes it represents remaining childhood. Regarding the inclination of the icons, there is a sense that insensitive to instability. In some cases, there may be an unexpected easy consciousness. 6 10
If it is single, it represents a strong presence, and contact with Stable. Don't move. Want to other icons (7/14) is often simply a presence. Sometimes, enter in a box. Box. contact with a line of the check sheet may represents a strong sense of stability and mental instability. If it is selected, it has a somewhat unique aspect. D Rounded-corner system 7 8
Although there are little deep meanings, contact with other Someone interested. A scary icons has many possibilities, and complex assessments are person. required when evaluating. If it is selected, it has a somewhat unique aspect. 8 3
If it is selected, it has a fairly unique aspect. In general, it is Medicine. Have a rarely selected, and it is difficult to use in terms of the dependence. Want to rely overall configuration. It does not mean much if it is used as on. Want to calm down. a human body.
TABLE-US-00007 TABLE 3B E Square system 9 2 Contact with the lines and corners of the check sheet is desirable to be strong Same as stability and sense of security, and does not require a cluttered atmosphere. normal. They often prefer organizing and do not prefer irresponsible things, but sometimes they do not. If it is used as the center of a house (contact with 7), not only is it a building, but also it is conscious of it as a house, and it needs to be paid attention. 10 6
Contact with the lines or corners of the check sheet is desirable to be strong Slightly different stability and sense of security, and does not require a cluttered atmosphere. from normal. They prefer organizing, and often do not prefer irresponsible things. If it is used as the center of a house (contact with 7), not only is it a building, but also it is conscious of it as a house, and it needs to be paid attention. Sometimes they prefer some uniqueness, and contact with arrow (9) needs to be noted. F Rhombic system 11 14
Strong stabilization is desired, and dependence is often low. Reversal Stable. Don't represents instability and may require request or help. In some cases, contact move easily. To with (2) as a house has a different meaning and it is desirable to family be motivated. cohesion. 12 17
Standard forms represents strong instability, but they may be insensitive, the Picky. Unstable. instability and may not be problematic. Usually, it is applied in an inclined Don't want to manner in many cases, and it represents stability. Contact with the icons (7) calm down. represents an inclined house and may represents instability within the family. Strong self-assertions are few, dependence may be strong, and it need to be satisfied. G Sharp system 13 7
The arrangement in the opposite Δ at 45 degrees slope represents a strong Dangerous. sense of instability and may indicate an unrest of mind. In many cases, two- Tight. Sharp, sided contact at the four corners of the check sheet has a strong dependence dangerous. and is required to be stable and secure. Contact with icon (2) represents the Doubtful. house and it needs to be analyzed as a house or a family. 14 15
It may represent sharpness and acuteness, and may represent a strong Cut. Dangerous. demand. It has a meaning as a sword and a meaning as a arrow, and it Stick. Be stuck. needs to be distinguished. In the case of a sword arrangement, it is A cone. necessary to interpret the meaning by paying attention to the orientation. In particular, contact with icons (11) needs to be paid attention. The same as for icon (1/5). H Unique system 15 9
The arrangement as a .fwdarw. is primarily, but it also has a mining as a spear. In Attention. See. particular, contact with icons (11) needs to be paid attention. The same as for Here. icon (1/5). In addition, this may mean escape or release from a specific Perspective. space, and the directionality in A1/A3/A4 needs to be noted. 16 12
It may be used as a moon simply, or it may be arranged in a structured Anxiety. Scared. manner by contact with icon (11). There is no concern if it is at the upper part Somehow. of the check sheet. If it exists in A1/A3/A4, it may represent a strong sense of Vague. solitude. 17 18
If it exists at the upper part of the check sheet, it may indicate hope or Hope. Wish. pleasure, but if it exists at the bottom, it may indicate a sense of Expectations. hopelessness and ask for help. If it is placed in A5, it has a self-assertion, and If it is placed in A1, it represents a strong sense of security. In the case of A3, it represents the existence as a treasure, and this is often the assertion that it is cherished. 18 16
Originally, it was influenced by color, but the color blue represents passive Feeling. Like. love and likes. If it exists in A1/A3/A4 itself, their own secret pleasures and Kind. hopes are existed. The incline of the icon may indicate distrust or discomfort, and it must be paid attention if it exists at the bottom of the check sheet.
TABLE-US-00008 TABLE 4 Total It indicates the number of used icons, and if the number is large, it indicates positiveness or diversity. Conversely, if it is low, it indicates passiveness or prudence. If icons are used in excess of the standard, attention should be paid because of inattentiveness, strength of self-assertion, etc. If it is less than standard, it tends to be self-denial and to be hidden, it is difficult to communicate. α A system System A is the number of icons when icons are applied to locations other than lines (lines/frames) of the check sheet. This means that the line component of the check sheet is not taken into account. β O system The system 0 is obtained by subtracting the system A from Total, and when it is 0, it indicates that icons do not exist on the line components (lines and frames) of the check sheet. There is also a sense of prudence and inability to overtake the line, but it is not be passive. Total Number of Icons Specified comment Count 2-5 Few I don't want to know about myself. I want to hide. It's bothering. Attention deficit, decreased consciousness 6-10 Ordinary There is no protrusion. It is weak to restriction. Common. 11-17 Many Attention deficit, hot flashes, excessive consciousness, and frisk too mach. Icon Overlapping There is an positiveness and breaking power. When the number is large, the overlapping degree of diversity is indicated, and the formed figure needs to be examined after and contact evaluating the given meanings. Contact There is positiveness and breaking power, but at the same time there is prudence. When the number is large, there are diversity and spread of thought, and the formed figure needs to be examined after evaluating the given meanings. Line-contact 1st-contact In the case of contact with the lower frame, although there is a strong sense of stability and sense of security, there is a tendency to desire it. If it contacts with lines (lines or corners) other than the frame of the check sheet, it represents dependence, emphasis, and sense of security, and they are sought at the same time. If it contacts with the frame of the upper part, it may indicate anxiety or despondency. 2nd-contact If it contacts with any one of the four corners of lines of the check sheet, it indicates strong stability, security, and it is sought at the same time. Numbers represent its intensity When a line other than the frame is contacted, it prefers surprise, and there is a self-assertion different from the others. The search must be tested including contact between the icons. Icon No. It indicates the condition of the person (the person in question/the person) 11/ depending on the location of the existence (details are described separately) Icon No.
It indicates the state of desire depending on the location of the existence (details 18/ are described separately) Icon No.
It indicates the state of consciousness depending on the location of the existence 12/ (details are described separately) Icon No.
It indicates the state of feeling depending on the location of the existence 16/ (details are described separately) Icon No.
It indicates the state in which the direction is placed depending on the location of 9/ the existence (details are described separately) Icon No.
It indicates the state of the symbolized person (the person in question/the 11/12 person) depending on the location of the existence (details are described separately) Icon No.
It indicates the state of the person (the person in question/the person) who has 11/15 a strong relationship with others depending on the location of the existence (details are described separately)
TABLE-US-00009 TABLE 5 Specific Pattern Definitions Specified Comment Specific Crowded A state that large number of icons Strong dependence. Strong picky. Situation arrangement clustered around a specific area Aggressiveness. Deflective. Envy jealousy. Cohesion. Can't do something irresponsibly. Dispersive A state that icons are arranged in Scatter. Distraction of consciousness. arrangement distributing in all or part of the area Can't break out of my shell. Unknown anxiety. Can't depend on someone. Balanced A state that icons are arranged in a Equal Awareness, Averaging arrangement well-balanced manner in areas or Awareness. Balance sensation, line components removing anxiety. Anxiety dispersion. Awareness of fragmentation. Deviative A state in which icons are arranged Diffuse feeling. Doing as I like. Slack. arrangement on specific sides (right and left) or Deviation of consciousness. Indecision. parts (top and bottom), including top, bottom, left, and right of the check sheet. Bottom A state in which icons are arranged Stability orientation. Dependence. Seek arrangement in close proximity or close proximity peace of mind. Have confidence. to the bottom of the check sheet Strong awareness of the current (unbalanced state) situation. No change. Protruding A state that one or more of the icons Excessive consciousness, arrangement protrude out of the check sheet Irresponsible. Hot flashes. Elimination frame (stepping on a line) of Subjects. Stray. Confusing. Upper A state that most icons are arranged Unstable consciousness. To be arangement at the upper part (unbalanced state) motivated. Hope. Desire. First . . . First- time . . . Doll A state that Tendency to form a Doll Human consciousness, targets. The arrangement by arranging icons is seen person, this person, that person. Doll. Keepsake. Attack target Virtual-Object. Left-and-right A state that most icons are arranged Unstable. Segregation awareness. Arrangement on the left and right sides Escape from the center. Fear of the (unbalanced state) center. Top-and- A state that most icons are arranged Anxiety. Somehow frightened. bottom at the top part and bottom Unknown anxiety. arrangement (unbalanced state)
TABLE-US-00010 TABLE 6 Specific Pattern Specified Comment Interpretation of Overlapping Behavior under strong conscious. Specific Situation Abnormal. Consciousness expression. On (present)/ Biased thought. Excessive off (none) consciousness. Ignore rules. Egocentric. Integration consciousness. Contact Feelings to approach of interest. Awareness of interval. Dependence. Look into empathy. Want a dialogue or relationship. Line-contact Strong dependence. Want stability. Escape from loneliness. Consciousness according to rules. Telepathy.
TABLE-US-00011 TABLE 7 Number Designation Item Definitions Sample 1 A Number Number of applied icons (including protruding icons) 2 B If this icon is present, “1” is input. 3
If this icon is present, “1” is input. 4
If this icon is present, “1” is input. 5
If this icon is present, “1” is input. 6
If this icon is present, “1” is input. 7
If this icon is present, “1” is input. 8 C Crowded A case where many icons are gathered (in contact with each See FIG. 18A Arrangement other or overlapped) in some areas 9 Dispersive A case where icons are applied mostly distributed See FIG. 18B Arrangement 10 Balanced A case where they are applied one by one, for example, in See FIG. 18C Arrangement each area in a balanced manner 11 Deviative A case where the icons are applied in an overlapping manner See FIG. 18D Arrangement so as to form a cluster. 12 Bottom A case where three or more icons are applied in the bottom See FIG. 18E Arrangement area (including the bottom line) 13 Upper A case where three or more icons are applied in the upper See FIG. 18F Arrangement area 14 Top-and- A case where icons are applied to the top and bottom areas, See FIG. 18G Bottom with no icons in the middle area (other than the top and Arrangement bottom areas) 15 Left-and-Right Acase where icons are applied to the right and/or left side See FIG. 18H Arrangement areas, with no icons in the middle area (other than the left and right side areas) 16 D Protruding A case where any icon extends beyond the line of the frame, See FIG. 18I Arrangement including a case where there is any icon stepping on the line of the frame 17 E Doll A case where the face and circular icons are applied to See FIG. 18J Arrangement specified positions (A4/A5), and another case where they are applied to form a doll (a head and a body) at other positions 18 F Overlapping A case where icons are given in an overlapping manner See FIG. 18K 19 Contact A case where icons are in line-, face- or point-contact with See FIG. 18L each other 20 Close-Vicinity A case where three or more icons are applied in close See FIG. 18M vicinity, nearly in contact with each other
TABLE-US-00012 TABLE 8 table TABLES and FIGS. Major Contents table 1 TABLE 1A Definition of lines TABLE 1B Definition of corners TABLE 1C Definition of areas TABLE 1D Definition of contact points table 2 TABLE 2 Definitions of types of the icons TABLE 3 Icons' meanings TABLE 4 Meaning of the total number of icons TABLE 7 Overlapping and contact, etc. table 3 FIG. 3A to FIG. 3L Given meaning depending on the position of a particular icon in the check sheet table 4 FIG. 4A to FIG. 4D Given meaning depending on the positional relationship between the icons or between the icon and the line (icon relationship) table 5 TABLE 5 Definitions of specific situation and TABLE 7 specific patterns (10 types) FIG. 9A to FIG. 9H TABLE 6 Definitions of specific situation, overlapping, “contact, and line-contact table 6 TABLE 7 Given meaning by appearance of a FIG. 9H. specific icon (doll) FIG. 10.
[0082] Icons are selected and applied to the check sheet shown in
[0083] The reason for this is that, in the present invention, it is necessary to test a large number of examinees rather than looking at one individual examinee, and therefore, the number of application should be limited. Therefore, in the present invention, the icon size is reduced to the extent that the examinee would not feel frustration even when selecting the lowest number of the icons. In other words, in the present invention, for the examinee to feel a degree of freedom when applying the icons to the check sheet, the icons should be relatively small so that they do not occupy a large area of the check sheet when they are applied. This will expand spatial recognition when the icons are applied to the check sheet.
[0084] In the memory 104 of the computer 100, the definitions of the lines, areas, corners and contact points described in the check sheet are stored in advance in a first table, and the types of the icons and the definitions of their meanings are stored in a second table.
[0085] A third table stored in the memory 104 stores the given meanings/definitions and code numbers as shown in
[0086] A fourth table in the memory 104 stores the given meanings/definitions and code numbers as shown in
[0087]
[0088] A fifth table stored in the memory 104 stores the specific patterns defined in TABLE 5 and TABLE 6 as specific situations. Ten types of specific patterns will be described later with reference to
[0089] A sixth table stored in the memory 104 stores definitions defined in advance as shown in TABLE 7,
[0090] Each icon described in TABLE 3A, TABLE 3B, and TABLE 4 is sorted into eight groups as follows and have designated comments stored in the above-described tables.
A system (human system): Face
[0091] Want to be related to people. Have someone who I want to be targeted. Cannot ignore people. Have someone important. Have someone dislike.
B system (circular system): circle, ellipse
[0092] Circle: kindness. Warmness. Calm. I'm not be nervous. Gentle.
[0093] Ellipse: soft. Good person. People (humans). Eggs, lukewarm. Can feel easy.
C system (three-dimensional system): doughnut, column, cube
[0094] Doughnut: Strange feeling. With holes. Want to escape. Want to hide. Move. Car. Run.
[0095] Column: Want to enrich. Want to be satisfied. Abundant.
[0096] Cube: Stable. Don't move. Want to enter in a box. Box.
D system (rounded-corner system): regular hexagon, regular pentagon
[0097] Regular hexagon: Someone interested. A scary person.
[0098] Regular pentagon: Medicine. Have a dependence. Want to rely on. Want to calm down.
E system (square system): rectangle, square
[0099] Rectangle: Same as normal.
[0100] Square: slightly different from normal.
F system (rhomboid system): trapezoid, rhomboid
[0101] Trapezoid: Stable. Don't move easily. To be motivated.
[0102] Rhomboid: Picky. Unstable. Don't want to calm down.
G system (Sharp system): right triangle, isosceles triangle
[0103] Right triangle: dangerous. Tight. Sharp, dangerous. Doubtful.
[0104] Isosceles triangle: Cut. Dangerous. Stick. Be stuck. A cone.
H system (unique system): arrow, moon, star, heart shape
[0105] Arrow: Attention. See. Here. Perspective.
[0106] Moon: Anxiety. Scared. Somehow. Vague.
[0107] Star: Hope. Wish. Expectations.
[0108] Heart shape: Feeling. like. Kind.
[0109] In addition, “specific situation” shown in TABLE 5 defines ten types of specific patterns in this embodiment, as described below.
[0110]
[0111] The definitions and calculation logic of the specific situations are as follows.
[0112] The crowded arrangement refers to a case where a centroid of all the icons is located in two or three proximate areas. For example, it is in the areas A2, A10 and A9.
[0113] The calculation logic is as follows. [0114] (A) The area A4 is determined as a part of either the area A1 or the area A8. In addition, the area A5 is determined as a part of either the area A3 or the area A8. [0115] (B) A case where there is any icon not belonging to the areas A1-A13 will not be regarded as the “crowded arrangement”.
[0116] The proximate areas have following 58 combinations. [0117] <1> A1 and A6, <2> A1 and A7, <3> A1 and A8, <4> A2 and A3, <5> A2 and A6, <6> A2 and A10, <7> A2 and A11, <8> A2 and A12, <9> A3 and A8 <10> A3 and A9, <11> A6 and A7, <12> A6 and A8, <13> A6 and A13, <14> A7 and A8, <15> A8 and A9, <16> A9 and A10, <17> A10 and A11 <18> A11 and A12 <19> A12 and A13, <20> A1, A6 and A7, <21> A1, A6 and A8, <22> A1, A2 and A6, <23> A1, A6 and A13, <24> A1, A7 and A8, <25> A1, A3 and A8, <26> A1, A8 and A9, <27> A2, A3 and A6, <28> A2, A3 and A10, <29> A2, A3 and A11, <30> A2, A3 and A12, <31> A2, A3 and A13, <32> A2, A3 and A8, <33> A2, A3 and A9, <34> A2, A6 and A7, <35> A2, A6 and A8, <36> A2, A6 and A10, <37> A2, A6 and A11, <38> A2, A6 and A12, <39> A2, A6 and A13, <40> A2, A10 and A11, <41> A2, A10 and A12, <42> A2, A9 and A10, <43> A2, A11 and A12, <44> A2, A12 and A13, <45> A3, A6 and A8, <46> A3, A8 and A9, <47> A3, A7 and A8, <48> A3, A9 and A10, <49> A6, A7 and A8, <50> A6, A7 and A13, <51> A6, A8 and A13, <52> A6, A8 and A9, <53> A6, A12 and A13, <54> A7, A8 and A9, <55> A8, A9 and A10, <56> A9, A10 and A11, <57> A10, A11 and A12, <58> A11, A12 and A13. (
[0118] The dispersive arrangement refers to a case where one or two icons are located in an area not in vicinity to the lines. In this case, areas A1, A2 and A3 are not targets of proximate lines.
[0119] The calculation logic is as follows. [0120] (A) In a case where two or more icons exist in any one of areas A1, A2 and A3, [0121] (B) In a case where there is any icon not belonging to areas A1-A13, [0122] (C) A case where three or more icons exist in any one of areas A4 to A13 will not be regarded as the dispersive arrangement. [0123] (D) It does not fall under the dispersive arrangement, if <1> there is at least one icon belonging to Area A6 and A7, <2> there is at least one icon in A6 and A8, <3> there is at least one icon in A6 and A13, <4> there is at least one icon in A7 and A8, <5> there is at least one icon in A8 and A9, <6> there is at least one icon in A9 and A10, <7> there is at least one icon in A10 and A11, <8> there is at least one icon in A11 and A12, <9> there is at least one icon in A12 and A13 (
[0124] The balanced arrangement refers to a case where there is only one icon in one area. The calculation logic is as follows. The following cases will not be regarded as the “balanced arrangement”.
<1> If there are icons not belonging to areas A1 to A13,
<2> If two or more icons exist in one area,
<3> If the icons exist which number is less or more than the prescribed numbers.
[0125] The deviative arrangement refers to a case where all icons exist in the outermost two areas. However, areas A4 and A5 should be considered as area A8. The calculation logic is as follows. The following cases should be regarded as the deviative arrangement. (
<1> All icons exist in areas A6 and A7
<2> All icons exist in areas A6 and A13
<3> All icons exist in areas A7 and A8
<4> All icons exist in areas A8 and A9
<5> All icons exist in areas A9 and A10
<6> All icons exist in areas A10 and A11
<7> All icons exist in areas A11 and A12
<8> All icons exist in areas A12 and A13
[0126] The bottom arrangement refers to a case where all icons exist in the bottom areas A11, A12 and A13. Therefore, the bottom arrangement includes the following seven cases by this calculation logic (
<1> area A11
<2> area A12
<3> area A13
<4> areas A11 and A12
<5> areas A11 and A13
<6> areas A12 and A13
<7> areas A11, A12 and A13
[0127] The upper arrangement refers to a case where all icons exist in the upper areas A7, A8 and A9. Therefore, the upper arrangement includes the following seven cases by this calculation logic (
<1> area A7
<2> area A8
<3> area A9
<4> areas A7 and A8
<5> areas A7 and A9
<6> areas A8 and A9
<7> areas A7, A8 and A9
[0128] The protruding arrangement refers to a case where all icons are stepping on or protruding outward from any of the outer peripheral lines L-1 to L-7. The calculation logic for the protruding arrangement is determined not based on the centroid of the icons but based on the area and line data from the analysis engines. If the flags of the icons in the following eight areas shown in
<1> OUT U/L
<2> OUT U
<3> OUT U/R
<4> OUT R
<5> OUT D/R
<6> OUT D
<7> OUT D/L
<8> OUT L.
[0129] The top-and-bottom arrangement refers to a case where all icons exist in the upper areas A-7, A-8 and A-9 and in the lower areas A-13, A-12 and A-11, which is the calculation logic therefor.
[0130] The left-and-right arrangement refers to a case where all icons exist in the left areas A-7, A-6 and A-13 and in the right areas A-9, A-10 and A-11, which is the calculation logic therefor.
[0131] The doll arrangement refers to a case where some face icon exists in A4 and/or A5 to form a doll. The calculation logic for the doll arrangement is as follows. First, the icons which may form a face include: [0132] Face (Icon No. 11), [0133] Circle (Icon No. 1), [0134] Ellipse (Icon No. 5), [0135] Doughnut (Icon No. 13), [0136] Star (Icon No. 18).
[0137] In addition, it is recognized as the doll arrangement if the body icon(s) is combined with the face icon in the following manners (
<2> If the circle icon (Icon No. 1) combined with column (Icon No. 4), cube (Icon No. 10), square (Icon No. 2), rectangle (Icon No. 6), regular hexagon (Icon No. 8), regular pentagon (Icon No. 3) or trapezoid (Icon No. 14)
<3> If the ellipse icon (Icon No. 5) combined with column (Icon No. 4), cube (Icon No. 10), square (Icon No. 2), rectangle (Icon No. 6), regular hexagon (Icon No. 8), regular pentagon (Icon No. 3) or trapezoid (Icon No. 14)
<4> If the doughnut icon (Icon No. 13) combined with column (Icon No. 4), cube (Icon No. 10), square (Icon No. 2), rectangle (Icon No. 6), regular hexagon (Icon No. 8), regular pentagon (Icon No. 3) or trapezoid (Icon No. 14)
<5> If the star Icon (Icon No. 18) combined with column (Icon No. 4), cube (Icon No. 10), square (Icon No. 2), rectangle (Icon No. 6), regular hexagon (Icon No. 8), regular pentagon (Icon No. 3) or trapezoid (Icon No. 14)
[0138]
[0139] Next, “overlapping”, “contact”, “line-contact” and “close-vicinity” described in TABLE 6 will be described. “Overlapping” refers to a situation in which icons overlap each other, and “contact” refers to a situation in which the peripheral parts of the icons contact each other, including “line-contact” meaning a situation in which the peripheral part of the icon contact with the line in the check sheet. The “close-vicinity” refers to a situation in which the icons touch the line of the other icons and check sheets.
[0140] TABLE 7 is a template showing the meanings of the icons input to the computer. Based on TABLE 7, the presence or absence of an icon picked up and applied to the check sheet by the examinee is input. Incidentally, when the computer cannot determine the application state of the icons, it may be done by the person in charge according to TABLE 7.
[0141] The “designations” A-F in TABLE 7 have the following meanings. [0142] A: Number designation [0143] B: Selection and designation of specific icon [0144] C: Arrangement designation [0145] D: Protruding designation [0146] E: Doll designation [0147] F: Overlapping, Contact, Close-Vicinity designation
[0148] Based on TABLE 7, if there is any icon applied on the check sheet, its icon number is input. For example, “1” is input if there is “column” in the designation column B, and “0” is input if there is not. The “crowded arrangement”, “dispersive arrangement”, “balanced arrangement”, “deviative arrangement”, “bottom arrangement”, “upper arrangement”, “top-and-bottom arrangement” and “left-and-right arrangement” in the designation column C is determined based on the typical examples shown by reference in
[0149] The definitions of the items in the columns C to F in TABLE 7 are as follows.
[0150] Crowded Arrangement: a case where many icons are gathered (in contact with each other or overlapped) in some areas (see the typical example in
[0151] Dispersive Arrangement: a case where icons are applied mostly distributed (see the typical example in
[0152] Balanced Arrangement: a case where they are applied one by one, for example, in each area in a balanced manner (see the typical example of
[0153] Deviative Arrangement: a case where the icons are applied in an overlapping manner so as to form a cluster (see the typical example in
[0154] Bottom Arrangement: a case where three or more icons are applied in the bottom area (including the bottom line) (see the typical example in
[0155] Upper Arrangement: a case where three or more icons are applied in the upper area (see the typical example in
[0156] Top-and-Bottom Arrangement: a case where icons are applied to the top and bottom areas, with no icons in the middle area (other than the top and bottom areas) (see the typical example in
[0157] Left-and-Right Arrangement: a case where icons are applied to the right and/or left side areas, with no icons in the middle area (other than the left and right side areas) (see the typical example in
[0158] Protruding Arrangement: a case where any icon extends beyond the line of the frame, including a case where there is any icon stepping on the line of the frame (see the typical example in
[0159] Doll Arrangement: a case where the face and circular icons are applied to specified positions (A4/A5), and another case where they are applied to form a doll (a head and a body) at other positions (see the typical example in
[0160] Overlapping: a case where icons are given in an overlapping manner (see the typical example in
[0161] Contact: a case where icons are in line-, face- or point-contact with each other (see the typical example in
[0162] Close-Vicinity: a case where three or more icons are applied in close vicinity, nearly in contact with each other (see the typical example in
[0163]
[0164] In the designation field C, normally one item is selected, but up to two items may still be selected. As a result, the arrangement state can be grasped first. However, with respect to the one representing the positions of the top, bottom, left and right, there is some combination which does not cause any inconsistency even in an overlapping manner, and therefore, the system is set up so as to allow such combination.
[0165] A computer 100 having the above-described configuration is used to determine an examinee's mental structure. An examinee applies a predetermined number (10-15) of desired icons to desired positions on the check sheet within a time limit (about 5 minutes). Based on the flow chart of
[0166] Next, a processing procedure by the computer 100 will be described with reference to
[0167] The specific situation of the icon application is then determined. The determination of the specific situation is a determination as to whether or not the icon application corresponds to all or part of the “Crowded arrangement” (S3), “Dispersive arrangement” (S4), “Balanced arrangement” (S5), “Deviative arrangement” (S6), “Bottom arrangement” (S7), “Upper arrangement” (S8), “Protruding arrangement” (S9), “Doll arrangement” (510), “Top-and-Bottom arrangement” (S11), and “Left-and-Right arrangement” (S12). A series of determination steps of the “specific situation” (S3 to S12) is a step of extracting the application state of the icons.
[0168] If a “specific situation” is present (on), the determination is made as follows.
[0169] Crowded Arrangement: Strong dependence. Strong picky. Aggressive. Deflective. Envy jealousy. Density. Can't do something irresponsibly.
[0170] Dispersed Arrangement: scatter. Distraction of consciousness. Can't break out of my shell. Unknown anxiety. Can't depend on someone.
[0171] Balanced Arrangement: Equal Awareness, Averaging Awareness.
[0172] Balance sensation, removing anxiety. Anxiety dispersion. Awareness of fragmentation.
[0173] Deviative Arrangement: Diffuse feeling. Doing as I like. Slack. Deviation of consciousness. indecision.
[0174] Bottom Arrangement: Stability orientation. Dependence. Seek peace of mind. Have confidence. Strong awareness of the current situation. No change.
[0175] Protruding Arrangement: Excessive consciousness, irresponsible. Hot flashes. Elimination of Subjects. Stray. confusing.
[0176] Upper Arrangement: Unstable consciousness. To be motivated. Hope. Desire. First . . . First-time . . . Virtual-Object.
[0177] Doll Arrangement: Human consciousness, targets. The person, this person, that person. Doll. Keepsake. Attack target
[0178] Left-and-Right Arrangement: unstable. Segregation awareness. Escape from the center. Fear of the center.
[0179] Top-and-Bottom Arrangement: Anxiety. Somehow frightened. Unknown Anxiety.
[0180] Next, the “overlapping” (S13), “contact” (S14) and “line-contact” (S15) arrangements are determined for the selected and applied icons. These steps determine the refractive directionality (“direction”) of the examinee's personality. For example, when the amount of the “overlapping” is large, it is determined that he/she tends to have a strong deflecting property, and when the amount of the “line-contact” is large, it is determined that he/she tends to be stable. The details are as follows.
[0181] Overlapping: Behavior under strong consciousness. Abnormal.
[0182] Consciousness expression. Biased thought. Excessive consciousness. Ignore rules. Egocentric. Integration consciousness.
[0183] Contact: Feelings to approach of interest. Awareness of interval. Dependence. Look into empathy. Want a dialogue or relationship.
[0184] Line-contact: Strong dependence. Want to be stable. Escape from loneliness. Consciousness according to rules. Telepathy.
[0185] The determination of the doll arrangement is based on the sixth table (
[0186] Thus, when the processing for an examinee is completed (S16), the process returns to Step S1, and the above-described series of steps is performed for the next examinee.
[0187] Next, the content of evaluation in each step will be described. The count-up evaluation of the total icon number is as follows.
<1> If the count-up number is not limited, evaluation is performed as follows.
[0188] 0: The response is evaluated as unresponsive or simply rejected (did not want to respond).
[0189] 1˜17: It is evaluated as motivative, self-expressive and self-assertive (high).
[0190] 18 (ALL): It is evaluated as self-assertive (fairly high), very motivative, very interested.
<2> There may be a limit on the number of count-up (10-18) 9 or less: It is evaluated as misunderstanding, not very responsive or simply rejected (did not want to respond).
[0191] 10-17 (Selected): It is evaluated as motivated, self-expressive and self-assertive (much or high).
[0192] 18 (ALL): It is evaluated as misunderstanding, self-assertive (fairly high), very motivated and very interested.
[0193] As described above, mental structure i.e. mental functions will include ones to be grasped as amygdala responses and others to be grasped as neocortex responses. A person responds to a stimulus by the amygdala earlier than by the neocortex by about 100 ms. The amygdala's responses include likes and dislikes, perceptions of dangers, aversions and strange feeling, etc. The amygdala emits dangerous signals in response to an alien substance (including unknown substances) entering the body, and reflex nerve motion or the like is immediately performed without passing through the neocortex.
[0194] On the other hand, the neocortex's response is recognized as being influenced by the experiences and knowledge of a certain individual. This means that what passed through the reaction of the amygdala is ultimately determined by the neocortex's response.
[0195] The present invention is based on the recognition that selection and arrangement of the icons include one resulting from the amygdala's response and another resulting from the neocortex's response, by which the analysis is performed.
[0196] In this regard, the overlapping, contact and line-contact is evaluated as follows in the specific situation interpretation steps.
[0197] “Overlapping” represents a condition in which a plurality of icons are overlapped, which may be regarded as a response by the amygdala. The selected and applied icons are recognized as representatives of people and/or goods, and the potential consciousness and tendency such as hiding and crushing are expressed by the overlapping.
[0198] “Contact” represents a condition in which the peripheral parts of the icons are in contact with each other, which may be regarded as a response by the neocortex. This can be identified as a response representing a close relationship but not reaching the overlapping.
[0199] “Line-contact” represents a condition in which the lines in the check sheet and the peripheral parts of the icons are in contact with each other, which may be regarded as a response by the amygdala. This is representative of strange feelings but is only occasional. This can be grasped as an unconscious reaction not much influenced by the neocortex.
[0200] “Close-vicinity” represents a condition in which an icon is in contact with another icon and/or the line components of the check sheet, which is the neocortex's response.
[0201] Considering that the amygdala's response occurs earlier than the neocortex's response by 100 ms, the specific situations of icon application are classified into the following three cases in different conditions, which will be evaluated as follows.
<1> Icons used and not used
[0202] This reaction can be grasped as a reaction by an interest in the icons. Thus, the amygdala's response appears first (the sensory response precedes the neocortex's response). It also shows not only interest but also recognition of necessity, etc.
<2> What is affected by the icons' area and the line component of the check sheet
[0203] An examinee will apply icons while being influenced by the areas or the line components. That is, the presence or absence of an influence on the areas or the line components is an object of observation.
[0204] If the icon is applied not in an independent manner, not only the reaction by the amygdala but also the reaction by neocortex is added later. In other words, while cerebral reactions require trial and error, selection and application is an irreversible reaction, so as a result, it is observed that the amygdala's response occurs first.
<3> Interaction among icons
[0205] Icons can be observed not only in an independent manner but also in an interactive manner such as “overlapping” and “contact”, and in some cases, icons may express the up-and-down or master-slave relationships.
[0206] The relationship between icons and line components of check sheets is the relationship between those that can be moved (icons) and those that cannot be moved (check sheets). In contrast, the icon-to-icon relationship differs only in that they can be moved, and because the amygdala's response precedes the neocortex's response by 100 ms, this will be affected by the resulting icon selections, as well as the response described in the preceding section. In other words, the interaction among icons is that the meaning of the existence of an icon alone disappears and the relationship between the icons is created. For example, star icons and moon icons are perceived to be located at the upper part because they are in a celestial body. The combination of a round icon and a square icon recalls a doll from its shape.
[0207] The crowded arrangement means that the icons concentrate on a particular area or at a point. The crowded arrangement includes different stages of close-crowding, contact-crowding and overlap-crowding, which represents introversion, including a demand to hide oneself in a group. This reaction is derived from likes and dislikes, which will first be managed by the amygdala.
[0208] The dispersive arrangement is a situation in which icons are not clustered and the distances between icons and line components remain constant. Dispersive arrangement expresses openness and extroversion. The neocortex is reached as if there were no amygdala responses, such as “freely, without restraint . . . ”. In other words, the dispersive arrangement is the response of neocortex.
[0209] The balanced arrangement is a case in which the icons are arranged in a well-balanced manner, such as one in each of the areas. This is a particular condition of the dispersive arrangement, which results from the neocortex's response. If neocortex has no sense of balance, the balanced arrangement cannot be formed.
[0210] Though not as much as the crowded arrangement, the deviative arrangement is a case in which the icons are concentrated slightly in a particular area. In other words, the deviative arrangement is a case in which the icon distribution is biased, which results preferentially from the amygdala's response. The neocortex has a little affect on the deviative arrangement, because it may be corrected later.
[0211] The bottom arrangement is a case in which the icons are located at the bottom of the frame. The bottom arrangement is a stabilization-seeking reaction that is a response by the neocortex occurring later than the amygdala's response.
[0212] The upper arrangement is a case in which the icons are concentrated in the upper three areas. The upper arrangement retains a natural sense, and its relation to the icons is important. For example, when the star and moon icons are located in the upper areas, it will represent a normal sense because they are in sky. If the star or moon icons are located in the lower areas, it can be assessed that there is some effect from the neocortex. If many icons are placed on the upper areas, this represents anxiety. Anxiety is the neocortex's reaction, and it can be confirmed that this is much influenced by the later reaction.
[0213] The top-and-bottom arrangement is a case in which the icons are located in the upper and lower areas and there are few icons in the center. The top-and-bottom arrangement emerges as a result of being influenced by the likes and dislikes and a strange feeling. This will mainly result from the amygdala's response.
[0214] The left-and-right arrangement is a case in which the icons are located in the left and right areas, which is a logical response by the neocortex. The top-and-bottom arrangement and the left-and-right arrangement would be found in a limited number of cases.
[0215] The protruding arrangement is classified into complete out-of-frame protrusion and partial protrusion. The complete protrusion is a reaction preferentially by the amygdala, which may be understood that something in the subconscious becomes explicit and then is reacted to. The partial protrusion is a reaction preferentially by the neocortex rather than by the amygdala, including hesitation.
[0216] The doll arrangement is a case in which the icon located in the lower area is square and the icon located in the upper area is circular. The doll arrangement is a reaction by the neocortex, in which something originally in the subconscious becomes explicit.
[0217] Since every icon has its own meaning as shown in TABLE 3A and TABLE 3B, selecting an icon is interpreted as being introspective because it reflects mental function and state. On the other hand, it is understood as being reflective, if the icons are deemed to be arranged in some interactive manner with a specific position, angle and the like in the check sheet that is an environment. Similarly, the interaction among icons can be grasped as being reflective. In other words, “introspective” means a looking-back by oneself on the function and state of one's own mind, and “reflective” means that meanings and interpretations are given from outside without looking back by oneself on the function and state of one's own mind.
[0218] Because the amygdala's responses occur earlier than the neocortex's responses by 100 ms, the sensory system reacts earlier than thinking, analyzing and judging by the neocortex. In other words, the retina reacts thorough visual information, which is transmitted to the amygdala. Then, also thanks to the neocortex's response, the brain expresses a potential response. Icon application also involves a bored response with time, but if interested or motivated, the response persists and the icon application increases. If there is a limit on the count-up number of the icons, the neocortex will respond in a similar manner within the limits.
[0219]
[0220] Icon part (count: the icon number applied)
[0221] Icon part (specific situation)
[0222] Icon part (positional state of icon application)
[0223] Icon part (state of adopted icons alone and in combination)
[0224] The computer-processed data is stored in the headquarters computer 100 as a test result according to the present invention.
[0225] The order of the icons shown in
[0226] In
EXAMPLES
[0227]
[0228] In
TABLE-US-00013 TABLE 9 A (count-up): 13 B (select specific icon) and its occurrences: Selected designation of specific icon: Location of Definitions of specific FIG. 3A to FIG. situation 3L appearance: Icon No. 11 (Face): Area A-5: Doll Icon No. 12 (Moon): Area A-7: Released Icon No. 13 (doughnut): Area A-9: Released Icon No. 16 (heart shape): Area A-4: Manifestation of intentional objects C-F (Arrangement designation, etc.): Crowded arrangement: 0 Dispersive arrangement: 0 Balanced arrangement: 0 Deviative arrangement: 0 Bottom arrangement: 0 Upper arrangement: 1 Top-and-bottom arrangement: 0 Left-and-right arrangement: 0 Protruding arrangement: 0 Doll arrangement: 1 Overlapping: 1 Contact: 1 Line-contact: 0
[0229] Therefore, at this stage, the examinee 0001 is determined as follows.
TABLE-US-00014 TABLE 10 Selected designation of Appearance Definitions specific icon: of specific situation (0001) Location (Area) Count: 13 Moderate motivation Icon No. 11 (Face) A5 Not rejecting human relationships Icon No. 13 (doughnut) A9 Strange feeling, weakness, etc. Icon No. 12 (Moon) A7 Be able to make common sense decisions and thinkinging Icon No. 16 (heart shape) A4 Be kind and be able to consider Upper arrangement Be somewhat worried about the situation Doll arrangement High capacity for storage, analysis, judgment, etc. Overlapping Be able to maintain a degree of human relationships Contact Be able to interact with others at reasonable distances
[0230] In
TABLE-US-00015 TABLE 11 A (count-up): 11 B (select specific icon) and its occurrences: Selected designation of specific icon: Location of Definitions of specific FIG. 3A to situation FIG. 3L appearance: Icon No. 4 (column): Area A-10: afford, no problem Icon No. 11 (Face): Area A-11: Certain people are irrelevant Icon No. 12 (Moon): Area A-9: Released Icon No. 15 (isosceles triangle): Area A-10: Afford, no problem Icon No. 16 (heart shape): Area A-11: Feeling that no one will understand Icon No. 9 (arrow): Contact I realize that point X-5 it is (intersection somehow of line L9 bad for me. and TAL17): C-F (Arrangement designation, etc.): Crowded arrangement: 0 Dispersive arrangement: 1 Balanced arrangement: 0 Deviative arrangement: 0 Bottom arrangement: 0 Upper arrangement: 0 Top-and-bottom arrangement: 0 Left-and-right arrangement: 0 Protruding arrangement: 0 Doll arrangement: 1 Overlapping: 1 Contact: 1 Line-contact: 1
[0231] Thus, the examinee 0002 is determined at this stage as follows.
TABLE-US-00016 TABLE 12 Selected designation of Appearance Definitions specific icon: of specific situation (0002) Location (Area) Count: 11 Somewhat lower desire Icon No. 11 (Face) A-10/11 Not rejecting human relationships Icon No. 12 (Moon) A9 Be able to make common sense decisions and thinkinging Icon No. 16 (heart A11 Be kind and be able to consider shape) Icon No. 4 (column) A10 It originally represents a sense of presence, but here is a reflecting telescope Icon No. 15 (isosceles A10 Used as a balance stand (of a triangle) reflecting telescope) Icon No. 4 (column) + — Icon No. 4 (column) and icon Icon No. 15 (isosceles — Combinations with No. 15 triangle) (isosceles triangle) represent something like reflective telescopes (not have deep meaning) Dispersive Open, not persistent arrangement Doll arrangement High capacity for storage, analysis, judgment, etc. Overlapping Be able to maintain a degree of human relationships Contact Be able to interact with others at reasonable distances Line-contact I have a dependence.
[0232] In
TABLE-US-00017 TABLE 13 A (count-up): 13 B (select specific icon) and its occurrences: Selected designation of specific icon: Location of Definitions of specific FIG. 3A to FIG. situation 3L appearance: Icon No. 4 (column): Area A-10: Afford, no problem Area A-1: Certain Icon No. 11 (Face): people are irrelevant. Icon No. 13 (doughnut): Lines L-16: Icon No. 15 (isosceles triangle): Area A-13: The sense of destruction and aggression do not vanish. Icon No. 16 (heart shape): Area A-7: Released C-F (Arrangement designation, etc.): Crowded arrangement: 0 Dispersive arrangement: 1 Balanced arrangement: 0 Deviative arrangement: 0 Bottom arrangement: 0 Upper arrangement: 0 Top-and-bottom arrangement: 0 Left-and-right arrangement: 0 Protruding arrangement: 0 Doll arrangement: 1 Overlapping: 0 Contact: 1
[0233] Thus, the examinee 0003 is determined at this stage as follows.
TABLE-US-00018 TABLE 14 Selected designation of Appearance Definitions specific icon: of specific situation (0003) Location (Area) Count: 13 Moderate motivation Icon No. 11 (Face) A-1 Not rejecting human relationships Icon No. 13 A-11/12 Strange feeling, weakness, etc. (doughnut) Icon No. 4 (column) A10 It is interpreted as make somebody do Icon No. 15 (isosceles A13 The inclination itself is interpreted triangle) as representing the test subject's instability. Icon No. 16 (heart A7 Be kind and be able to consider shape) Dispersive Open, not persistent arrangement Doll arrangement High capacity for storage, analysis, judgment, etc. Contact Interact with others at reasonable distances
[0234] In
TABLE-US-00019 TABLE 15 A (count-up): 11 B (select specific icon) and its occurrences: Selected designation of specific icon: Location of Definitions of specific FIG. 3A to situation FIG. 3L appearance: Icon No. 4 (column): Area A-3: I want to target something Icon No. 11 (Face): Area A-1: I want to monopolize or target a particular person. Icon No. 12 (Moon): Area A-7: Released Icon No. 13 (doughnut): Area A-13: Wheels, cars Icon No. 15 (isosceles triangle): Area A-11: The sense of destruction and aggression do not vanish. Icon No. 9 (arrow): Area A-13: Be aware C-F (Arrangement designation, etc.): Crowded arrangement: 0 Dispersive arrangement: 1 Balanced arrangement: 0 Deviative arrangement: 0 Bottom arrangement: 0 Upper arrangement: 0 Top-and-bottom arrangement: 0 Left-and-right arrangement: 0 Protruding arrangement: 0 Doll arrangement: 1 Overlapping: 0 Contact: 1 Line-contact: 1
[0235] Thus, the examinee 0004 is determined at this stage as follows.
TABLE-US-00020 TABLE 16 Selected designation of Appearance Definitions specific icon: of specific situation (0004) Location (Area) Count: 11 Distraction, excessive consciousness Icon No. 11 (Face) A-1 Not rejecting human relationships Icon No. 13 (doughnut) A-12 Strange feeling, weakness, etc. Icon No. 4 (column) A-3 The presence without inclination in closed space represents a sense of loneliness Icon No. 12 (Moon) A-7 Be able to make common sense decisions and thinking Icon No. 15 (isosceles A-10 Have image of a sharp, triangle) dangerous, or sticking, etc. Icon No. 6 (rectangle) A-11 It indicates unusual things. Differences from others, etc. Icon No. 15 (isosceles — Associate a small house triangle) + Icon No. 6 Dispersive arrangement Open, not persistent Doll arrangement High capacity for storage, analysis, judgment, etc. Contact Interact with others at reasonable distances Line-contact I have a dependence.
[0236] In
TABLE-US-00021 TABLE 17 A (count-up): 18 B (select specific icon) and its occurrences: Selected designation of specific icon: Location of Definitions of specific FIG. 3A to situation FIG. 3L appearance: Icon No. 4 (column): Area A-10: Afford, no problem Icon No. 11 (Face): Area A-1: I want to monopolize or target a particular person. Icon No. 12 (Moon): Area A-1: Coexistence with anxiety Icon No. 13 (doughnut): Area A-1: I want to target something Icon No. 15 (isosceles triangle): Area A-4: Dangerous elements that cannot be controlled Icon No. 16 (heart shape): Area A-6: Tight. Icon No. 4 (column) Line A-10: Afford, no problem C-F (Arrangement designation, etc.): Crowded arrangement: 0 Dispersive arrangement: 0 Balanced arrangement: 0 Deviative arrangement: 0 Bottom arrangement: 0 Upper arrangement: 0 Top-and-bottom arrangement: 0 Left-and-right arrangement: 0 Protruding arrangement: 0 Doll arrangement: 0 Overlapping: 0 Contact: 1 Line-contact: 0
[0237] Thus, the examinee 0005 is determined at this stage as follows.
TABLE-US-00022 TABLE 18 Selected designation of Appearance Definitions specific icon: of specific situation (0005) Location (Area) Count: 18 Distraction, excessive consciousness Icon No. 11 (Face) A-1 Not rejecting human relationships Icon No. 13 (doughnut) A-1 Strange feeling, weakness, etc. Icon No. 4 (column) A-10 Be used as representing a strong dependence Icon No. 15 (isosceles triangle) A-4 It represents a persistent dependence similarly Icon No. 12 (Moon) A-1 Be able to make common sense decisions and thinking Icon No. 16 (heart shape) A-6 Be kind and be able to consider There is a large contact of icons. It indicates a strong dependence and a strong dependability
[0238] Each of the above-described data shown in
[0239] The standard test time for icon application according to the present invention is about 5 minutes. In addition, there are restrictions on the age of examinees, and those who are between working age and 60 years old are eligible for inspection, especially those who are up to about 45 years old.
[0240] The present invention is not limited to the above-described embodiments. For example, in the above-described embodiments, the areas are formed by depicting any combination of the boundary elements such as lines, including straight lines, curved lines and broken lines, corners and contact points in a rectangular frame, but may be a so-called open sheet formed by depicting any combination of these boundary elements in a frameless test area. In this case, since the areas shown in a display can be grasped as a window when the check sheet is considered to be a part of a spherical surface, it can be interpreted in the same manner as in the above-described embodiments which is applied to a finite or framed area. That is, the interpretation of the test results of the examinees 0001 to 0005 shown in
[0241] The shape of the figure in which the areas are partitioned is not limited to that shown in
[0242] In
[0243] In
[0244]
[0245] In the case of the check sheet as shown in
[0246] The visual approach-based aptitude testing method according to the present invention can be used, for example, for judgement of vocational aptitude of personnel in entrance examinations (including mid-career recruitment examinations) and promotion examinations in companies and government offices. It may also be used for personnel evaluation.