Musical instrument slide and method of manufacture

Abstract

A musical instrument slide for a stringed instrument and a method of manufacturing the same includes a slide body defining an outer wall, the outer wall configured to affect sound produced by the instrument when applied to one or more strings of the instrument. The slide includes an inner wall within the slide body creating a space between the slide body and the inner wall and further includes fluid, slurry or the like within the space between the slide body and the inner wall, which may further affect the sound produced by the instrument when the outer wall is applied to a string. A removable collar may be included with an aperture or opening that may vary in size to accommodate multiple users.

Claims

1. A musical instrument slide for a stringed instrument comprising: a. a slide body defining an outer wall, the outer wall configured to affect sound produced by the instrument when applied to one or more strings of the instrument; b. an inner wall within the slide body, creating a space between the slide body and the inner wall; c. fluid within the space between the slide body and the inner wall.

2. The musical instrument slide of claim 1 wherein the fluid further affects the sound produced by the instrument when the outer wall of the slide body is applied to the strings.

3. The musical instrument slide of claim 1 wherein the inner wall defines an opening and forms an internal space sized to receive a finger of a musician for selective application of the outer wall of the slide body to strings of the instrument.

4. The musical instrument slide of claim 1 wherein the inner wall defines an opening and forms an internal tapered space to receive a finger of a musician for selective application of the outer wall of the slide body to strings of the instrument.

5. The musical instrument slide of claim 1 wherein the inner wall defines an opening and forms an internal space having protrusions to receive a finger of a musician for selective application of the outer wall of the slide body to strings of the instrument.

6. The musical instrument slide of claim 1 wherein the fluid is a combination of water and oil.

7. The musical instrument slide of claim 1 wherein the fluid is a combination of water, oil and alcohol.

8. The musical instrument slide of claim 1 wherein the fluid is a combination of water, oil and isopropanol.

9. The musical instrument slide of claim 1 wherein the fluid is a combination of water, oil, isopropanol and ethylene glycol.

10. The musical instrument slide of claim 1 wherein the fluid is a combination of water and a wetting agent.

11. The musical instrument slide of claim 1 wherein the fluid is a combination of water, a cleaning agent and a dye.

12. The musical instrument slide of claim 1 wherein the fluid is a slurry.

13. The musical instrument slide of claim 1 further including a rim on the slide body and a collar positioned around the rim of the slide body.

14. The musical instrument slide of claim 13 wherein the collar includes an opening which is variable in size.

15. The musical instrument slide of claim 14 wherein the collar includes a first leave and second flap, each proximate to the opening and which selectively open and close the opening upon movement of a finger of a musician through the opening.

16. The musical instrument slide of claim 1 wherein the slide body and the inner wall are substantially transparent or translucent.

17. A method of manufacturing a musical instrument slide, comprising the steps of: a. forming a slide body consisting essentially of glass which defines an outer wall and an opening at one end with a rim, the outer wall configured to affect sound produced by the instrument when applied to one or more strings of the instrument; b. forming an inner wall consisting essentially of glass which defines an opening at one end; c. placing the inner wall proximate to the slide body and creating a space between the slide body and the inner wall; and d. placing fluid within the space between the slide body and the inner wall.

18. The method of manufacturing a musical instrument slide of claim 17 further including the step of sealing the space between the slide body and the inner wall.

19. The method of manufacturing a musical instrument slide of claim 17, wherein the step of placing fluid within the space between the slide body and the inner wall further comprises placing a combination of oil and water within the space between the slide body and inner wall.

20. The method of manufacturing a musical instrument slide of claim 17, further including placing a collar on the rim of the slide body to provide a variable opening.

Description

DESCRIPTION OF THE DRAWINGS

(1) These and other features, aspects, and advantages of the present disclosure will become better understood and appreciated by reference to the following detailed description of the invention, taken in conjunction with the accompanying drawings and appended claims wherein:

(2) FIG. 1 is a side perspective view of an embodiment of the musical instrument slide of the disclosure, showing fluid sealed between the slide body and inner wall with a collar;

(3) FIG. 2 is a side plan view of the musical instrument slide of FIG. 1;

(4) FIG. 3 is an exploded view of the musical instrument slide of FIG. 1;

(5) FIG. 4 is a cross-sectional view along line 4-4 of the musical instrument slide of FIG. 1;

(6) FIG. 4A is a view the collar showing various sized apertures or openings therein;

(7) FIG. 4B is a view of the collar showing flexible flaps controlling the size of the aperture or opening to the musical instrument slide;

(8) FIG. 5 is a side perspective view of another embodiment of the musical instrument slide of the disclosure, showing fluid sealed between the slide body and inner wall;

(9) FIG. 6 is a cross-sectional view along line 6-6 of the musical instrument slide of FIG. 5;

(10) FIG. 7 is a side perspective view of another embodiment of the musical instrument slide of the disclosure, showing fluid between the slide body and inner wall sealed by a glass rim there between;

(11) FIG. 8 is a cross-sectional view along line 8-8 of the musical instrument slide of FIG. 7.

(12) FIG. 9 is a side perspective view of another embodiment of the musical instrument slide of the disclosure, showing fluid between the slide body and inner wall with an aperture for filling; and

(13) FIG. 10 is a cross-sectional view along line 10-10 of the musical instrument slide of FIG. 9.

DETAILED DESCRIPTION

(14) A musical instrument slide 10, constructed according to the present embodiment, includes a generally tubular slide body 12. The slide body 12 has a first open finger-receiving end 14 and a second end 16. The second end 16 is may be closed as in the illustrated embodiment, partially closed or open, depending on the desire of the musician. The body 12 has a generally tubular shape. The slide body 12 has an outer surface or wall 18 and an inner wall or surface 20. It will be appreciated by those skilled in the art that the thickness of the wall of slide body 12 may vary based on a particular application for achieving a particular sound profile or to accommodate a particular user.

(15) One embodiment of the musical instrument slide 10 for a stringed instrument as illustrated in FIG. 1 includes slide body 12 defining outer wall 18 which when engaged with the strings of the instrument provide the sound desired by the musician. Slide 10 also includes an inner wall 22, which may be formed in or inserted within slide body 12. Inner wall 22 includes an inner surface 24 and an outer wall 26. Upon formation or placement of inner wall 22 into body 12, a space 28 is created between slide body 12 and inner wall 22. As shown in the embodiment of FIG. 1 the space 28 is formed between inner wall 20 of slide body 12 and the outer wall 26. As illustrated in FIG. 1, space 28 is filled with fluid 30 upon inner wall 22 being formed in or positioned within slide body 12. Placing fluid 30 within space 28 further affects and enhances the sound produced by the musical instrument when slide body outer wall 18 is applied to the strings of the instrument.

(16) As can be seen in FIGS. 1-8, musical instrument slide 10 including slide body 12 is generally elongated. Inner wall 22 may also be elongated or other may be shaped in other forms to fit within slide body 12 to provide alternate sounds as desired by the musician or the listener. Such possible shapes may be tubular with open ends, plug like, or other desired shape to engage with and contain fluid 30 placed within slide body 12. Inner wall 22 may also taper from first finger receiving end 14 to the second end 16. Those skilled in the art may vary this angle for particular fitment of the slide 10 on the finger of the user.

(17) As illustrated in FIGS. 3 and 4, slide body 12 and inner wall 22 each define an opening 32, 34 forming an internal space 36, 38 in each, respectively. A second end 37 may be configured as a dome, such as domed second end 37, 39 in each of the slide body 12 and inner wall 22, or as a tube with open ends. Internal space 36, 38 individually or in combination are sized to receive a finger of the user, a musician, for selective manual application of outer wall 18 of slide body 12 to strings of the instrument. It will be appreciated that the second end of slide body 12 or inner wall 22, or both, may be open or partially closed. Such configuration may be desirable for generating other tones from the musical instrument slide 10. Such open or partially closed second ends of musical slide 10 will also provide for additional designs and artistic configurations of musical slide 10.

(18) FIGS. 4, 6, and 8 are cross-sectional views taken along line 4-4 of FIG. 1, Line 6-6 of FIG. 5, and line 8-8 of FIG. 7, respectively. As can be seen in FIGS. 2, 4, 6 and 8, inner wall 22 may be formed with a taper, which becomes smaller from its open end 34 to closed end 39. The taper is one way to provide for a proper fit on the finger of the musician to allow the needed control of musical instrument slide 10 when engaging the strings of the musical instrument. An alternative sizing of slide 10 may include opening 34 of inner wall 22 being sized with various diameters to accommodate for various users. Common diameters of opening 34 of inner wall 22 can be 0.6875, 0.750, 0.8125, 0.875, 0.9375, 1 and others based on the size of the musicians playing finger. Common diameters near the closed end of inner wall 22 may include 0.6750, 0.725, 0.800, 0.850, 0.9125, 0.9250 and others based on the size of the musicians playing finger. Such taper determines the size of space 28 between slide body 12 and inner wall 22 and the tonal quality of the notes played by the musician.

(19) As illustrated in the embodiment shown in FIGS. 1-4, musical instrument slide 10 may include a spacer element 40 on slide body 12 inner wall 20. Spacer element 40 may include tabs 42 as shown in FIGS. 1-4 or other protrusions, nibs, glass ledges, formations or the like. As can be seen in the embodiment shown in FIGS. 1-4, inner wall 22 is received by, or otherwise formed within slide body 12. The internal configuration between slide body 12 and inner wall 22 may include tabs 42 forming spacer element 40 which include tabs 42 and end stop 44, all of which assist in defining the space between slide body 12 and the inner wall 22.

(20) As will be appreciated by those skilled in the art, spacer element 40, including tabs 42 and or end stop 44 may be positioned on inner wall 22 as shown in FIGS. 1-4 or on slide body 12. Alternatively, spacer element 40, which may include tabs 42 and end stop 44 or alternative spacing elements can be positioned on one or both of slide body 12 and inner wall 22 to provide the space necessary to fill the space between slide body 12 and inner wall 22 with fluid 30. Such alternative spacer element combinations may also be chosen based on the sound profile, frequency, tone or enhancement desired by the musician or the listener.

(21) Musical instrument slide 10 is filled with fluid to obtain the desired tones when the outer wall 18 of musical instrument slide body 12 of slide 10 is engaged with the strings of a musical instrument. As set forth above, space 28 is formed between slide body 12 and inner wall 22 when inner wall 22 is positioned or formed within slide body 12. Spacer elements 40 maintain the space 28 between slide body 12 and inner wall 22 upon positioning or forming inner wall 22 within slide body 12.

(22) As can also be seen in FIGS. 1-4, space 28 between slide body 12 and inner wall 22 is sealed through a sealing mechanism. In one embodiment, such a sealing mechanism includes a collar 46 with an opening 47, which is positioned around openings 32, 34 of slide body 12 and inner wall 22, respectively. Opening 47 may be sized to accommodate various sized fingers based on the particular musician's needs as described above (See FIG. 4A).

(23) As can be seen in FIG. 4, collar 46 fits around the outside circumference of opening 34 of inner wall 22. As can be seen in FIGS. 3 and 4, collar 46 includes sealing lip 48, which is positioned within opening 50 filling, and sealing the space of opening 50 between slide body 12 and inner wall 22. In this embodiment, collar 46 and sealing lip 48 seal fluid 30 within space 28 between slide body 12 and inner wall 22. As shown in FIG. 4, collar 46 includes abutment surfaces 52, 54 on either side of sealing lip 48 which engage the rims or top edge surfaces 56, 58 of slide body 12 and inner wall 22, respectively. Collar 46 may not include sealing lip 48, but instead be positioned around slide body 12 and inner wall 22 for sizing purposes only, as further described below.

(24) Collar 46 may also include a finger rest, which, as illustrated in the embodiment of FIGS. 1-4, is a semi-circle formation 60 on the top of collar 46. Opening 47 accepts the finger of the musician and semi-circle formation 60 provides a comfortable rest for the finger of the musician, particularly when the musician's finger is inserted within inner wall 22 of musical instrument slide 10 and applied to the strings of the musical instrument to play the strings and enhance the tonal profile of the stringed instrument. Collar 46 allows the musician to comfortably and freely move the finger and slide combination to accurately play the strings of the musical instrument. It may be appreciated that the radius of semi-circular formation 60 can vary to accommodate different finger sizes of the musicians using the stringed instrument slide 10. It may be appreciated by those skilled in the art that the formation for inserting a musician's finger may be of any shape that allows the musicians finger to rest on collar 46, provide comfort to the musician and provide control of slide 10 during wearing of the slide and the playing of the musician's instrument.

(25) Collar 46 may be formed from a solid piece of rubber, plastic or other similar flexible materials to provide a seal for the fluid contained in the musical instrument slide 10, as well as provide a comfortable rest and control point for the finger of the musician using slide 10 to play the stringed instrument. Collar 46 may be sized to accommodate various finger diameters to provide alternatives for a wide variety of musicians to use slide 10. Collar 46 includes opening 47. Opening 47 may be sized as necessary to accommodate a variety of finger sizes presented by the wide variety of musicians using slide 10.

(26) In an alternative embodiment as shown in FIGS. 4A and 4B, collar 46 may include aperture or opening 47, which may be of various sizes. Opening 47 can be of a certain desired fixed size, which may vary, based on having multiple collars available for players of different sizes for placement on slide 10. Collar 46 can be removable from slide body 12 as desired.

(27) In yet another alternative embodiment, as shown in FIG. 4B, collar 46 may include one or more slits 51 forming leaves or flaps 53. Flaps 53 can be flexible to accept insertion of the player's finger. An aperture or opening 49 is formed defining the free end of multiple flaps formed in collar 46. As a player's finger is moved into opening 49, slits 51 are forced apart and widen separating flaps 53 to grasp the player's finger holding it securely within the opening 49 of slide 10. Flaps 53 can be released through friction or through movement of one flap to allow the player's finger to disengage, be released and moved out of the opening 49 and removed from slide 10. After the player's finger has passed through the slits 51, flaps 53 move back into engagement with the player's finger due to their own inherent resiliency. After the player's finger has been removed from opening 49, flaps 53 move back into abutment with one another due to their own inherent resiliency. Such an alternative embodiment provides a variable sized opening to accommodate different sized fingers of various players of the stringed musical instrument.

(28) It may be appreciated that collar 46 may be included without sealing slide 10. Collar 46 can be removable and positioned around openings 32, 34 of slide body 12 and inner wall 22 to allow use by players with different sized fingers, as described above. In addition, the various collar designs may also provide sealing of the space 28 between slide body 12 and inner wall 22 as necessary. Various elements as described herein can be combined or modified as preferred to provide the slide best suited for a particular player, a particular style or particular sound desired by the player or audio engineer.

(29) In one alternative embodiment shown in FIGS. 5 and 6 and a second alternative embodiment shown in FIGS. 7 and 8, the top edge surface 56 of slide body 12 and top edge surface 58 of inner wall 22 are sealed by a glass edge formed between top edge surfaces 56, 58. In the embodiment of FIGS. 9 and 10, a small fill hole is included within an opening 64 in slide body 12. In the embodiment of FIGS. 5 and 6, a plug 62 is included within an opening 64 in slide body 12. It will be appreciated that opening 64 may be placed as necessary within the outer wall 18 of slide body 12, or at any accessible location on inner wall 22 or top edge surface 58. Plug 62 is removable such that fluid can be injected, poured or otherwise placed in space 28 between slide body 12 and inner wall 22. The embodiments of FIGS. 1-4 and 5-6 each include the ability to easily remove and change fluid placed within space 28.

(30) In another embodiment, inner wall 22 may define an opening and form an internal space having a protrusion such as plug 62 to receive a finger of a musician for proper sizing, control and selective application of the outer wall of the slide body to strings of the instrument. In a further embodiment, one or more plugs such as plug 62 may be placed within slide body 12 on inner wall 22. One or more plugs 62 placed within the slide body 12 allow for engagement with the finger of the musician to properly size and control slide 10 when the used by the musician.

(31) In a second alternative embodiment of FIGS. 7 and 8, musical instrument slide 10 can be formed from glass with fluid 30 placed with space 28 between slide body 12 and inner wall 22 at the time of manufacture. This embodiment provides for a fully sealed musical instrument slide 10 with a chosen fluid 30 sealed between slide body 12 and inner wall 22 within space 28. In this alternative embodiment, spacer element 40 can be eliminated, providing further enhanced and alternative sound profiles which may be produced by musical instrument slide 10.

(32) It has been determined that various fluids, liquids, slurries, solid particles and combinations of such fluids, liquids, slurries and solid particles can provide desired sound quality and tone profiles based on musician and player preference. Such combinations of fluids, liquids, slurries and solid particles may include water, alcohol, isopropanol, ethylene glycol, wetting agents, and the like in various combinations. Such combinations may also include commonly available solutions such as Windex and other glass cleaners, cleaning solutions, dyes and the like, and may include slurries with magnetic particles, which may impart magnetic reaction with the metal strings, all providing different tonal qualities and profiles, as desired by a particular musician, listener, recording engineer, mixing technician or similar sound professional or producer. The alcohol or any combination with alcohol may be drinking alcohol such as Jgermeister, vodka, gin, whiskey or other alcoholic beverage of the user's choice. Such combinations vary the look and tone profile of the slide 10.

(33) Slide body 12 and inner wall 22 made be formed from various materials, which can further enhance, modify or affect the tone profile produced by the musical instrument slide 10 when engaged with the strings of the musical instrument, guitar, violin, viola, or other stringed instrument. One preferred material that has provided a preferred tonal profile includes glass in various formulations. It is also preferred that the material be substantially transparent or translucent to enhance the visual appearance of musical instrument slide. If may also be preferred to place artistic designs on various portions of the musical instrument slide 10 to increase the desirability and collectability of slide 10.

(34) A method of manufacturing a musical instrument slide is also provided. One embodiment of the method of manufacturing includes forming a slide body 12 consisting essentially of glass which defines an outer wall 18 and an opening 32 at one end with top edge surface 56. Outer wall 18 is configured to affect sound produced by the musical instrument when applied to one or more strings of an instrument. The method also includes forming an inner wall 22 consisting essentially of glass which defines an inner surface 24 and an opening 34 at one end with top edge surface 58. The method further includes forming or placing inner wall 22 within the slide body and creating a space 28 between slide body 12 and inner wall 22. Fluid is placed within space 28 between slide body 12 and inner wall 22. Space 28 between slide boy 12 and inner wall 22 is sealed to contain fluid 30 therein.

(35) The method of manufacturing a musical instrument slide also includes the step of forming or placing inner wall 22 within slide body 12. The method of manufacturing a musical instrument slide also includes the step of placing a fluid, liquid, slurry or other preferred mixture within space 28 between slide body 12 and inner wall 22. The method of manufacturing a musical instrument slide further includes the step of sealing space 28 between slide body 12 and the inner wall. The method may also include placing a collar such as collar 46 on the rim 56 of slide body 12 and rim 58 of inner wall 22. Collar 46 may also seal space 28 between slide body 12 and insert or inner wall 22, or simply provide sizing of open finger-receiving end 14 or control of slide 10 for engaging slide 10 with the strings of a musical instrument. A spacer element 40 may be placed between slide body 12 and inner wall 22 to assist in maintain space 28 between slide body 12 and inner wall 22.

(36) It may be appreciated by those skilled in the art that the fluid used to be placed within space 28 may include fluids consisting of a combination of water, propan-2-ol, 2-Propanol, isopropanol, rubbing alcohol, sec-Propyl, alcohol, s-Propanol, iPrOH, i-PrOH, Dimethyl carbinol, IPA, 1-Propanol, ethanol, 2-butanol or the like. In addition, it is desirable that such combinations include components that are miscible in water. It is desirable that all such combinations include components wherein the property of the combination of fluid substances can mix in all proportions which allows the fluids to fully dissolve in each other at any concentration, forming a homogeneous solution. It is also desirable that such fluids have physical and chemical properties to form a supersaturated layer of vapor which can be condensed by particles of radiation, particularly under gamma rays, X-rays and the higher energy range of ultraviolet light to provide ionization in the electromagnetic spectrum of the ultraviolet spectrum. Such characteristics have been found to provide the desired sound characteristics and tonal profile most desired by musicians and listeners. It is particularly desirable to use a fluid that has the proportions of water by weight of 60% to 99% and Isopropanol by weight of 1% to 5%. It may also be desirable to include ethylene glycol or ethylene glycol monohexylether of 0.01% to 1% to enhance the sound profile and tonal characteristics of the fluid filled musical instrument slide 10. Desirable ph ranges of such a preferred fluid combination is between 10.5-11.0 with a flash point of 130-185 degrees Fahrenheit or 54-85 degrees Celsius and specific gravity of approximately 1.0 with a density of approximately 0.997 g/cm.sup.3 at approximately 20 degrees Celsius.

(37) Mode of Operation

(38) The interior of the musical instrument slide 10 accommodates a finger of the musician's hand through finger receiving end 14. Downward fretting pressure is applied to musical instrument slide 10 to simultaneously depress the strings of the fretted stringed instrument, which includes electric guitars, steel guitars, acoustic guitars, bass guitars, violins, banjos, and other stringed instrument adjacent to a fret on the neck of the stringed instrument.

(39) Often, individual notes are required to be played. For individual note playing, the outer surface 18 of slide body 12 is brought into contact with an individual string adjacent to an appropriate fret by tipping the cording hand finger upwardly. Various sounds can be achieved through playing each note while varying the position of slide 10 and the outer surface 18 of slide body 12.

(40) Referring in generally to FIGS. 1 through 4, a musical instrument slide 10 constructed in accordance with the disclosure herein is illustrated. The musical instrument slide 10 includes a cylindrical slide body 12 defining an internal cavity at the opening 34 of inner wall 22. As can be seen in FIGS. 1, 2, 4 and 5-10, the cavity defined by the inner wall 22 gradually tapers at it extends from the first open finger-receiving end 14 toward the second end 16, which results in frictional connection with the musician's finger. It may be appreciated that inner wall 22 may include various forms of ribbing, fins, pebbling or other friction achieving formations to assist in maintaining the proper fit and desirable amount of friction between the musician's finger and inner wall 22. Such friction may also provide a desired level of control when the musician plays the strings of the musical instrument with slide 10.

(41) Opening 34 is reduced in diameter by collar 46 having an annular inner surface 45 with a diameter smaller than the tapered inner surface 24 of inner wall 22. Inner surface 45 tends to grip the tip of the musician's finger when the finger is gently forced toward second end 16. In alternate embodiments, the inner wall may have various diameters to accommodate various fingers (first, second, middle, ring or pithy fingers) of the musician to be carried in the slide 10 during use.

(42) A finger rest on the top of collar 46 includes a semi-circle formation 60, which allows the finger carried within slide 10 to stabilize slide 10 during use. Collar 46 may provide a seal for space 28 between inner wall 22 and slide body 12, if necessary. Collar 46 may also solely provide a frictional insert to fit the various sizes of player's fingers to allow comfortable positioning, frictional engagement and player control of the slide as described herein.

(43) Referring to FIGS. 5-8, a cylindrical slide body 12 and inner wall 22 together provide a hollow interior of slide 10, defining a cavity beginning at 21. When worn by the musician, the tip of the musician's finger is carried within the forward end 21 of the cylindrical body, and the base of the musician's finger is carried within the rearward end 23 of the cylindrical body. Cylindrical body 12 and inner wall 22 are sized with a diameter to allow the musician to fit a single finger within the cavity, and for the slide to become attached to the finger due to frictional contact between the two. Due to the differences in the size of musician's fingers, the overall size and diameter of the guitar slide can be adapted for any specific user. As a result, by firmly inserting one finger, the musician can obtain a firm grip on guitar slide 10 for control during playing of the musical instrument.

(44) During use, the outer surface or wall 18 of the cylindrical body may be used to contact the strings of the instrument or guitar in a manner similar to known musical instrument slides.

(45) As seen in FIGS. 5 and 7, a forward opening 14 is defined by rim 58. Rim 58 is an annular surface in a plane perpendicular to the length of the cylindrical body. Rim 58 is adjacent to inner surface 24 of inner wall 22.

(46) As seen in the cross-sectional view of FIGS. 6 and 8, inner wall 22 is angled from opening 14 to second end 16 providing an interior of inner wall 22, which narrows from opening 14 to second end 16. The angle of inner wall 22 can be varied. As a result, when the musician inserts a finger in the cavity, the tip of the musician's finger will tend to become wedged in the area of the interior of inner wall 22 near second end 16. This results in additional stability and control over the slide 10 during use, resulting in easier and more responsive play.

(47) With the first knuckle of a musician's finger is fully enclosed within slide 10, the second knuckle is carried within the tapering interior area of inner wall 22. When the joint between the second and third knuckle is bent, slide 10 can be positioned against the strings of the instrument to provide fretted engagement of slide 10 with the strings.

(48) As can be seen in FIGS. 1-4, one preferred embodiments, includes a finger rest such a semi-circular surface 60. Semi-circular surface 60 provides a finger rest allowing the musician to support and stabilize slide 10 by placing a finger on the finger rest such as semi-circular surface 60.

(49) Prior to use, the musician typically inserts a finger of one hand into opening 14 of inner wall 22, causing the tip of the second finger to wedge into the annular surface of the interior of inner wall 22. This positioning causes sufficient friction so as to maintain slide 10 on the musician's finger. The base of the second finger is then placed on the finger rest shown as semi-circular surface 60.

(50) During manipulation as detailed above and during play, the rounded cylindrical outer surface 18 of slide 10 is used to contact the strings of the instrument. The musician's positioning of slide 10, outer surface 18 or second end 16 with respect to the strings of the musical instrument vary the tone, pitch, frequency, color and the like of the note being played providing the unique characteristics and sounds of slide 10.

(51) While the principles of the disclosure have been shown and described in connection with the specific embodiments herein, it is to be understood that such embodiments are by way of example only, and are not limiting in any respect.

(52) Reference throughout this specification to the embodiment, this embodiment, the previous embodiment, one embodiment, an embodiment, a preferred embodiment another preferred embodiment or similar language means that a particular feature, structure, or characteristic described in connection with the embodiment is included in at least one embodiment of the present invention. Thus, appearances of the phrases in the embodiment, in this embodiment, in the previous embodiment, in one embodiment, in an embodiment, in a preferred embodiment, in another preferred embodiment, and similar language throughout this specification may, but do not necessarily, all refer to the same embodiment.

(53) Furthermore, the described features, advantages, and characteristics of the invention may be combined in any suitable manner in one or more embodiments. One skilled in the relevant art will recognize that the invention may be practiced without one or more of the specific features or advantages of a particular embodiment. In other instances, additional features and advantages may be recognized in certain embodiments that may not be present in all embodiments of the invention. While the present invention has been described in connection with certain exemplary or specific embodiments, it is to be understood that the invention is not limited to the disclosed embodiments, but, on the contrary, is intended to cover various modifications, alternatives, modifications and equivalent arrangement as will be apparent to those skilled in the art. Any such changes, modifications, alternative, equivalents and the like may be made without departing from the spirit and scope of the disclosure.