FORMING A TEXTURE IN A CAN SURFACE DECORATION

Abstract

A method of decorating a metal can body and comprising printing a fine pattern onto the can body using a non-varnishable ink, and applying a varnish over the printed fine pattern while the printed non-varnishable ink remains wet. The pattern is configured to give rise to a textured pattern in the varnish once the varnish has dried.

Claims

1. A method of decorating a metal can body and comprising: printing a fine pattern onto the can body using a non-varnishable ink; and applying a varnish over the printed fine pattern while the printed non-varnishable ink remains wet, the pattern being configured to give rise to a textured pattern in the varnish once the varnish has dried.

2. The method according to claim 1, wherein the dimensions of printed features in the fine pattern is substantially the same as the spacing between the printed features.

3. The method according to claim 1, wherein the spacing between printed features in the fine pattern is less than 1 mm, preferably less than 0.4 mm.

4. The method according to claim 1, wherein the spacing between printed features in the fine pattern is less than 0.25 mm, preferably between 0.05 and 0.15 mm.

5. The method according to claim 1, wherein a filmweight of the non-varnishable ink is less than 1.5 microns.

6. The method according to claim 1, wherein said fine pattern is a substantially regular array of printed and unprinted areas which gives rise to a substantially regular textured pattern.

7. The method according to claim 5, wherein said printed areas are discrete areas.

8. The method according to claim 1, wherein said fine pattern is an Intaglio pattern.

9. The method according to claim 1, further comprising printing varnishable ink into said pattern to provide alternating areas of varnishable and non-varnishable ink.

10. The method according to claim 1, wherein the ink, or one or both of the inks, is a clear ink.

11. The method according to claim 1, wherein a maximum thickness of varnish within the textured pattern is between 1.2 and 3 times a nominal thickness of the applied varnish.

12. The method according to claim 1, wherein said step of applying a varnish is carried out less than 500 milliseconds after said step of printing, preferably between 50 and 120 milliseconds.

13. The method according to claim 1, further comprising, following said steps of printing and applying, passing the can body through an oven in order to dry both the ink and the varnish.

14. The method according to claim 1, wherein said non-varnishable ink is a solvent-based dry offset ink.

15. The method according to claim 1, wherein regions between the fine pattern are unprinted with ink such that in these regions the varnish is applied to the metal substrate.

16. The method according to claim 1, further comprising a step of, prior to applying said varnish, printing a second fine pattern onto the can body using a varnishable ink, said second fine pattern and said first mentioned fine pattern being substantially non-overlapping.

17. The method according to claim 1, wherein the ink is a clear ink containing a fluorescent additive which can be activated by exposure to UV light, e.g. at a wavelength typically between 350 and 400 nm

18. The method according to claim 1, wherein the ink is an ink containing thermochromic or photochromic pigments.

19. The method according to claim 1, said first mentioned fine pattern comprises an array of discrete non-varnishable ink spots.

20. The method according to claim 19, wherein each ink spot has an area of 1 mm.sup.2 or less, preferably less than 0.2 mm.sup.2.

21. The method according to claim 1, wherein the varnish includes a coloured pigment or dye, or an effect pigment, for example leafing or non-leafing aluminium flake, interference effect, or pearlescent effect.

Description

BRIEF DESCRIPTION OF THE DRAWINGS

[0023] FIG. 1 illustrates schematically a can decorator apparatus known in the prior art;

[0024] FIG. 2 is a converted micrograph illustrating a prior art texture effect;

[0025] FIG. 3 is a converted micrograph illustrating an embossed texture effect according to an embodiment of the invention;

[0026] FIG. 4 illustrates schematically a can decorator including inking and varnishing stations;

[0027] FIG. 5 illustrates a smooth texture effect known in the prior art;

[0028] FIG. 6 is a converted micrograph illustrating a combination of smooth and embossed texture effects;

[0029] FIG. 7 illustrates an exemplary artwork pattern and printed result;

[0030] FIG. 8 illustrates an exemplary artwork pattern overlaid with a converted micrograph of the printed and varnished result;

[0031] FIG. 9 illustrates an example Intaglio pattern;

[0032] FIG. 10 illustrates a texture pattern formed by a normal ink filmweight;

[0033] FIG. 11 illustrates a texture pattern formed by a higher ink filmweight;

[0034] FIG. 12 shows a texture pattern created by over varnishing an ink pattern comprising alternating lines of varnishable and non-varnishable ink; and

[0035] FIG. 13 shows a texture pattern created by over varnishing an ink pattern

DETAILED DESCRIPTION

[0036] As has been described above, a texture can be formed in a can body varnish by decorating the can body using a non-varnishable ink. The result, as illustrated in FIG. 2, is a rough texture without any discernible pattern. The only pattern which is visible is that created randomly by the unpredictable reaction between the solid area of ink and the area of varnish applied over said ink.

[0037] FIG. 3 illustrates a regular textured pattern (at 40 magnification) formed in a varnish on a metal can body, according to an embodiment of the present invention. The texture pattern of FIG. 3 is formed by applying a medium filmweight varnish (approximately 4-6 grams per square metre) over a non-varnishable (49R207664 basewhiteINX International UK Ltd) ink. This non-varnishable ink is a solvent-based dry offset ink and contains no water (and has no protein or silicone content). Of course other solvent-based dry offset ink may be used instead. The non-varnishable ink is printed onto the metal can body substrate as an array of discrete spots or islands. Each spot has an area of 1 mm.sup.2 or less, preferably less than 0.2 mm.sup.2.

[0038] The temperature at which the ink is printed is typically between 25 and 50 degrees Celsius although this will depend upon a number of factors including for example ink type, coverage, and the effectiveness of cooling systems on the decorator. The texture pattern results from certain fine features (the array of spots) of the underlying decoration created with a non-varnishable ink. Fine details in the printed ink pattern (approximately 0.3 mm across) force varnish into the fine gaps between non-varnishable ink coated areas. This generates an interesting tactile finish caused simply by the primary de-wet from the non-varnishable white ink surface. The resulting can body appears as if it has been embossed with a regular pattern. It is noted that the regularity of the fine features in combination with the de-wet effect gives the optical embossing effect, which is reinforced by the texture of the finish. It is also noted that some varnish will remain over the non-varnishable ink areas. This is important to retain the abrasion resistance properties of the can body.

[0039] In producing this textured effect it is important to note that a wet-on-wet process is used, i.e. the varnish is applied while the printed non-varnishable ink remains wet. FIG. 4 illustrates schematically a can decorator including a blanket decorator with multiple (colour) inking stations. After inking can bodies are moved to an overvarnish unit before being moved to a transfer wheel and from there into a drying oven (operating at around 200 degrees Celsius). At typical line speeds the time between a can body being inked to the overvarnish being applied is in the region of 50-120 milliseconds. During this time the ink will not dry to any significant extent meaning that the overvarnish is applied onto the wet ink. It is observed that wet-on-wet process enhances the tendency of the varnish to move away from the inked areas onto the non-inked areas, as compared with wet-on-dry printing.

[0040] By way of contrast, FIG. 5 illustrates a smooth surface finish achieved with the same decoration pattern but where the ink is a varnishable ink. The varnish appears smooth over both varnishable white ink and base metal, with no tactile features. The texture effect of FIG. 5 is formed by a standard varnish filmweight (approximately 4-6 grams per square metre) over a white varnishable ink (RN20334 base).

[0041] FIG. 6 illustrates an effect created by a combination of varnishable and non-varnishable inks, using the same underlying decoration pattern. The distribution of inks creates a smooth finish and tactile finish respectively. The feature transitions between the two different ink patterns are preferably smooth. Such a transition may be provided at the junction between the main can body and an end region to be necked. This may be helpful to avoid problems with necking of the embossed finish surface. Printing a pattern comprising a combination of varnishable and non-varnishable inks may also provide an enhanced finish that is smooth or tactile respectively in different locations on the printing surface.

[0042] FIG. 7 illustrates an exemplary artwork pattern and printed result, where the blue regions identify areas to be printed with non-varnishable ink and the grey regions identify unprinted regions. The minimum separation (between features) and the size of features is largely dependent on machine type and condition, as well as the pattern specification required to guarantee the desired effect at line speed. The inventors have ascertained that during printing, some growth of individual pattern features typically occurs. This is evident from the larger printed pattern structures in FIG. 7. The feature size and minimum separation between features should therefore preferably be at least 0.1 mm to avoid merging of features. The separation between features in the pattern may optionally be in the range 0.1 mm to 1 mm. The size of the features in the pattern is optionally substantially equal to the separation between features in the pattern. For example, the area of the pattern features may comprise 40-60%, e.g. 50%, of the total surface area of the printable surface (i.e. the surface on which the texture pattern is to be created).

[0043] FIG. 8 illustrates an exemplary artwork pattern overlaid by a converted micrograph (i.e. where a micrograph has been converted to an equivalent line drawing) of the printed result.

[0044] FIG. 9 illustrates an example Intaglio pattern formed by continuous lines. An Intaglio pattern may be well suited for use with the present invention as it may inherently possess the characteristics to produce a texture pattern in an overlying varnish.

[0045] FIG. 10 is a converted micrograph illustrating a pattern formed by a normal ink filmweight (approximately one micron) whilst FIG. 11 is a converted micrograph illustrating a pattern formed by a higher ink filmweight (approximately 1.5 microns). As illustrated in FIGS. 10 and 11, an ink filmweight of less than 1.5 microns thick may provide a texture pattern with significantly more distinct edges.

[0046] Generally, the method for decorating a can may comprise applying a fine pattern of non-varnishable ink to a can body and then applying varnish on top of the applied ink. The varnish may be applied, for example, using a roller coater or anilox/gravure coater. The gaps between rollers of the roller coater and speeds of the rollers determine the thickness of the varnish coating. In an anilox/gravure coater, the cell volume and structure of the engraved roller determines the film weight of applied varnish, and will give less variation with changing line speed than a roller coater. In addition, the cell structure and volume of an engraved anilox or gravure roller can be varied to give effect variation across the can, and areas of reduced filmweight, for instance in the necked in area, to aid necking without reducing an effect over the rest of the can which relies on high film weight of varnish. The varnish is typically dried or cured after application to the wet inks. Tactile patterns may be formed using, for example, RN20334 white or other colours including clear from the same non-varnishable (novar) ink range. Non-tactile patterns may be formed using 49R207664 white or other colours from the same varnishable ink range.

[0047] Considering now the height of the texture pattern features, these will clearly be a function of the nominal thickness of the applied varnish and the desired texture. By way of example only, it might be desirable that the maximum varnish thickness within a textured area be less than three times the nominal varnish thickness, possibly less than two times the nominal thickness. The thicker regions may be in an area of the can body where a varnish overlap occurs. So, if the underlap has a thickness T, then the overlap may have a thickness 1.5 T. If non-varnishable ink is present in the overlap region, this may double the varnish thickness to 3 T. Nominal underlap thicknesses will be approx. 3 gsm (grams per sq meter) and with dry film densities typically 1.00-1.30, this gives a value for T between 2 and 4 microns, giving the emboss effect agglomerated thickness of 4-8 microns in the underlap area of the can, and 8-12 microns in the 3T area. Of course other textures and thicknesses may be possible/desirable, including matt features using narrow line or feature widths and/or lower varnish thicknesses.

[0048] In the embodiments described above, the regions where a texture pattern is to be created is printed with only a non-varnishable ink. In other embodiments however, the effect may be enhanced by printing with a combination of varnishable and non-varnishable inks. For example, a grid of varnishable ink may be printed with varnishable ink being printed as spots within the grid. In some cases, the inks may be transparent inks, varnishable and/or non-varnishable. Printing may be carried out on top of a baselayer or directly onto the can body material.

[0049] In some cases it may be desirable to reduce the feature size and/or feature separation (of the printed fine pattern) to below that described above, e.g. 0.1 mm or less. By doing this it is possible to produce a controlled matt surface appearance using very fine printed lines that is both distinct from the type of effect achieved in the prior art using a solid area of non varnishable ink, and the embossing type effect described above and illustrated in FIG. 3. FIG. 12 is a converted (photo) micrograph, at approximately 40 magnification, of a surface produced using alternating lines, approximately 0.1 mm in width, of non varnishable and varnishable black inks printed in a substantially non-overlapping, kiss-fitting arrangement. Although there is some limited bridging across line features, the lined structure of alternating varnished features is still evident at this magnification. However, when viewed with the naked eye the lined areas take on a matt appearance compared to the uniform area of varnishable ink that surrounds them.

[0050] FIG. 13 (approximately 40 magnification) is a coverted micrograph of a surface created using a pattern comprising intermittent or broken, rather than continuous, lines printed with non-varnishable ink, with the remaining area being printed with varnishable ink. This provides a means to reduce the amount of effect bridging, and, therefore, potentially improve control of the matt effect.

[0051] It should be clear to those skilled in the art that combinations of line or feature thickness, varnish film weight, and ink colours and types will produce differing effect intensities within the scope of the current invention. This method potentially gives controlled, specific areas of matt finish within an overall glossy can decoration, and that is unachievable using traditional matt or gloss overvarnishes. Furthermore, this method gives a more predictable and controlled matt finish than is achievable using a varnish applied over a solid print of non varnishable ink as shown in FIG. 2.

[0052] It will be appreciated by the person of skill in the art that various modifications may be made to the above described embodiment without departing from the scope of the present invention. By way of example, the method and apparatus described in WO/2014/128200 may be employed to allow variable texture patterns to be created within a single can body production line. WO/2014/128200 describes the creation of positive secondary images on the decorator blankets, with different secondary images on each of the blankets on the blanket wheel. By, for example, providing these secondary images with a patterned surface, different blankets can provide different texture patterns. Indeed, areas of the blanket surface can be engraved or embossed to print patterns resulting in texture patterns in the final varnished can bodies. This may be as an alternative or in addition to patterns printed as a result of the print cylinders.