Method for processing ink, stone and oil painting

Abstract

Disclosed is a method for processing an ink, stone and oil painting, comprising the steps of: mounting a Chinese painting painted on a piece of Chinese art paper by hand on the base plate; determining a replacement part on the surface of the painting, and determining a sculptural material according to the contents of the painting in the replacement part, and processing a sculptural module; placing the sculptural module on the replacement part and fixing same to the base plate; and further processing the sculptural module and connecting same to the surface of the painting. Drawing by using techniques of oil painting and sculpture/Chinese painting makes the contents of the painting coordinate with the contents of a viewing surface of the sculptural module.

Claims

1. A method for processing an ink, stone and oil painting, comprising the steps of: (1) mounting a Chinese painting painted on a piece of Chinese art paper by hand on a base plate; (2) determining a replacement part on a surface of the painting according to contents of the painting, and determining a sculptural material according to the contents of the painting in the replacement part; (3) processing the sculptural material into a sculptural module, one surface of which is a fixing surface fixedly connected to the base plate, the fixing surface having an edge consistent with a profile of the replacement part, while an other surface of which is a viewing surface in which a sculptural contents are similar to the contents of the painting in the replacement part in that the sculptural contents have solid materials which correspond to the painting in the replacement part; (4) placing the sculptural module in the replacement part and fixing the sculptural module to the base plate by punching, pinning, or gluing, with the edge of the fixing surface being superposed with the profile of the replacement part; (5) further processing the sculptural module: carving the fixed sculptural module by a sculpturing technique so that the sculptural module is more stereo than the sculptural module had been before applying the sculpturing technique and layered; (6) connecting the sculptural module to the surface of the Chinese painting: by means of sculpturing, at a connection between the sculptural module and the surface of the Chinese painting, connecting the surface of the painting to the sculptural material by using a material which is moldable during manufacturing and has a fixed shape after being dried; and (7) coordinating the contents of the painting with the contents of the viewing surface of the sculptural module by drawing by an oil painting technique and further processing the painting by the sculpturing technique and a Chinese painting technique.

2. The method for processing an ink, stone and oil painting according to claim 1, characterized in that a finished product manufactured by this method is a presentation art integrating the Chinese painting painted on a piece of Chinese art paper by hand, a Western oil painting painted by hand and a sculpture art.

3. The method for processing an ink, stone and oil painting according to claim 1, characterized in that the sculptural material is a painting element selected from: a stone, an ore, a piece of wood, an animal or plant fossil or a 3D printed object.

4. The method for processing an ink, stone and oil painting according to claim 1, characterized in that a similarity of a sculptural shape of the viewing surface to the contents of the painting in the replacement part means that the sculptural shape of the viewing surface is a stereo reproduction of the contents of the painting in the replacement part.

5. The method for processing an ink, stone and oil painting according to claim 1, characterized in that, after a pigment of the painting is dried, a layer of gloss oil for the oil painting is uniformly coated on a surface of a part painted by the oil painting technique wherein the gloss oil is designed to play a role in protecting an oil paint on the surface of the painting and enhancing a brightness and texture of the painting.

Description

V. DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS

(1) 1. A Chinese painting is painted on a piece of Chinese art paper and then mounted on a base plate.

(2) In principle, the base plate used in the new sort of painting provided by the present invention is a hard object which will not be deformed for a long period of time. The base plate may be a bamboo fiberboard, a wood fiberboard, a plastic plate, a metal plate, a carpentry board, an aluminum honeycomb board or made of other materials, in order to support the solid objects. Meanwhile, the flatness of the surface is also taken into consideration.

(3) 2. A replacement part on the surface of the painting is determined according to the contents of the Chinese painting, and a sculptural material is determined according to the contents of the painting in the replacement part. That is, proper stones and/or solid materials are selected.

(4) The stones may be unique stones such as shales, bluestones, stalactites; or various fossils, marbles, granites; or various metals such as gold, silver, copper or iron. The stones may also be metal ores, crystals, agates, jades, shells or others. In accordance with the painting requirements, stones of different sizes, shapes, colors and textures are selected. Where the artistic conception of the painting is to be expressed while expressed insufficiently by painting, proper stones are deployed, so that many new elements may be increased to the way of presenting the painting.

(5) The solid material may be a tree branch, a bamboo branch, a plastic object, a metal object, a ceramic object, a glass object, or even precious Gold phoebe, ebony, etc. Any solid material capable of coordinating with painting and expressing the requirements to be achieved by the painting may be used in the painting.

(6) 1. The sculptural material is processed into a sculptural module, one surface of which is a fixing surface fixedly connected to the base plate, the fixing surface having an edge consistent with a profile of the replacement part, while the other surface of which is a viewing surface in which the sculptural contents are similar to the contents of the painting in the replacement part.

(7) 2. The sculptural module is placed in the replacement part and fixed to the base plate by punching, pinning, gluing or other methods, with the edge of the fixing surface being superposed with profile of the replacement part.

(8) When the stone and/or the solid material is adhered to the surface of the painting, different glue types are selected mainly depending on the properties of the stone and the solid material. Epoxy resin glues such as marble glue, latex glue, oxhide gelatin, etc., may be used for the stone, while a latex glue or paste may be used for the light-weight wood. For solid materials such as a large stone, to ensure the stability, the corresponding base plate of the stone and the solid material closely adhered to the painting is punched on both surfaces. As appropriate, metal screws, pegs, stone pins or other materials are selected for connection. The surface of the object attached to the surface of the painting is required to be processed into a flat plane similar to the surface of the painting, and then adhered.

(9) 3. The sculptural module is further processed: the fixed sculptural module is carved by the sculpturing technique so that the sculptural module is more stereo and layered.

(10) 4. The sculptural module is connected to the surface of the Chinese painting: by means of sculpturing, at a connection between the sculptural module and the surface of the Chinese painting, the surface of the painting is connected to the sculptural material by using a material which is moldable during manufacturing and has a fixed shape after dried.

(11) 5. The contents of the painting are coordinated with the contents of the viewing surface of the sculptural module by drawing by the oil painting and sculpturing/Chinese painting techniques. After the preceding steps have been done, to further perfect the painting as a whole, fine drawing is performed on the surface by all the oil painting techniques, including color accumulation, and meanwhile, particularly at the connection between the surface of the painting and the sculpturing module, the painting is further processed by the Chinese painting and sculpturing techniques. In this way, the whole painting is unified perfectly.

(12) 6. The whole painting is protected. The Chinese painting, as the basis of the whole painting, has been mounted after fabricated, so the Chinese painting itself plays a protection role to a certain extent. However, if the part drawn by the oil painting technique is not protected, the service life of the painting will be influenced. Therefore, after the paints on the surface of the oil painting part have been completely dried, a layer of gloss oil special for the oil painting is uniformly coated on the surface. The gloss oil plays a role of protecting the paints on the surface of the painting, and makes the painting brighter and better in texture.

(13) Finally, the painting is framed. Meanwhile, with the progress of the science and technology, a better protective material (if any), for example, a protective layer made of a nano-material, may also be used.