Abstract
An electronic synthesizer instrument incorporating four bass pedals which can be played either with the heel or the toe of the foot, so as to allow the playing of all twelve notes in a chromatic octave with just the four pedals. The apparatus is an improvement upon existing bass pedal devices which enables easier playing of the bass parts for musicians simultaneously playing other instruments. The assignment of the pitch to the pedals is selectable, but two of the easiest-to-play embodiments are described in detail. The four pedals rock on a central pivot, each giving two distinct notes. Half pitches between notes addressed by adjacent pedals can be accessed by holding both adjacent pedals down.
Claims
1. A four-pedal keyboard monophonic musical instrument incorporating an improved note layout, comprising: a. Four hinged adjacent rocking pedals fixed together to a base, each pedal further comprising toe end and a heel end, the instrument further comprising a means for playing a musical note when either end is pressed; and b. Each pedal end playing a note that is two chromatic steps higher than the note played when pressing the pedal to its left on the same pedal end; and c. When two adjacent pedal ends are pressed simultaneously, the instrument includes a means for playing the note between the notes played when pressing either of said adjacent pedal ends solely, and does not play either of the two notes that each pedal plays when pressed singly.
2. The instrument described in claim 1, in which the note played by pressing one end of each pedal differs from the note played by pressing the other end of the pedal by five chromatic steps.
3. The instrument described in claim 1, in which the note played by pressing one end of each pedal differs from the note played by pressing the other end of the pedal by seven chromatic steps.
4. The instrument described in claim 1 in which the notes played by either end of the four pedals are user-assignable.
5. A four-pedal keyboard monophonic musical instrument described in claim 2, further comprising a microcontroller which generates or selects the notes from a user-programmed memory.
6. The instrument described in claim 2, further comprising spacers of varying widths to adjust pedal spacing.
Description
BRIEF DESCRIPTION OF THE DRAWINGS
(1) FIG. 1 is an exploded view of a four pedal bass keyboard device according to various embodiments of the present invention.
(2) FIG. 2A is a side view of an embodiment of the invention with the pedal not played. FIG. 2B is a side view of an embodiment of the invention with the pedal played with the heel. FIG. 2C is a side view of an embodiment of the invention with the pedal played with the toe.
(3) FIG. 3 is a block diagram of an embodiment of the keyboard system including the electronic circuit which delivers the tones from the pedal board. The circuit includes all programming of the notes corresponding to the pedals in either center (off) or toe or heel positions.
(4) FIG. 4 is tables of notes to be assigned to the pedals in the programming of the controller board in the preferred embodiment. Twelve tables are required to show all the note configurations for any given embodiment corresponding to the selected key being any of the twelve notes in the chromatic scale. Only five are shown in FIG. 3. The others can be easily derived by those knowledgeable in music and programmed into the controller. In the preferred embodiment the toe position of pedal 2 is defined as the keynote, although any of the eight pedal positions may be defined this way for other embodiments of the invention, as well as even the positions where two adjacent pedals are played.
(5) FIG. 5 shows tables of notes to be assigned to the pedals in the programming of the controller board in the alternate embodiment. Twelve tables are required to show all the note configurations for any given embodiment corresponding to the selected key being any of the twelve notes in the chromatic octave. Only five are shown in FIG. 3. The others can be easily derived by those knowledgeable in music and programmed into the controller. In this alternate embodiment the heel position of pedal 2 is defined as the keynote, although any of the eight pedal positions may be defined this way for other embodiments of the invention, as well as even the positions where two adjacent pedals are played. As is seen from the tables, in the alternate embodiment the range of the instrument is two chromatic tones beyond the octave. Other undescribed embodiments are of course possible depending upon the musical needs of the player, each of which would be described by twelve tables.
(6) FIG. 6A shows the key layout of the conventional design. FIG. 6B shows the preferred embodiment of the novel four-pedal system first described herein.
(7) FIG. 7 shows in tabular form the names of the ten country songs for which the conventional case and the invention are compared (a), the chords in the first two lines of the verse of each song (b), and the number of pedal widths of each of the transitions required in the conventional and invention cases. Rocking from toe to heel or heel to toe is regarded as one-half of a pedal width in the case of the invention.
(8) FIG. 8 shows in tabular (a) and graphical (b) form the average foot travel required of the player of each of the ten songs chosen and shown in FIG. 7.
DETAILED DESCRIPTION OF THE INVENTION
(9) The terminology used herein is for the purpose of describing particular embodiments only and is not intended to be limiting of the invention. As used herein, the term and/or includes any and all combinations of one or more of the associated listed items. As used herein, the singular forms a, an, and the are intended to include the plural forms as well as the singular forms, unless the context clearly indicates otherwise. It will be further understood that the terms comprises and/or comprising, when used in this specification, specify the presence of stated features, steps, operations, elements, and/or components, but do not preclude the presence or addition of one or more other features, steps, operations, elements, components, and/or groups thereof.
(10) Unless otherwise defined, all terms (including technical and scientific terms) used herein have the same meaning as commonly understood by one having ordinary skill in the art to which this invention belongs. It will be further understood that terms, such as those defined in commonly used dictionaries, should be interpreted as having a meaning that is consistent with their meaning in the context of the relevant art and the present disclosure and will not be interpreted in an idealized or overly formal sense unless expressly so defined herein.
(11) In describing the invention, it will be understood that a number of techniques and steps are disclosed. Each of these has individual benefit and each can also be used in conjunction with one or more, or in some cases all, of the other disclosed techniques. Accordingly, for the sake of clarity, this description will refrain from repeating every possible combination of the individual steps in an unnecessary fashion. Nevertheless, the specification and claims should be read with the understanding that such combinations are entirely within the scope of the invention and the claims.
(12) A novel musical keyboard instrument played by the feet is disclosed herein. In the following description, for purposes of explanation, numerous specific details are set forth in order to provide a thorough understanding of the present invention. It will be evident, however, to one skilled in the art that the present invention may be practiced without these specific details.
(13) The present disclosure is to be considered as an exemplification of the invention, and is not intended to limit the invention to the specific embodiments illustrated by the figures or description below.
(14) The present invention will now be described by referencing the appended figures representing preferred embodiments. FIG. 1 depicts an exploded perspective view of the elements that may comprise a four pedal keyboard device (the device) according to various embodiments of the present invention. The mechanics of the keyboard instrument played by the feet include eight momentary switches, labeled 1 through 8, which are played either by the heel end (numbers 13, 14, 15, and 16) or the toe end (numbered 17, 18, 19, and 20) of the four-foot pedals. The pedals are suspended above the switches by a pivot rod 11 which goes through pedal spacers 12 and center holes in the pedals as shown and are held above the normally-off switches by springs 9 centered in holes in the yoke 12 which holds the device together.
(15) FIG. 2 represents the device in use, albeit with the side plate of the yoke (10 in FIG. 1) removed so the operation can be seen. The pivot rod 11 is viewed along its axis. The pedal 26 is viewed in its quiescent state in 2(a), as playing the note assigned to its heel position in (b), and as playing the note assigned to its toe position in (c). The springs in their quiescent state are shown 21, in the compressed state corresponding to the note being played 22, and in the state where the opposite end of the pedal is depressed 23. The springs can be replaced by torsion springs about the pivot rod in other embodiments of the same invention. The unpressed switch is shown 24, and the pressed (on state) switch is shown 25. It is noted that no note sounds when the foot is in position represented by (a), the note corresponding to the heel end of the pedal sounds when the foot is in the position represented by (b), and the note corresponding to the toe end of the pedal sounds when the foot is in the position represented by (c).
(16) FIG. 3 represents a block diagram of the preferred embodiment of the four-pedal keyboard. The switches 1-4 are those which are under the heel end of the pedals, and switches 5-8 are under the toe end of the pedals. The wiring of the switches gives a ground level signal when the switch is depressed by the pedal, and a level of approximately Vcc when the switch is not depressed. The states of the switches are read by the microcontroller, and a frequency corresponding to the switch states is elected. Binary numbers corresponding to the desired voltage output at a given time are output from the microcontroller to the digital-to-analog converter (DAC) which are then converted into the analog signal which is the waveform, to be amplified and converted to sound by a speaker or a set of headphones.
(17) FIG. 4 is a set of five tables of note assignments for the pedals in the preferred embodiment. In this embodiment, the key of the song to be played is first entered into the microcontroller. This defines the pedal layout as to which notes are to be played by the toe and heel of each pedal, and these are shown in the five tables for five of the twelve possible chromatic keys. The other tables can be derived from one of the five by anyone skilled in the art of music. In the preferred embodiment the toe end of pedal 2, as numbered from the left, is defined as the keynote as is shown in the tables. The keynote corresponding to each of the tables is shown under the table. This enables the player to play the I-IV-V sequence by moving by no more than one pedal laterally. This sequence is very common in popular music.
(18) FIG. 5 is a set of five tables of note assignments for the pedals in an alternate embodiment. In this embodiment, the key of the song to be played is first entered into the microcontroller. This defines the pedal layout as to which notes are to be played by the toe and heel of each pedal, and these are shown in the five tables for five of the twelve possible chromatic keys. The other tables can be derived from one of the five by anyone skilled in the art of music. In this alternate embodiment the heel end of pedal 2, as numbered from the left, is defined as the keynote as is shown in the tables. The keynote corresponding to each of the tables is shown under the table. This enables the player to play the I-IV-V sequence by moving by no more than one pedal laterally. This sequence is very common in popular music.
(19) FIG. 6 is a comparison of the layout of the conventional foot pedal board for playing bass (a), with the novel four pedal layout (b). The white keys are numbered in the conventional case (a). The four pedals 1-4 in the present invention (b) are those played using the toe, and the numbers with asterisks are the notes played by the heel The purpose of FIG. 6 is to define foot displacements for a comparison of the conventional and novel designs in ten songs in FIGS. 7 and 8. In the conventional case (a), moving from C to G, for example (or 1 to 5) would be a displacement of 4, if the scale were designated in software as the C scale. In the case of the present invention (b), moving from the toe to the heel of pedal 1 is defined to be equivalent to a half a displacement. So moving from the toe of pedal 1 to the heel of pedal 4 would be a displacement of 3.5.
(20) FIG. 7 is a comparison of the difficulty of moving the foot to hit the bass notes in ten typical country music songs, identified in the figure. Shown are the bass notes of the chords in the first two lines of the first verse of each of the songs (b). Below this, the lateral foot translation required to play each song is shown for the conventional (c) and invented (d) designs.
(21) FIG. 8 shows the average foot translation required for playing the ten songs on the conventional instrument and on the invention. The foot translation is shown on the invention to be about that of the conventional design for the ten chosen songs, thus illustrating the advantage afforded by the novel design. It will be noted, of course, that ten songs can hardly represent the body of musical composition mankind has produced over the ages, but the ten songs are illustrative of the advantage given by the invention for thousands of songs encountered in popular culture, and the thus the need for such a design.
(22) A legend of the components discussed in the application and shown in the drawings is as follows: Momentary switch 1-8, Spring 9, Side plate 10, Pivot rod 11, Yoke 12, Heel end of pedals 13-16, Toe end of pedals 17-20, Springs in quiescent state 21, Springs in compressed state 22, Springs with opposite end of the pedal compressed 23, Unpressed switch 24, Pressed switch 25, Pedal 26
