BZ GLAZE ENAMEL PAINTING MATERIAL COMPOSITION AND PAINTING METHOD

Abstract

Provided are a BZ glaze enamel painting material composition and a painting method. The composition is a painting material composition composed of natural mineral pigment powder, synthetic resin, and vinyl acetate-acrylate added with a color glaze, a white toning glaze, and a colorless toning glaze at different percentages. The painting method that uses the composition includes the steps of preparing painting canvas, forming bottom, and making picture. In the step of making picture, a suitable amount of BZ glaze enamel painting material composition is prepared according to the size of the painting canvas and, and after being sufficiently stirred, added with temperature-resistant minerals and water according to predetermined weight ratios to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze, followed by mixing to product a BZ painting artwork exhibiting, in the entirety thereof, an irregular pattern.

Claims

1. A painting method using BZ glaze enamel painting material composition, comprising the following steps: preparing painting canvas: providing natural linen having a size determined according to a size of painting to serve as a painting canvas, which is subjected to treatment for water resistance and fixation; forming bottom: brushing primer on the painting canvas to bottoming and color rendering of the painting canvas, followed by sufficient drying; making picture: fixing the bottom completed painting canvas on a back board, preparing a suitable amount of BZ glaze enamel painting material composition according to claim 1 based on the size of the painting canvas and, and after being sufficiently stirred, adding temperature-resistant minerals and water according to the following weight ratios to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze: the ratio of red glaze mineral and water being 60%:40%; the ratio of yellow glaze mineral and water being 55%:45%; the ratio of blue glaze mineral and water being 65%:35%; the ratio of green glaze mineral and water being 63%:37%; the ratio of purple glaze mineral and water being 70%:30%; the ratio of orange glaze mineral and water being 68%:32%; and the ratio of cyan glaze mineral and water being 71%:29%.

Description

BRIEF DESCRIPTION OF THE DRAWINGS

[0015] FIG. 1 is a BZ art picture made according to Embodiment 1 of the present invention.

[0016] FIG. 2 is a BZ art picture made according to Embodiment 2 of the present invention.

[0017] FIG. 3 is a BZ art picture made according to Embodiment 3 of the present invention.

[0018] FIG. 4 is a BZ art picture made according to Embodiment 4 of the present invention.

[0019] FIG. 5 is a BZ art picture made according to Embodiment 5 of the present invention.

[0020] FIG. 6 is a BZ art picture made according to Embodiment 6 of the present invention.

[0021] FIG. 7 is a BZ art picture made according to Embodiment 7 of the present invention.

[0022] FIG. 8 is a BZ art picture made according to Embodiment 8 of the present invention.

[0023] FIG. 9 is a BZ art picture made according to Embodiment 9 of the present invention.

[0024] FIG. 10 is a BZ art picture made according to Embodiment 10 of the present invention.

[0025] FIG. 11 is a BZ art picture made according to Embodiment 11 of the present invention.

DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS

[0026] The following descriptions are exemplary embodiments only, and are not intended to limit the scope, applicability or configuration of the invention in any way. Rather, the following description provides a convenient illustration for implementing exemplary embodiments of the invention. Various changes to the described embodiments may be made in the function and arrangement of the elements described without departing from the scope of the invention as set forth in the appended claims.

[0027] The present invention provides a BZ glaze enamel painting material composition, which comprises a painting material composition composed of natural mineral pigment powder, synthetic resin, and vinyl acetate-acrylate (which is an aqueous polymer resin formed by copolymerization of vinyl acetate and butyl acrylate as primary functional monomers), added with a color glaze, a white toning glaze, and a colorless toning glaze, wherein the color glaze is formed of 60 wt % to 40 wt % of temperature-resistant color glaze minerals and 40 wt % to 60 wt % of water; the white toning glaze is formed of 60 wt % of a temperature-resistant white glaze material and 40 wt % of water; and the colorless toning glaze is formed of 40 wt % of a temperature-resistant colorless glaze mineral and 60 wt % of water.

[0028] To improve the flowability of the painting material composition according to the present invention, a lubricant may be added in the painting material compositing. The weight percentage of the lubricant does not exceed 3%. Further, to improve the stability of a final artwork and to extend the time of preservation, a disinfectant may be added in the above painting material composition and the weight percentage of the disinfectant does not exceed 2%.

[0029] The present invention also provides a painting method for the above painting material composition. The method comprises steps of preparation of painting canvas, formation of bottom, and making picture, and post treatment.

[0030] Firstly, for the preparation of painting canvas, a piece of natural linen cloth having a predetermined size is chosen as painting canvas according to the desired size of painting, which is subjected to treatment for water resistance and fixation. For example, a glue liquid formed of rabbit-skin glue and water at a ratio of 1:10 by weight and the painting canvas is uniformly brushed with the glue liquid for two to three times. After each brushing operation, complete drying is necessary before the application of the next brushing operation. The glue liquid formed of the rabbit-skin glue and water is made with a process of boiling in a manner of being separated from water and stirring is continuously conducted during the boiling process.

[0031] Next, for formation of bottom, brushing primer on the linen cloth for bottoming on the painting canvas and color rendering. The primer can be formed of one part of water, one part of titanium white powder, one part of chalky white powder, and one part of polyvinyl acetate, by weight. The primer is brushed on the painting canvas as underlying and then completely dried.

[0032] Then, for making picture, the bottom completed canvas is fixed to a back board. A suitable amount of BZ glaze enamel painting material composition described previously is prepared according to the size of the painting canvas and, after being sufficiently stirred, is added with temperature-resistant minerals and water according to the following weight ratios to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze:

[0033] The ratio of red glaze mineral and water is 60%:40%;

[0034] the ratio of yellow glaze mineral and water is 55%:45%;

[0035] the ratio of blue glaze mineral and water is 65%:35%;

[0036] the ratio of green glaze mineral and water is 63%:37%;

[0037] the ratio of purple glaze mineral and water is 70%:30%;

[0038] the ratio of orange glaze mineral and water is 68%:32%; and

[0039] the ratio of cyan glaze mineral and water is 71%:29%.

[0040] After sufficient stirring, it is uniformly applied to the entire canvas. After being placed still for 5-10 minutes, black powder or white powder of natural minerals is added homogeneously, with the weight of the black powder or white powder being 5% of the total weight of the BZ glaze enamel painting material composition, whereby with the lapse of time, an irregular pattern gradually appears on the painting canvas and a final pattern is exhibited on the canvas after about 12 hours.

[0041] Finally, for post treatment, after the pattern is fixed and no longer varies, the painting canvas is placed still horizontally for drying under room temperature for 48-72 hours to be completely and naturally dried. After being completely dried, the painting canvas with the pattern thereon is removed from the back board and regular operations, such as framing, can be performed as necessary.

[0042] In the following, BZ art pictures made according to Embodiments 1-11 of the present invention will be presented.

[0043] Embodiment 1: making a BZ art painting work having a size of 180 cm95 cm

[0044] Preparation of BZ glaze enamel painting material composition: a painting material composition composed of natural mineral pigment powder (5 grams), synthetic resin (3 grams), and vinyl acetate-acrylate (2 grams) is formed and further added with a color glaze, a white toning glaze, and a colorless toning glaze, wherein the color glaze is formed of 60 wt % to 40 wt % of temperature-resistant color glaze minerals and 40 wt % to 60 wt % of water; the white toning glaze is formed of 60 wt % of a temperature-resistant white glaze material and 40 wt % of water; and the colorless toning glaze is formed of 40 wt % of a temperature-resistant colorless glaze mineral and 60 wt % of water.

[0045] The instant embodiment uses the BZ glaze enamel painting material composition to make an irregular BZ pattern painting artwork having a size of 180 cm95 cm, comprising steps of preparation of painting canvas, formation of bottom, and making picture, and post treatment.

[0046] The step of preparation of painting canvas:

[0047] A piece of natural linen cloth having a suitable size is chosen as painting canvas according to a desired size of the painting, which is subjected to treatment for water resistance and fixation. For example, a glue liquid formed of rabbit-skin glue and water at a ratio of 1:10 by weight and the painting canvas is uniformly brushed with the glue liquid for two to three times. After each brushing operation, complete drying is necessary before the application of the next brushing operation. The glue liquid formed of the rabbit-skin glue and water is made with a process of boiling in a manner of being separated from water and stirring is continuously conducted during the boiling process.

[0048] The step of formation of bottom: brushing primer on the linen cloth for bottoming on the painting canvas and color rendering. The primer can be formed of one part of water, one part of titanium white powder, one part of chalky white powder, and one part of polyvinyl acetate, by weight. The primer is brushed on the painting canvas as underlying and then completely dried.

[0049] The step of making picture: the bottom completed canvas is fixed to a back board. A suitable amount of BZ glaze enamel painting material composition described previously is prepared according to the size of the painting canvas and, after being sufficiently stirred, is added with temperature-resistant minerals and water according to the following weight ratio to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze:

[0050] The ratio of red glaze mineral and water is 60%:40%;

[0051] the ratio of yellow glaze mineral and water is 55%:45%;

[0052] the ratio of blue glaze mineral and water is 65%:35%;

[0053] the ratio of green glaze mineral and water is 63%:37%;

[0054] the ratio of purple glaze mineral and water is 70%:30%;

[0055] the ratio of orange glaze mineral and water is 68%:32%; and

[0056] the ratio of cyan glaze mineral and water is 71%:29%.

[0057] After sufficient stirring, it is uniformly applied to the entire canvas. After being placed still for 5-10 minutes, black powder or white powder of natural minerals is added homogeneously, with the weight of the black powder or white powder being 5% of the total weight of the BZ glaze enamel painting material composition, whereby with the lapse of time, an irregular pattern gradually appears on the painting canvas and a final pattern is exhibited on the canvas after about 12 hours.

[0058] Finally, for post treatment, after the pattern is fixed and no longer varies, the painting canvas is placed still horizontally for drying under room temperature for 48-72 hours to be completely and naturally dried. After being completely dried, the painting canvas with the pattern thereon is removed from the back board and regular operations, such as framing, can be performed as necessary.

[0059] Embodiment 2: making a BZ art painting work having a size of 180 cm95 cm

[0060] Preparation of BZ glaze enamel painting material composition: a painting material composition composed of natural mineral pigment powder (5 grams), synthetic resin (3 grams), and vinyl acetate-acrylate (2 grams) is formed and further added with a color glaze, a white toning glaze, and a colorless toning glaze, wherein the color glaze is formed of 60 wt % to 40 wt % of temperature-resistant color glaze minerals and 40 wt % to 60 wt % of water; the white toning glaze is formed of 60 wt % of a temperature-resistant white glaze material and 40 wt % of water; and the colorless toning glaze is for reed of 40 wt % of a temperature-resistant colorless glaze mineral and 60 wt % of water.

[0061] The instant embodiment uses the BZ glaze enamel painting material composition prepared previously to make a BZ pattern painting artwork by following the same process and steps of those of Embodiment 1, so that repeated description will be omitted. It is noted here that in the step of making picture: a suitable amount of BZ glaze enamel painting material composition described previously is prepared according to the size of the painting canvas and, after being sufficiently stirred, is added with temperature-resistant minerals and water according to the following weight ratio to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze:

[0062] The ratio of red glaze mineral and water is 60%:40%;

[0063] the ratio of yellow glaze mineral and water is 55%:45%;

[0064] the ratio of blue glaze mineral and water is 65%:35%;

[0065] the ratio of green glaze mineral and water is 63%:37%;

[0066] the ratio of purple glaze mineral and water is 70%:30%;

[0067] the ratio of orange glaze mineral and water is 68%:32%; and

[0068] the ratio of cyan glaze mineral and water is 71%:29%.

[0069] After sufficient stirring, it is uniformly applied to the entire canvas. After being placed still for 5-10 minutes, black powder or white powder of natural minerals is added homogeneously, with the weight of the black powder or white powder being 5% of the total weight of the BZ glaze enamel painting material composition, whereby with the lapse of time, an irregular pattern gradually appears on the painting canvas and a final pattern is exhibited on the canvas after about 12 hours.

[0070] Finally, for post treatment, after the pattern is fixed and no longer varies, the painting canvas is placed still horizontally for drying under room temperature for 48-72 hours to be completely and naturally dried. After being completely dried, the painting canvas with the pattern thereon is removed from the back board and regular operations, such as framing, can be performed as necessary.

[0071] Embodiment 3: making a BZ art painting work having a size of 180 cm95 cm

[0072] Preparation of BZ glaze enamel painting material composition: a painting material composition composed of natural mineral pigment powder (5 grams), synthetic resin (3 grams), and vinyl acetate-acrylate (2 grams) is formed and further added with a color glaze, a white toning glaze, and a colorless toning glaze, wherein the color glaze is formed of 60 wt % to 40 wt % of temperature-resistant color glaze minerals and 40 wt % to 60 wt % of water; the white toning glaze is formed of 60 wt % of a temperature-resistant white glaze material and 40 wt % of water; and the colorless toning glaze is formed of 40 wt % of a temperature-resistant colorless glaze mineral and 60 wt % of water.

[0073] The instant embodiment uses the BZ glaze enamel painting material composition prepared previously to make an irregular BZ pattern painting artwork by following the same process and steps of those of Embodiment 1, so that repeated description will be omitted. It is noted here that in the step of making picture: a suitable amount of BZ glaze enamel painting material composition described previously is prepared according to the size of the painting canvas and, after being sufficiently stirred, is added with temperature-resistant minerals and water according to the following weight ratio to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze:

[0074] The ratio of red glaze mineral and water is 60%:40%;

[0075] the ratio of yellow glaze mineral and water is 55%:45%;

[0076] the ratio of blue glaze mineral and water is 65%:35%;

[0077] the ratio of green glaze mineral and water is 63%:37%;

[0078] the ratio of purple glaze mineral and water is 70%:30%;

[0079] the ratio of orange glaze mineral and water is 68%:32%; and

[0080] the ratio of cyan glaze mineral and water is 71%:29%.

[0081] After sufficient stirring, it is uniformly applied to the entire canvas. After being placed still for 5-10 minutes, black powder or white powder of natural minerals is added homogeneously, with the weight of the black powder or white powder being 5% of the total weight of the BZ glaze enamel painting material composition, whereby with the lapse of time, an irregular pattern gradually appears on the painting canvas and a final pattern is exhibited on the canvas after about 12 hours.

[0082] Finally, for post treatment, after the pattern is fixed and no longer varies, the painting canvas is placed still horizontally for drying under room temperature for 48-72 hours to be completely and naturally dried. After being completely dried, the painting canvas with the pattern thereon is removed from the back board and regular operations, such as framing, can be performed as necessary.

[0083] Embodiment 4: making a BZ art painting work having a size of 180 cm95 cm

[0084] Preparation of BZ glaze enamel painting material composition: a painting material composition composed of natural mineral pigment powder (5 grams), synthetic resin (3 grams), and vinyl acetate-acrylate (2 grams) is formed and further added with a color glaze, a white toning glaze, and a colorless toning glaze, wherein the color glaze is fanned of 60 wt % to 40 wt % of temperature-resistant color glaze minerals and 40 wt % to 60 wt % of water; the white toning glaze is formed of 60 wt % of a temperature-resistant white glaze material and 40 wt % of water; and the colorless toning glaze is formed of 40 wt % of a temperature-resistant colorless glaze mineral and 60 wt % of water.

[0085] The instant embodiment uses the BZ glaze enamel painting material composition prepared previously to make a BZ pattern painting artwork by following the same process and steps of those of Embodiment 1, so that repeated description will be omitted. It is noted here that in the step of making picture: a suitable amount of BZ glaze enamel painting material composition described previously is prepared according to the size of the painting canvas and, after being sufficiently stirred, is added with temperature-resistant minerals and water according to the following weight ratio to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze:

[0086] The ratio of red glaze mineral and water is 60%:40%;

[0087] the ratio of yellow glaze mineral and water is 55%:45%;

[0088] the ratio of blue glaze mineral and water is 65%:35%;

[0089] the ratio of green glaze mineral and water is 63%:37%;

[0090] the ratio of purple glaze mineral and water is 70%:30%;

[0091] the ratio of orange glaze mineral and water is 68%:32%; and

[0092] the ratio of cyan glaze mineral and water is 71%:29%.

[0093] After sufficient stirring, it is uniformly applied to the entire canvas. After being placed still for 5-10 minutes, black powder or white powder of natural minerals is added homogeneously, with the weight of the black powder or white powder being 5% of the total weight of the BZ glaze enamel painting material composition, whereby with the lapse of time, an irregular pattern gradually appears on the painting canvas and a final pattern is exhibited on the canvas after about 12 hours.

[0094] Finally, for post treatment, after the pattern is fixed and no longer varies, the painting canvas is placed still horizontally for drying under room temperature for 48-72 hours to be completely and naturally dried. After being completely dried, the painting canvas with the pattern thereon is removed from the back board and regular operations, such as framing, can be performed as necessary.

[0095] Embodiment 5: making a BZ art painting work having a size of 120 cm90 cm

[0096] Preparation of BZ glaze enamel painting material composition: a painting material composition composed of natural mineral pigment powder (5 grams), synthetic resin (3 grams), and vinyl acetate-acrylate (2 grams) is fanned and further added with a color glaze, a white toning glaze, and a colorless toning glaze, wherein the color glaze is formed of 60 wt % to 40 wt % of temperature-resistant color glaze minerals and 40 wt % to 60 wt % of water; the white toning glaze is formed of 60 wt % of a temperature-resistant white glaze material and 40 wt % of water; and the colorless toning glaze is formed of 40 wt % of a temperature-resistant colorless glaze mineral and 60 wt % of water.

[0097] The instant embodiment uses the BZ glaze enamel painting material composition prepared previously to make a BZ pattern painting artwork by following the same process and steps of those of Embodiment 1, so that repeated description will be omitted. It is noted here that in the step of making picture: a suitable amount of BZ glaze enamel painting material composition described previously is prepared according to the size of the painting canvas and, after being sufficiently stirred, is added with temperature-resistant minerals and water according to the following weight ratio to respectively form red glaze, yellow glaze, blue glaze, green glaze, purple glaze, orange glaze, and cyan glaze:

[0098] The ratio of red glaze mineral and water is 60%:40%;

[0099] the ratio of yellow glaze mineral and water is 55%:45%;

[0100] the ratio of blue glaze mineral and water is 65%:35%;

[0101] the ratio of green glaze mineral and water is 63%:37%;

[0102] the ratio of purple glaze mineral and water is 70%:30%;

[0103] the ratio of orange glaze mineral and water is 68%:32%; and

[0104] the ratio of cyan glaze mineral and water is 71%:29%.

[0105] After sufficient stirring, it is uniformly applied to the entire canvas. After being placed still for 5-10 minutes, black powder or white powder of natural minerals is added homogeneously, with the weight of the black powder or white powder being 5% of the total weight of the BZ glaze enamel painting material composition, whereby with the lapse of time, an irregular pattern gradually appears on the painting canvas and a final pattern is exhibited on the canvas after about 12 hours.

[0106] Finally, for post treatment, after the pattern is fixed and no longer varies, the painting canvas is placed still horizontally for drying under room temperature for 48-72 hours to be completely and naturally dried. After being completely dried, the painting canvas with the pattern thereon is removed from the back board and regular operations, such as framing, can be performed as necessary.

[0107] Embodiment 6: making a BZ high-temperature color glazed porcelain plate painting having a size of 55 cm55 cm

[0108] Kaolin clay (especially unique local Kaolin clay of Jingdezhen) is added with water at a ratio of 7:3 and stirred into a blank form, and then pressed, with iron rods, into plates of different sizes that are flat and smooth as a mirror and have a thickness of 2-3 cm, and then dried without being directly exposed to sunlight to dry for about a week.

[0109] Each colors glaze is formed of pure natural temperature-resistant mineral and water:

[0110] The ratio of red glaze mineral and water is 55%: 45%;

[0111] the ratio of yellow glaze mineral and water is 50%:50%;

[0112] the ratio of blue glaze mineral and water is 60%:40%;

[0113] the ratio of green glaze mineral and water is 58%:42%;

[0114] the ratio of purple glaze mineral and water is 65%:35%;

[0115] the ratio of orange glue mineral and water is 63%:37%; and

[0116] the ratio of cyan glaze mineral and water is 66%:34%.

[0117] After the above color glazes have been obtained, adding a white toning glaze and colorless toning glaze in each of color glazes, wherein the white toning glaze is foamed of 70 wt % of a temperature-resistant white glaze material and 30 wt % of water and the colorless toning glaze is formed of 30 wt % of a temperature-resistant colorless glaze mineral and 70 wt % of water:

[0118] Each 500 g red color glaze is added with 10 g white toning glaze and 5 g colorless toning glaze;

[0119] each 500 g yellow color glaze is added with 15 g white toning glaze and 10 g colorless toning glaze;

[0120] each 500 g blue color glaze is added with 20 g white toning glaze and 15 g colorless toning glaze;

[0121] each 500 g green color glaze is added with 25 g white toning glaze and 20 g colorless toning glaze;

[0122] each 500 g purple color glaze is added with 30 g white toning glaze and 15 g colorless toning glaze;

[0123] each 500 g orange color glaze is added with 35 g white toning glaze and 20 g colorless toning glaze; and

[0124] each 500 g cyan color glaze is added with 40 g white toning glaze and 25 g colorless toning glaze;

[0125] The various high-temperature color glaze painting material obtained with the above-listed ratio, when applied to porcelain plate painting, allows for integration of the various colors, making the colors purer, more saturated, and more gorgeous, this being also included in the protection scope pursued by the present invention.

[0126] Then, the variety of color glaze that are added with white toning glaze and colorless toning glaze are used for painting by following the following steps and sequence: first painting red, yellow, blue, green, purple, orange, and cyan respectively on dried porcelain plates. Of course, the above provides just the most preferred way of embodiment. Similarly, using only some of the color glazes, including at least red, yellow, and blue colors, added white toning glaze and colorless toning glaze, following the above provided ratio and painting sequence, may also achieve the same BZ artistic effect.

[0127] The preferred time for making high-temperature color glazed porcelain plate painting is between September and October in Jingdezhen, where the temperature and humidity of this time are best for porcelain painting.

[0128] Kiln firing is preferred done with a gas kiln, and less preferred being an electric kiln and a wood kiln. The temperature for firing of the porcelain plate in the first day is controlled a high temperature of 500-600 degrees, the second day being controlled at a high temperature of 600-800 degrees, the third day being controlled at a high temperature of 1,300-1,350 degrees, and after that, burning for firing is stopped to allow for natural cooling in the kiln for three to four days until the temperature gets close to the outside temperature, when the product can be removed out of the kiln.

[0129] Embodiment 7: making a BZ painting artwork organic glass a size of 180 cm120 cm

[0130] In addition to BZ high-temperature color glazed porcelain plate painting and BZ art painting cloth painting, BZ artistic paintings may also be achieved on organic glass. The organic glass can be purchased directly on the market, and the painting method is the same that conducted on painting canvas and porcelain plate. After painting, the organic glass is allowed to dry naturally at room temperature (about zero to 50 degrees indoors).

[0131] Embodiment 8: making a BZ painting artwork organic glass a size of 180 cm120 cm

[0132] In addition to BZ high-temperature color glazed porcelain plate painting and BZ art painting cloth painting, BZ artistic paintings may also be achieved on organic glass. The organic glass can be purchased directly on the market, and the painting method is the same that conducted on painting canvas and porcelain plate. After painting, the organic glass is allowed to dry naturally at room temperature (about zero to 50 degrees indoors).

[0133] Embodiment 9: making a BZ high-temperature color glazed porcelain plate painting having a size of 170 cm84 cm

[0134] Kaolin clay (especially unique local Kaolin clay of Jingdezhen) is added with water at a ratio of 7:3 and stirred into a blank form, and then pressed, with iron rods, into plates of different sizes that are flat and smooth as a mirror and have a thickness of 2-3 cm, and then dried without being directly exposed to sunlight to dry for about a week.

[0135] Each colors glaze is formed of pure natural temperature-resistant mineral and water:

[0136] The ratio of red glaze mineral and water is 55%: 45%;

[0137] the ratio of yellow glaze mineral and water is 50%:50%;

[0138] the ratio of blue gla7e mineral and water is 60%:40%;

[0139] the ratio of green glaze mineral and water is 58%:42%;

[0140] the ratio of purple glaze mineral and water is 65%:35%;

[0141] the ratio of orange glaze mineral and water is 63%:37%; and

[0142] the ratio of cyan glaze mineral and water is 66%:34%.

[0143] After the above color glazes have been obtained, adding a white toning glaze and colorless toning gla7e in each of color glazes, wherein the white toning glaze is formed of 70 wt % of a temperature-resistant white glaze material and 30 wt % of water and the colorless toning glaze is formed of 30 wt % of a temperature-resistant colorless glaze mineral and 70 wt % of water:

[0144] Each 500 g red color glaze is added with 10 g white toning glaze and 5 g colorless toning glaze;

[0145] each 500 g yellow color glaze is added with 15 g white toning glaze and 10 g colorless toning glaze;

[0146] each 500 g blue color glaze is added with 20 g white toning glaze and 15 g colorless toning glaze;

[0147] each 500 g green color glaze is added with 25 g white toning glaze and 20 g colorless toning glaze;

[0148] each 500 g purple color glaze is added with 30 g white toning glaze and 15 g colorless toning glaze;

[0149] each 500 g orange color glaze is added with 35 g white toning glaze and 20 g colorless toning glaze; and

[0150] each 500 g cyan color glaze is added with 40 g white toning glaze and 25 g colorless toning glaze;

[0151] The various high-temperature color glaze painting material obtained with the above-listed ratio, when applied to porcelain plate painting, allows for integration of the various colors, making the colors purer, more saturated, and more gorgeous, this being also included in the protection scope pursued by the present invention.

[0152] Embodiment 10: making a BZ high-temperature color glazed porcelain plate painting having a size of 170 cm84 cm

[0153] Kaolin clay (especially unique local Kaolin clay of Jingdezhen) is added with water at a ratio of 7:3 and stirred into a blank form, and then pressed, with iron rods, into plates of different sizes that are flat and smooth as a mirror and have a thickness of 2-3 cm, and then dried without being directly exposed to sunlight to dry for about a week.

[0154] Each colors glaze is formed of pure natural temperature-resistant mineral and water:

[0155] The ratio of red glaze mineral and water is 55%: 45%;

[0156] the ratio of yellow glaze mineral and water is 50%:50%;

[0157] the ratio of blue glaze mineral and water is 60%:40%;

[0158] the ratio of green glaze mineral and water is 58%:42%;

[0159] the ratio of purple glaze mineral and water is 65%:35%;

[0160] the ratio of orange glaze mineral and water is 63%:37%; and

[0161] the ratio of cyan glaze mineral and water is 66%:34%.

[0162] After the above color glazes have been obtained, adding a white toning glaze and colorless toning glaze in each of color glazes, wherein the white toning glaze is formed of 70 wt % of a temperature-resistant white glaze material and 30 wt % of water and the colorless toning glaze is formed of 30 wt % of a temperature-resistant colorless glaze mineral and 70 wt % of water:

[0163] Each 500 g red color glaze is added with 10 g white toning glaze and 5 g colorless toning glaze;

[0164] each 500 g yellow color glaze is added with 15 g white toning glaze and 10 g colorless toning glaze;

[0165] each 500 g blue color glaze is added with 20 g white toning glaze and 15 g colorless toning glaze;

[0166] each 500 g green color glaze is added with 25 g white toning glaze and 20 g colorless toning glaze;

[0167] each 500 g purple color glaze is added with 30 g white toning glaze and 15 g colorless toning glaze;

[0168] each 500 g orange color glaze is added with 35 g white toning glaze and 20 g colorless toning glaze; and

[0169] each 500 g cyan color glaze is added with 40 g white toning glaze and 25 g colorless toning glaze;

[0170] The various high-temperature color glaze painting material obtained with the above-listed ratio, when applied to porcelain plate painting, allows for integration of the various colors, making the colors purer, more saturated, and more gorgeous, this being also included in the protection scope pursued by the present invention.

[0171] Embodiment 11: making a BZ high-temperature color glazed porcelain plate painting having a size of 170 cm84 cm

[0172] Kaolin clay (especially unique local Kaolin clay of Jingdezhen) is added with water at a ratio of 7:3 and stirred into a blank form, and then pressed, with iron rods, into plates of different sizes that are flat and smooth as a mirror and have a thickness of 2-3 cm, and then dried without being directly exposed to sunlight to dry for about a week.

[0173] Each colors glaze is formed of pure natural temperature-resistant mineral and water:

[0174] The ratio of red glaze mineral and water is 55%: 45%;

[0175] the ratio of yellow glaze mineral and water is 50%:50%;

[0176] the ratio of blue glaze mineral and water is 60%:40%;

[0177] the ratio of green glaze mineral and water is 58%:42%;

[0178] the ratio of purple glaze mineral and water is 65%:35%;

[0179] the ratio of orange glaze mineral and water is 63%:37%; and

[0180] the ratio of cyan glaze mineral and water is 66%:34%.

[0181] After the above color glazes have been obtained, adding a white toning glaze and colorless toning glaze in each of color glazes, wherein the white toning glaze is formed of 70 wt % of a temperature-resistant white glaze material and 30 wt % of water and the colorless toning glaze is formed of 30 wt % of a temperature-resistant colorless glaze mineral and 70 wt % of water:

[0182] Each 500 g red color glaze is added with 10 g white toning glaze and 5 g colorless toning glaze;

[0183] each 500 g yellow color glaze is added with 15 g white toning glaze and 10 g colorless toning glaze;

[0184] each 500 g blue color glaze is added with 20 g white toning glaze and 15 g colorless toning glaze;

[0185] each 500 g green color glaze is added with 25 g white toning glaze and 20 g colorless toning glaze;

[0186] each 500 g purple color glaze is added with 30 g white toning glaze and 15 g colorless toning glaze;

[0187] each 500 g orange color glaze is added with 35 g white toning glaze and 20 g colorless toning glaze; and

[0188] each 500 g cyan color glaze is added with 40 g white toning glaze and 25 g colorless toning glaze;

[0189] The various high-temperature color glaze painting material obtained with the above-listed ratio, when applied to porcelain plate painting, allows for integration of the various colors, making the colors purer, more saturated, and more gorgeous, this being also included in the protection scope pursued by the present invention.

[0190] It will be understood that each of the elements described above, or two or more together may also find a useful application in other types of methods differing from the type described above.

[0191] While certain novel features of this invention have been shown and described and are pointed out in the annexed claim, it is not intended to be limited to the details above, since it will be understood that various omissions, modifications, substitutions and changes in the forms and details of the device illustrated and in its operation can be made by those skilled in the art without departing in any way from the claims of the present invention.