Dismountable stringed musical instrument with splitted fingerboard
20180158439 ยท 2018-06-07
Inventors
Cpc classification
G10D3/095
PHYSICS
International classification
Abstract
A dismountable stringed musical instrument with a splittable fingerboard and an acoustic sound is disclosed having a hollow body composed by two parts shaped as half empty shell that meets each other on their outer perimeter, defining a sound chamber. The fingerboard is splitted in two parts that can be re-assembled by a rigid inner core which works as a reinforcement and as a trail to allows the fingerboard cutted portions to slide on it meeting each other perfectly and by a latch toggle clamp which hold the two parts strictly merged together, taking back the fingerboard to its original playable smoothness. The neck can be dismounted to from the body and then re-assembled in the playing position also adjusting its inclination at will by movable elements placed on the neck extremity which faces the top portion of the body support area.
Claims
1. A foldable stringed musical instrument which comprising: (a) a body consists of two parts shaped as half empty shell that meets each other on their outer perimeter, wherein these two parts together define a sound chamber; (b) a couple of elements, not necessarily identical or symmetrical each other, dismountable from the body wherein these elements protrude out from the outline of the body appointed to serve as a stable support for the user while using the instrument; (c) a neck dismountable from the body having a bottom portion configured for coupling to a top portion of the body, the neck is able to be mounted in the playing position and locked by the instrument's plurality of strings tension; (d) a splitted playable fingerboard that can be disassembled and reassembled in two or more parts of itself to ease storage and transportation;
2. Two elements as said as a couple in claim 1 which are designed to be folded two or more times on themselves to reduce them encumbrance when dismounted.
3. A mounting and joining system between neck and body elements as said in claim 1 that are operatively connected to merge together in correct instrument playing position, that works by: (a) providing said neck and body with reciprocally corresponding male and female shaped parts at the final extremity for each one, where final extremity is the one which faces to the element which is joining with. (b) inserting the said male part of one of the two elements into the corresponding female part belonging to the other element the two elements are both limited by each other to move or tilt laterally. (c) providing a mechanical junction which hold the back side of the said neck extremity close to or coincident with the back side of the body limiting the neck to tilt forward. (d) the instruments strings pull the neck forward limiting the neck to tilt backward and holding the neck stable in playing position.
4. The invention of claim 3 is a female slot on the top of the body where the shaped male parts of the extremity of the neck can slide into until the neck back face, which is provided with a pin, meets a rigid plate joined with the body back face which is provided with a slotted hole to house the said pin in a stable way.
5. The said pin of claim 4 is a T hammer bolt.
6. The invention of claim 3 further comprising a neck inclination adjustment system that works by: (a) providing the neck support area, wherein the support area is defined by the surface of contact between the two said elements neck and body, with one or more functional elements which can be protruded out at will from the support area surface level at different heights; (b) adjusting the height of these elements out from the support area surface the contact points between the neck and the body are going to change, modifying the initially flat supporting area in a inclined plane which, consequentially, modify the neck inclination in accordance with one's own preferences.
7. The invention of claim 6 are two threaded pins screwed on the support area surface until the top goes below the support area surface which can be unscrewed at will to protrude them beyond the support area surface flat level.
8. A playable fingerboard which can be splitted, and then re-assembled, in two or more parts to ease storage and transportation which comprising: (a) a rigid elongated element placed on fingerboard surface or inside it crossing the fingerboard cutted points and which works as a trail to allows the different parts of the fingerboard to perfectly meet each other and to enforce the fingerboard on its junction points; (b) a latch to hold all the fingerboard parts merged together.
9. The said latch of claim 8 is a latch toggle clamp which is placed on a portion of the cutted fingerboard to grab and pull the other corresponding fingerboard portion holding them strictly merged.
10. The said rigid element of claim 8 is a profiled rigid plate which is housed into the fingerboard through a slot on the fingerboard with zero clearance which extend from the portion of fingerboard before the cut to the portion after the cut.
11. The invention of claim 10 is a rigid plate of thickness less than the fingerboard thickness profiled as a rounded rectangle with chamfered edges with a tapered bottom half from the middle to the end and it is oriented lengthwise to the fingerboard.
12. The said fingerboard slot of claim 10 is a dovetail slot shaped to fit with zero clearance the shape and the profile of the invention of claim 11.
Description
BRIEF DESCRIPTION OF THE SEVERAL VIEWS OF DRAWINGS
[0025]
[0026]
[0027]
[0028]
[0029]
[0030]
DESCRIPTION OF THE PREFERRED EMBODIMENT
[0031] Referring now to the figures in greater detail, where like reference numbers denote like parts in the various figures: the present invention will be described by way of an illustrative example (using a double bass).
[0032] In
[0033] Conventional tuning gears 1a are mounted on the head 1 of the instrument on the top of the neck 2 that run out on the body 4. The neck and the body can be easily disassembled, consistently with the intention of the present invention. The neck 2 is equipped with a fingerboard 3 that looks in shape and usability like a conventional ebony double bass fingerboard, except for the transverse cut that divides it in two parts, easily conjoining it without any junction point or step perceptible by touch. In this graphic presentation, for clarity, it is called fingerboard 3 only the part that can be dismantled from the entire fingerboard, considering the part in-built with the neck 2 as part of the neck itself. A plurality of playing strings are stretched out from the string rent 4h on the lowest part of the body 4 passing over the tailpiece 7 and the bridge 6, up to the nut 2f ending on the tuning gears 1a hub. It will be clearly understood that the number of strings arranged along the neck and the body portions depends on whether four, five or other type string arrangement is desired.
[0034] The present string musical instrument further includes a piezoelectric bridge 6 pickup with adjustment wheels 6a, that allow adjustment of the bridge 6 height by turning them. The bridge is held against the body 4 by the tension of the strings in a direction transversal to the longitudinal axis of the neck 2 and roughly equidistant from the end of the fingerboard 3 and string tailpiece, precisely in two slots 4i on the body that house perfectly the bridge feet, to ensure the ideal positioning whenever it is placed for strings mounting.
[0035] The preferred embodiment according to the present invention shows the body 4 as a wooden hollow acoustic chamber with a specifically designed shape. In the present invention, the hollow body 4 is made by two parts, the front face (called soundboard) and the back face, attached together and shaped as empty shells which meet each others on their respective perimeter, or border. The spatial arrangement between the soundboard and the back face define the acoustic chamber 4 which has a substantial impact on the characteristics of the sound produced by the stringed instrument.
[0036] Acoustic chamber can be obtained also combining together more than two elements, enclosing a hollow space into them, as is typically seen in most acoustic stringed musical instrument which use periphery element that extend between the first outer perimeter of the soundboard and the second outer perimeter of the back face of the body.
[0037] As such, deformations or imperfections in the acoustic chamber 4 can have a negative impact on the sound produced by the musical instrument, and, as well, a unadulterated acoustic chamber, with a specific inner thickness and a geometrically perfect surfaces can improve the sound quality of the instrument itself.
[0038] In the present invention, the body 4 shape and its differently rounded faces give the instrument a strong, brilliant, rich, sustained, authentic acoustic sound, also thanks to wooden processing technique and geometrically perfect body wall thickness that make the entire instrument free to vibrate.
[0039] The front face of the body (soundboard) presents six sound holes 4l. The hollow body also permits the entire containment of the endpin 8 when the instrument is dismounted for transportation. The endpin 8 slides in and out of the body 4 through a specific hole 9 on the bottom of the back side of the body 4. The endpin housing 9 is equipped with a mechanical locking system that permits the user to set the preferred length of the endpin 8 extends out of the body 4.
[0040] An important feature of the present invention is the two foldable shoulders 5 attached to the upper back part of the body 4, providing the correct overall balance and the proper player-to-instrument contact. As shown in
[0041] The shoulders 5 are removable and mounted on the back of the body 4, near the neck-body junction, exactly in the portion defined in
[0042] Referring now to the
[0043] As shown in
[0044] The height of the reinforcement ribbing is completely inserted in the neck 2, while the plate is covered by the neck fingerboard portion 2c from the extremity with the biggest radius to the beginning of the tapered portion that protrudes out of the end of the neck 2a. The edge of the plate 2d is entirely chamfered at 45, to be perfectly fitted into the dovetail slot 3a in a univocal orientation without play and imprecisions. To assemble the fingerboard 3 with the neck fingerboard portion 2c it is necessary to slide the shaped t bar 2d inside the fingerboard 3 along the dovetail slot 3a as deep as possible by hand, or until the hook of the latch toggle clamp 3b, fixed to the back side of fingerboard 3, can reach the pin 2e positioned on the plate 2d in proximity to the smallest radius extremity. Clasped the pin, it is sufficient to push down the latch toggle clamp 3b lever, which consequently pull the hook backward to the fingerboard 3 end extremity, but, being the hook blocked by the pin 2e, the result is that the fingerboard 3 is dragged toward the neck fingerboard portion 2c following the path defined by the dovetail slot 3a until the two fingerboard parts 3 and 2c meet each other joining perfectly and tightly at the transverse cut 2h in a single whole piece, as the standard stringed instrument fingerboard which it was before the cut.
[0045] This junction is extremely stable and strong so that, together with the specifically designed transverse cut 2h, which split the original standard fingerboard perpendicularly to its length, doesn't show any kind of step or junction point perceptible by touch. This important feature allows the musicians to disassemble the fingerboard in two parts for easy transportation, without any negative tactile feedback on the fingerboard when it is be re-assembled for play.
[0046] After having carefully described the fingerboard juncture,
[0047] The upper end of the body presents a housing 4a that works as a lane, through the front and the back face of the body, where the end part of the neck 2a can be precisely accommodated and the neck 2 mounted in the playing position.
[0048] The joint is essentially composed by a male part 2a, positioned under the back button 2g of the neck, precisely shaped to be housed into the slot 4a on the body 4.
[0049] The neck presents a T hammer bolt 2b which come off its back 2g and that slides into a slotted hole 4f on a rigid plate 4b positioned on the back of the body. Tilting slightly backward the neck 2, the t hammer bolt 2b head can pass through the slotted hole 4f and then it clasp the neck 2 to the plate 4b once the neck 2 is tilted back to the front, in playing position. At this point, the neck 2 is limited from tilt towards the front beyond the defined played position by the resistance of the t hammer bolt 2b against the rigid plate 4b. In addition to this, the strings tension pulls the neck 2 towards the front, limiting the neck 2 from tilt backward, so that, when the strings are mounted, the neck 2 is firmly joined to the body 4 because is limited to tilt towards the front by the rigid plate 4b and, at the same time, limited by the strings tension to tilt backward.
[0050] Back button 2g underside faces lean against the top horizontal face of the body, where there are two little neck grade adjustment screws 4c that can be screwed in or out equally to adjust the grade of the neck 2 forward and backward respect of the headstock orthogonal projection, or, unequally to also adjust the grade of the neck either towards the left or the right with respect to lengthwise centerline of the instrument, by changing the support points of the back bottom 2g. These adjustment of the grade of neck 2 have an impact on the distance of the strings from the fingerboard 3 which, thanks to this adjustment system, the user is able to adjust at his own preference before mounting the instrument and that will be stable along every assembly.
[0051] This locking system allows the user an easy and quick neck assembly on the body with an accurate grade adjustment and a robust fastening.
[0052] As described before, the present invention is fitted with two collapsible shoulders 5 that replicate the exact shape and outline of an acoustic double bass top portion of the body, as you can see in
[0053] To join the shoulders 5 to the body 4, the upper part of the shoulders 5b is equipped with an L plate 5a positioned with the longest face on the upper extremity of the upper part of the shoulder 5b parallel to the width of the shoulder itself. The smallest face of the L plate 5a presents a keyhole slot 5f profiled to let upper juncture pin 4d pass through it and clasp the shoulders 5 to the body. Inside the neck/body/shoulders join area, that is defined by the area that can be covered by the cover 4g, there are also two further juncture pins 4e, below the upper ones, that have the function of blocking the rotation of the shoulders inwards, that rotate around the upper juncture pins 4d towards the center of the body. These lower juncture pins 4e are housed into a small semi-circular hole on the edge of the L plate 5a, limiting its rotation.
[0054] As showed in
[0055] Now the neck/body/shoulders join area can be covered by the cover 4g specifically shaped to outline the area, and fit with a soft vibration absorbing surface in the inner face to block all the juncture parts and to eliminate every possible vibration in that area, by squeezing against the area and by locking the cover with a threaded knob screwed in the threaded specific hole located in the middle of the plate 4b.
[0056] In
[0057] On the back side of the body, on its bottom extremity there is positioned the endpin housing 9 that covers the inner housing pipe 9a that has the function of housing the endpin 8 in the correct angle and direction to let it be retracted properly inside the body 4 and drawn out in the correct position to ensure necessary instrument balance while playing. The pipe 9a presents a threaded hole perpendicular to its length that correspond to the hole on the endpin housing 9. Screwing in the endpin clamping knob 9c through the threaded hole on the inner pipe 9a, the threaded bar of the knob 9c pushes against the clamping bar 9b, contained inside the inner pipe 9a, consequently pushing against the flat face of the endpin 8, locking it in the preferred position, to avoid any possible sliding of the endpin 8 inside the body 4 under the weight of the instrument and the load of the musician in the playing position. The endpin 8 is fit with a non-slip tip 8a at its extremity that avoids the sliding of the instrument on the floor during the musician's performance.