METHOD AND APPARATUS FOR AUDIO PROCESSING
20170069305 ยท 2017-03-09
Inventors
Cpc classification
H04S7/305
ELECTRICITY
H04R25/50
ELECTRICITY
G10K15/10
PHYSICS
International classification
G10K15/10
PHYSICS
H04S7/00
ELECTRICITY
Abstract
A method and apparatus for introducing a time-varying time delay or phase shift randomly into the individual reproduction channels of a sound recording, two in the case of binaural presentation. This emulates the temporal aspect of microphone and/or listener motion. The present invention may be applied as a unidirectional process. No preparation of the source material is required. It can be applied to any multichannel audio signal set. It can process analog or digital signals. The process may be used with headphones, loudspeakers, hearing aids or similar assistive hearing devices.
Claims
1. A method for modifying an audio signal, comprising the steps of: introducing a time delay into an audio signal input to produce a modified audio signal, wherein said modified audio signal emulates the temporal aspect of relative motion by a source.
2. The method of claim 1, wherein the audio signal input is analog or digital.
3. The method of claim 1, wherein there are multiple audio signals, and a separate time delay is introduced into each signal.
4. The method of claim 1, further comprising the step of outputting the modified audio signal through a sound reproduction device.
5. The method of claim 4, wherein the sound reproduction device comprises one or more of headphones, an in-ear receiver, earbud, or a hearing aid, or combinations thereof
6. The method of claim 1, wherein the modified audio signals are output to at least one loudspeaker.
Description
DESCRIPTION OF THE DRAWINGS
[0010]
[0011]
[0012]
[0013]
DETAILED DESCRIPTION OF EXEMPLARY EMBODIMENTS
[0014] In one exemplary embodiment, the present invention enhances the perception of timbre, or tonal identity, by temporal processing of a recording. The recording may be a fixed-microphone recording. The recording can be analog or digital. While the enhancement of the perception of timbre may be accomplished by introducing a time-varying time delay, it may also be accomplished by suitable phase shifting.
[0015] A sound traveling in a medium (e.g., air) has a wavelength which is inversely proportional to its frequency. The velocity of propagation (e.g., distance/unit time) in the medium is constant, therefore a given number of degrees (e.g., phase angle) of wave movement requires an amount of time which is also inversely proportional to frequency. Thus phase and time and distance are related.
[0016] Whether the time delays are implemented as pure delay or as phase shifting, it is necessary to make a quantitative estimate of the amount of delay which is required. A motion of the microphones of, say, 0.2 m would be represented by a time shift of about 600 microseconds, using the formula T=r/c, where c=speed of sound=354 m/s, and r=distance in m.
[0017] In one embodiment, the method of the present invention introduces a random time-varying phase shift, which is free of discontinuities, independently into the channels of a stereophonic electrical signal path. For example, a time-varying phase shift is introduced independently and randomly into the two channels of a stereophonic signal path. The method is not necessarily limited to two channels. The result emulates at least one aspect of the continuous movement of the recording microphones mentioned above.
[0018] At middle frequencies, 1 kHz, 600 usec corresponds to 216 degrees of phase delay. An example of a fixed phase shifting circuit is illustrated in
[0019] In one embodiment, the phase shifter circuit should be variable according to some external control parameter. In
[0020] Other higher-order (i.e. quadratic) phase shifters could be used. Even analog charge-coupled delay lines could be used with a time-varying clock.
[0021] In yet another embodiment, the invention comprises a goniometer, a circuit or device that changes phase continuously, i.e., not in steps. Effectively, the circuit is a phase modulator with two inputs: a modulation input and a signal input. There may be one such goniometer in each signal channel. The modulation input to each goniometer is an independent source of random noise in a control bandwidth chosen to simulate a physically possible movement of the microphones on the order of 0.1 Hz to 1 Hz.
[0022]
[0023] In a digital embodiment, the audio signal is first digitized and then passed in each channel though a delay which is phase-continuously varied according to a random law at an appropriate rate. This technique is similar to that used in direct-digital-synthesis oscillators. The signal is then reconverted to analog for presentation via headphones or loudspeakers. It should be understood that variation in the phase or time delays, the rate or law controlling such delays and the exact circuit embodiments may vary.
[0024]
[0025] The control function is a random or pseudo-random time-varying quantity which controls the phase shifters or delay lines. The rate of variation in this embodiment should be in the range of probable motions of the listener or the microphones. Also, the rate of variation should be low enough that any phase-modulation sidebands will lie below the audio range so as to avoid the intrusion of low-frequency noise. In one exemplary embodiment, a control bandwidth of about 10 Hz is chosen. Because the bandwidth is so low, the random control function could be equally well generated by a true random noise source 6, 16, or by a random-number generator, with a suitable low-pass filter 8, 18.
[0026] In another embodiment, the phase/time variation should be smooth. Step discontinuities may produce audible artifacts. The range of the phase variation is adjustable. The variation should be free of patterns; that is, truly random and not cyclic.
[0027] Accordingly, the present invention restores the lost perceptual mechanism derived from relative motions between the source and the listener. The quickness of timbre recognition also may lead to an improvement in intelligibility of all signal types. This comports with the principles of quantitative intelligibility measures such as the Speech Transmission Index which deal with preservation of the infrasonic amplitude modulation transfer function.
[0028] Another area of binaural reproduction is the perception of the location of sounds in both azimuth and elevation. This is important in virtual-reality presentations and in information delivery systems, such as fighter plane cockpits. These systems usually concern themselves with stereotactic detection of head position, eye-motion tracking or other measures of directional attention in order to process audio messages in amplitude and phase to force the auditory image to be congruent with head position or visual attention.
[0029] The methods and processes of the present invention can be combined with these processes. For example, one way the in the head problem in binaural listening can be addressed is by filtering and cross-feeding the left and right signals according to generalized head-related transfer functions (HRTF). The HRTF models the propagation of sound around the head from ear-to-ear for external sound sources. This is another example of a process which is applied to replace a naturally-occurring aspect of hearing when binaural presentation is involved. The HRTF may be dynamically modified with a variable delay as described above.
[0030] The method and processes of the present invention also may be combined with assistive hearing devices, such as hearing aids, to improve intelligibility of what is heard through improved recognition of timbre.
[0031] Thus, it should be understood that the embodiments and examples described herein have been chosen and described in order to best illustrate the principles of the invention and its practical applications to thereby enable one of ordinary skill in the art to best utilize the invention in various embodiments and with various modifications as are suited for particular uses contemplated. Even though specific embodiments of this invention have been described, they are not to be taken as exhaustive. There are several variations that will be apparent to those skilled in the art.