A parameter control device according to an embodiment includes a value acquiring unit and a parameter output unit. The value acquiring unit acquires an indicating value of a first operation element. The parameter output unit outputs a plurality of parameter values corresponding to the acquired indicating value, based on setting information and a correspondence relation between the indicating value and a coordinate in an area defined by a plurality of coordinate axes. The setting information is for setting a relation between a plurality of parameter values and a coordinate. The plurality of parameter values being for controlling a state of content.

An autonomous music composition and performance system employing an automated music composition and generation engine configured to receive musical signals from a set of a real or synthetic musical instruments being played by a group of human musicians. The system buffers and analyzes musical signals from the set of real or synthetic musical instruments, composes and generates music in real-time that augments the music being played by the band of musicians, and/or composes and generates music for subsequent playback, review and consideration by the human musicians.

An automated music composition and generation system includes a graphical user interface (GUI) based system user interface for enabling system users to review and select one or more musical experience descriptors as well as time and/or space parameters; and an automated music composition and generation engine, operably connected to the GUI-based system user interface, for receiving, storing and processing the musical experience descriptors and time and/or space parameters, and composing and generating digital pieces of music, each containing a set of musical notes arranged and performed in the digital piece of composed music. A system network and methods are provided for designing and developing parameter mapping configurations (SMCs) used in the automated music composition and generation engine so as to enable the automated music composition and generation engine to automatically compose and generate music in response to musical experience descriptors and time and/or space parameters provided as input to the system.

An automated music composition and generation system having a system user interface operably connected to an automated music composition and generation engine, and supporting a method of composing a piece of digital music using musical experience descriptors as to indicate what, when and how particular musical events should occur in the piece of digital music to be automatically composed and generated. The method uses the system user interface to select one or more musical experience descriptors and applying the musical experience descriptors along a timeline representation of a piece of digital music to be automatically composed and generated by the automated music composition and generation engine.

Methods, systems, and computer program products for network-based processing and distribution of multimedia content of a live performance are disclosed. In some implementations, recording devices can be configured to record a multimedia event (e.g., a musical performance). The recording devices can provide the recordings to a server while the event is ongoing. The server automatically synchronizes, mixes and masters the recordings. The server performs the automatic mixing and mastering using reference audio data previously captured during a rehearsal. The server streams the mastered recording to multiple end users through the Internet or other public or private network. The streaming can be live streaming.

Aspects of the subject disclosure may include, for example, a device that includes a processing system having a processor and a memory that stores executable instructions that, when executed by the processing system, facilitate performance of operations, where the operations include determining parameters for adapting audio in the content to the device, wherein the device renders the content, and wherein the parameters are based on semantic metadata embedded in the content, adapting the audio in the content based on the parameters, and rendering the content, as adapted by the parameters, to represent a semantic in the semantic metadata. Other embodiments are disclosed.

Techniques have been developed to facilitate (1) the capture and pitch correction of vocal performances on handheld or other portable computing devices and (2) the mixing of such pitch-corrected vocal performances with backing tracks for audible rendering on targets that include such portable computing devices and as well as desktops, workstations, gaming stations, even telephony targets. Implementations of the described techniques employ signal processing techniques and allocations of system functionality that are suitable given the generally limited capabilities of such handheld or portable computing devices and that facilitate efficient encoding and communication of the pitch-corrected vocal performances (or precursors or derivatives thereof) via wireless and/or wired bandwidth-limited networks for rendering on portable computing devices or other targets.

A game system and method that uses an instrument as an input encourages a user to play along with the game's soundtrack on an instrument (e.g. guitar, bass, etc.). The game cues the player to play notes and/or chords on the instrument at an appropriate time and then data is collected from the instrument via a connection between the instrument and the apparatus running the game. The game then scores the user based on note/chord and timing information it receives.

Systems and methods are provided for assembling and displaying a visual ensemble of musical performances that were created and uploaded from one or more locations that are remote from a host of the network, a director or other administrator reviewing submissions for selection and assembly, or perhaps merely remote from one or more other submissions received over a computer network. The assembled performances include a plurality of submissions, the submissions including performances created and uploaded at one or more locations remote from the location of the director for the assembly and display over the computer network. Systems and methods are also included for mapping one performance against another performance qualitatively, quantitatively, in real-time, or some combination thereof, enabling a musician, or a reviewer of performances, in the assessment of one performance relative to another performance.

An automated music composition and generation system having a system user interface operably connected to an automated music composition and generation engine, and supporting a method of scoring a selected media object with one or more pieces of digital music. The method uses the system user interface to select one or more musical experience descriptors and then apply the selected musical experience descriptors to the selected digital media object to indicate what, when and how particular musical events should occur in the one or more pieces of digital music to be automatically composed and generated by the automated music composition and generation engine. The generated piece of digital music is then used in musically scoring the selected digital media object.