Disclosed is a composite reed (55) for a wind instrument and to a method for producing such a reed. The reed has a matrix made of a polymer material and a plurality of reinforcing fibres made of another polymer material, embedded inside the matrix. The other polymer material is a thermoplastic polymer material.

The invention relates to a precision reed (100) for single-reed instruments such as the clarinet or saxophone, made of wood or an Arundo donax section, having a vibrating section (120) formed for sound generating by means of an air flow in the single-reed instrument, having a clamping section (110) formed for clamping the reed (100) to the mouthpiece (200) with a reed holder, the clamping section (110) having a support wall (104) for supporting the reed (100) on the mouthpiece (200) and a reed back (111) facing away from of the mouthpiece (200). In this case, the reed back (111) is formed for a fully flat contact with the reed holder.

The invention relates to a precision reed (100) for single-reed instruments such as the clarinet or saxophone, made of wood or an Arundo donax section, having a vibrating section (120) formed for sound generating by means of an air flow in the single-reed instrument, having a clamping section (110) formed for clamping the reed (100) to the mouthpiece (200) with a reed holder, the clamping section (110) having a support wall (104) for supporting the reed (100) on the mouthpiece (200) and a reed back (111) facing away from of the mouthpiece (200). In this case, the reed back (111) is formed for a fully flat contact with the reed holder.

The present specification relates to a sound-generating reed for a wind instrument which contains at least one thermotropic liquid crystalline polymer.

The present specification relates to a sound-generating reed for a wind instrument which contains at least one thermotropic liquid crystalline polymer.

An instrument mouthpiece having an interior wall that includes a plurality of modifications that disrupts airflow through the mouthpiece in order to produce a pleasing sound when a player is playing an instrument. The modifications may comprise raised ridges disposed on the baffle of the or valleys carved into the baffle. Additionally, the modifications may include specific patterns designed to elicit different, yet still pleasing sounds from the instrument. These patterns may include a first pattern having a first central linear modification flanked by a set of modifications having parabolic elongated modifications wherein each modification has a parabolic focus increasingly more distant from each respective modification in a direction away from the central modification and also flanked by a set of modifications having parabolic elongated modifications fashioned in the opposite direction. Another pattern may include modifications that are linear but spaced apart from each other in an increasingly distant pattern.

An instrument mouthpiece having an interior wall that includes a plurality of modifications that disrupts airflow through the mouthpiece in order to produce a pleasing sound when a player is playing an instrument. The modifications may comprise raised ridges disposed on the baffle of the or valleys carved into the baffle. Additionally, the modifications may include specific patterns designed to elicit different, yet still pleasing sounds from the instrument. These patterns may include a first pattern having a first central linear modification flanked by a set of modifications having parabolic elongated modifications wherein each modification has a parabolic focus increasingly more distant from each respective modification in a direction away from the central modification and also flanked by a set of modifications having parabolic elongated modifications fashioned in the opposite direction. Another pattern may include modifications that are linear but spaced apart from each other in an increasingly distant pattern.

A harmonica including at least: a comb having a plurality of chambers; a first plate having a plurality of blow reeds; a second plate having a plurality of draw reeds. Wherein each chamber of the plurality of chambers has at least one material projection, each material projection being configured to reduce the oscillatory space of a draw reed; and in that the harmonica has at least one additional plate arranged above the first plate and has a plurality of additional material projections, each additional material projection of the plurality of additional material projections being configured to reduce the oscillatory space of a blow reed.

A harmonica including at least: a comb having a plurality of chambers; a first plate having a plurality of blow reeds; a second plate having a plurality of draw reeds. Wherein each chamber of the plurality of chambers has at least one material projection, each material projection being configured to reduce the oscillatory space of a draw reed; and in that the harmonica has at least one additional plate arranged above the first plate and has a plurality of additional material projections, each additional material projection of the plurality of additional material projections being configured to reduce the oscillatory space of a blow reed.

An instrument having an interior body or column wall that includes a plurality of curvilinear modifications that disrupts airflow through the mouthpiece in order to produce a pleasing sound when a player is playing an instrument. The modifications may comprise raised curvilinear ridges or curvilinear valleys set into the body wall. Additionally, the modifications may include specific patterns designed to elicit different, yet still pleasing sounds from the instrument. These air-flow disruption modifications are separate and distinct from any tone-changing actuators of the instruments as the instrument may be a woodwind (with tome holes) or a brass instrument (with valves or sliders).