An electronic musical instrument according to one aspect of the invention is configured to generate, in response to an excitation signal corresponding to a specified pitch, a first string signal to be output from one of right and left channels based on a first accumulated signal in which outputs of at least a first closed-loop circuit and a second closed-loop circuit among the first closed-loop circuit, the second closed-loop circuit and a third closed-loop circuit, which are provided to correspond to the specified pitch, are accumulated, and generate a second string signal to be output from the other channel based on a second accumulated signal in which outputs of the second closed-loop circuit and the third closed-loop circuit are accumulated.

When a harmony function is on state, a generator determines a chord based on one or more notes of depressed keys in a chord kea area, automatically generates one or more additional notes having pitches which harmonizes the pitch of the note of the depressed key in a performance key area according to the determined chord, and inputs the “note of the pressed key in the performance key area+additional notes” to an assignment controller. The assignment controller assigns plural parts (timbres) to the inputted notes, and sounds the notes in timbres of the plural parts according to the assignment. That is, tone generation assignment process is performed regarding not only notes according to performance operation by a user but also automatically generated additional notes.

Systems, including methods and apparatus, for generating audio effects based on accompaniment audio produced by live or pre-recorded accompaniment instruments, in combination with melody audio produced by a singer. Audible broadcast of the accompaniment audio may be delayed by a predetermined time, such as the time required to determine chord information contained in the accompaniment signal. As a result, audio effects that require the chord information may be substantially synchronized with the audible broadcast of the accompaniment audio. The present teachings may be especially suitable for use in karaoke systems, to correct and add sound effects to a singer's voice that sings along with a pre-recorded accompaniment track.

Systems, including methods and apparatus, for generating audio effects based on accompaniment audio produced by live or pre-recorded accompaniment instruments, in combination with melody audio produced by a singer. Audible broadcast of the accompaniment audio may be delayed by a predetermined time, such as the time required to determine chord information contained in the accompaniment signal. As a result, audio effects that require the chord information may be substantially synchronized with the audible broadcast of the accompaniment audio. The present teachings may be especially suitable for use in karaoke systems, to correct and add sound effects to a singer's voice that sings along with a pre-recorded accompaniment track.

Systems, including methods and apparatus, for generating audio effects based on accompaniment audio produced by live or pre-recorded accompaniment instruments, in combination with melody audio produced by a singer. Audible broadcast of the accompaniment audio may be delayed by a predetermined time, such as the time required to determine chord information contained in the accompaniment signal. As a result, audio effects that require the chord information may be substantially synchronized with the audible broadcast of the accompaniment audio. The present teachings may be especially suitable for use in karaoke systems, to correct and add sound effects to a singer's voice that sings along with a pre-recorded accompaniment track.