A stringed instrument, such as a semi-acoustic electric guitar, can employ a resonance system that consists of a body having at least one internal cavity accessed by a soundhole continuously extending from a top cover. The soundhole may have a continuously curvilinear transition from the top cover and a length corresponding with an altered resonance frequency of the instrument body.

A stringed instrument, such as a semi-acoustic electric guitar, can employ a resonance system that consists of a body having at least one internal cavity accessed by a soundhole continuously extending from a top cover. The soundhole may have a continuously curvilinear transition from the top cover and a length corresponding with an altered resonance frequency of the instrument body.

A stringed instrument, such as a semi-acoustic electric guitar, can employ a resonance system that consists of a body having at least one internal cavity accessed by a soundhole continuously extending from a top cover. The soundhole may have a continuously curvilinear transition from the top cover and a length corresponding with an altered resonance frequency of the instrument body.

A stringed instrument, such as a semi-acoustic electric guitar, can employ a resonance system that consists of a body having at least one internal cavity accessed by a soundhole continuously extending from a top cover. The soundhole may have a continuously curvilinear transition from the top cover and a length corresponding with an altered resonance frequency of the instrument body.

A stringed instrument, such as a semi-acoustic electric guitar, can employ a resonance system that consists of a body having at least one internal cavity accessed by a soundhole continuously extending from a top cover. The soundhole may have a continuously curvilinear transition from the top cover and a length corresponding with an altered resonance frequency of the instrument body.

A stringed instrument, such as a semi-acoustic electric guitar, can employ a resonance system that consists of a body having at least one internal cavity accessed by a soundhole continuously extending from a top cover. The soundhole may have a continuously curvilinear transition from the top cover and a length corresponding with an altered resonance frequency of the instrument body.

A musical instrument, including: an acoustic portion configured to generate sounds in accordance with a vibration; a plurality of soundboard braces attached to a flat surface of the acoustic portion; a bracket supported by two of the plurality of soundboard braces; and an acoustic transducer supported by the bracket and configured to vibrate the acoustic portion based on an acoustic signal inputted thereto, wherein the bracket is disposed so as to bridge the two of the plurality of soundboard braces, and the acoustic transducer vibrates the acoustic portion at a position between the two of the plurality of soundboard braces.

A musical instrument, including: an acoustic portion configured to generate sounds in accordance with a vibration; a plurality of soundboard braces attached to a flat surface of the acoustic portion; a bracket supported by two of the plurality of soundboard braces; and an acoustic transducer supported by the bracket and configured to vibrate the acoustic portion based on an acoustic signal inputted thereto, wherein the bracket is disposed so as to bridge the two of the plurality of soundboard braces, and the acoustic transducer vibrates the acoustic portion at a position between the two of the plurality of soundboard braces.

A musical synthesizer produces an audio signal using a set including hundreds or thousands of resonators. The resonators can be based on analysis of any acoustic space such as an acoustic instrument, room, studio, or concert hall A machine learning network is trained to learn the characteristics of a musical sound. The characteristic may be whether the sound is pleasing to the human ear. The network produces audio effects applied to selected frequencies in the spectrum. An input or excitation signal is provided to the network, which processes the input through a trained model of a target audio source and configures the set of resonators to produce an output audio signal based on the input signal. The network may be expanded to create novel impulse responses creating tones and timbre unique to existing audio sources, the input signal may include musical tones or include vocal inputs.