A practice musical instrument configured to mimic implement rebound produced when playing a conventional version of the musical instrument can include a plurality of spaced-apart, rectangular keys. At least two of the keys can have a different length. A strike pad can be attached to a top surface of each key. Each strike pad can be formed of rubber. Each strike pad can be sized to the key to which it is attached. Hitting one of the strike pads with an implement can produce a rebound of the implement that mimics a rebound of the implement when hitting a corresponding key of the conventional version of the instrument. Hitting one of the strike pads with the implement produces a sound that is quieter than when the implement hits a corresponding key of the conventional version of the instrument.

A folding marimba may include a plurality of rails, a plurality of natural bars suspended from some of the rails, and a plurality of accidental bars suspended from some of the rails. In some embodiments, the rails may be mounted to resonator panels. The rails and/or the resonator panels may be configured for hinged rotation such that the marimba is configurable in an unfolded position having a first length and a folded position having a second length that is less than the first length. For example, the second length may be about half of the first length.

A folding marimba may include a plurality of rails, a plurality of natural bars suspended from some of the rails, and a plurality of accidental bars suspended from some of the rails. In some embodiments, the rails may be mounted to resonator panels. The rails and/or the resonator panels may be configured for hinged rotation such that the marimba is configurable in an unfolded position having a first length and a folded position having a second length that is less than the first length. For example, the second length may be about half of the first length.

A practice musical instrument configured to mimic implement rebound produced when playing a conventional version of the musical instrument can include a plurality of spaced-apart, rectangular keys. At least two of the keys can have a different length. A strike pad can be attached to a top surface of each key. Each strike pad can be formed of rubber. Each strike pad can be sized to the key to which it is attached. Hitting one of the strike pads with an implement can produce a rebound of the implement that mimics a rebound of the implement when hitting a corresponding key of the conventional version of the instrument. Hitting one of the strike pads with the implement produces a sound that is quieter than when the implement hits a corresponding key of the conventional version of the instrument.

A vibraphone pickup has a bobbin having two coils, one for outputting an analog signal and one for outputting a digital signal. A plurality of filters and buffers are used to isolate the signals. A rare earth (or neodymium) magnet is used in the center of the bobbin. In one method of use, a vibraphone pickup is used to pick up each note of the vibraphone. The output of each vibraphone pickup is combined and fed into an amplifier.

A vibraphone pickup has a bobbin having two coils, one for outputting an analog signal and one for outputting a digital signal. A plurality of filters and buffers are used to isolate the signals. A rare earth (or neodymium) magnet is used in the center of the bobbin. In one method of use, a vibraphone pickup is used to pick up each note of the vibraphone. The output of each vibraphone pickup is combined and fed into an amplifier.

A vibraphone pickup has a bobbin having two coils, one for outputting an analog signal and one for outputting a digital signal. A plurality of filters and buffers are used to isolate the signals. A rare earth (or neodymium) magnet is used in the center of the bobbin. In one method of use, a vibraphone pickup is used to pick up each note of the vibraphone. The output of each vibraphone pickup is combined and fed into an amplifier.

A vibraphone pickup has a bobbin having two coils, one for outputting an analog signal and one for outputting a digital signal. A plurality of filters and buffers are used to isolate the signals. A rare earth (or neodymium) magnet is used in the center of the bobbin. In one method of use, a vibraphone pickup is used to pick up each note of the vibraphone. The output of each vibraphone pickup is combined and fed into an amplifier.

A vibraphone pickup has a bobbin having two coils, one for outputting an analog signal and one for outputting a digital signal. A plurality of filters and buffers are used to isolate the signals. A rare earth (or neodymium) magnet is used in the center of the bobbin. In one method of use, a vibraphone pickup is used to pick up each note of the vibraphone. The output of each vibraphone pickup is combined and fed into an amplifier.

A vibraphone pickup has a bobbin having two coils, one for outputting an analog signal and one for outputting a digital signal. A plurality of filters and buffers are used to isolate the signals. A rare earth (or neodymium) magnet is used in the center of the bobbin. In one method of use, a vibraphone pickup is used to pick up each note of the vibraphone. The output of each vibraphone pickup is combined and fed into an amplifier.