The present invention relates to a toothbrush comprising a head portion comprising a cleaning formation for cleaning teeth in use. A handle portion is connected to the head portion. The toothbrush comprises a musical wind instrument, the wind instrument comprising a resonant cavity extending within one or both of the head portion and the handle portion, and an air inlet operatively connected to the cavity and configured to induce resonance with the cavity by exhalation from the user in use.

The present invention relates to a toothbrush comprising a head portion comprising a cleaning formation for cleaning teeth in use. A handle portion is connected to the head portion. The toothbrush comprises a musical wind instrument, the wind instrument comprising a resonant cavity extending within one or both of the head portion and the handle portion, and an air inlet operatively connected to the cavity and configured to induce resonance with the cavity by exhalation from the user in use.

A capturing device joins with an instrument to capture an accumulated body fluid in the instrument. The device has a tubular shape for capturing and containing a superfluous amount of fluid that has accumulated inside an instrument from performing on the instrument. The device joins with the instrument, proximally to an instrument fluid accumulation portion. For example, the device is oriented on the instrument to capture the fluid that accumulates in the spit valve. The instrument may require tilting or other manipulations to enable fluid to flow from the instrument fluid accumulation portion to a reception aperture. The device is capped on each end, whereby one of the capped ends form a secure seal for trapping the body fluid inside the device, and may also be removed for removing the body fluid. The device has an absorbent portion to absorb the fluid in an interior region.

A device includes two or more units, with each unit connected to one or more other units, each of which includes a cap, a tube coupled to the cap and a reed coupled to the tube. Each tube generates at least one sound frequency and can also include harmonics of that single frequency. Airflow through the body oscillates the reed to produce an audible tone from the device.

A brass instrument includes a mouthpiece configured to convert vibrations of player's lips into sound and take the sound inside; a bell configured to magnify a volume of the sound taken by the mouthpiece and release the sound to the outside; and a main tube intervening between the mouthpiece and the bell, and is characterized in that the main tube includes a main tube body formed to spread out in a spiral manner in a state in which side surfaces of the main tube body are closely attached to each other, and a part of the closely attached side surfaces of one of the tubes constitutes a part of the side surface of the closely attached other tube.

An instrument having an interior body or column wall that includes a plurality of curvilinear modifications that disrupts airflow through the mouthpiece in order to produce a pleasing sound when a player is playing an instrument. The modifications may comprise raised curvilinear ridges or curvilinear valleys set into the body wall. Additionally, the modifications may include specific patterns designed to elicit different, yet still pleasing sounds from the instrument. These air-flow disruption modifications are separate and distinct from any tone-changing actuators of the instruments as the instrument may be a woodwind (with tome holes) or a brass instrument (with valves or sliders).

An instrument having an interior body or column wall that includes a plurality of curvilinear modifications that disrupts airflow through the mouthpiece in order to produce a pleasing sound when a player is playing an instrument. The modifications may comprise raised curvilinear ridges or curvilinear valleys set into the body wall. Additionally, the modifications may include specific patterns designed to elicit different, yet still pleasing sounds from the instrument. These air-flow disruption modifications are separate and distinct from any tone-changing actuators of the instruments as the instrument may be a woodwind (with tome holes) or a brass instrument (with valves or sliders).

A brass instrument includes a mouthpiece configured to convert vibrations of player's lips into sound and take the sound inside; a bell configured to magnify a volume of the sound taken by the mouthpiece and release the sound to the outside; and a main tube intervening between the mouthpiece and the bell, and is characterized in that the main tube includes a main tube body formed to spread out in a spiral manner in a state in which side surfaces of the main tube body are closely attached to each other, and a part of the closely attached side surfaces of one of the tubes constitutes a part of the side surface of the closely attached other tube.

A tone-altering apparatus and method for musical wind instruments wherein the apparatus, used in combination with a musical wind instrument, comprises a chimney member with an upper chimney surface defining an upper enclosed aperture, with a chimney sidewall extending through one of a plurality of tone holes and defining a tone-altering channel, and with a lower chimney surface defining a lower enclosed aperture, the lower enclosed aperture and the upper enclosed aperture separating the tone-altering channel. The method of ergonomic altering the tone within a musical wind instrument comprises the steps of providing a musical wind instrument, providing a simulated tone hole generating a simulated tonal frequency, and affixing the chimney member to the barrel of the musical wind instrument to generate a chimney tonal frequency substantially equal to the simulated tonal frequency and provide a chimney member length less than the simulated tone hole length.

A tone-altering apparatus and method for musical wind instruments wherein the apparatus, used in combination with a musical wind instrument, comprises a chimney member with an upper chimney surface defining an upper enclosed aperture, with a chimney sidewall extending through one of a plurality of tone holes and defining a tone-altering channel, and with a lower chimney surface defining a lower enclosed aperture, the lower enclosed aperture and the upper enclosed aperture separating the tone-altering channel. The method of ergonomic altering the tone within a musical wind instrument comprises the steps of providing a musical wind instrument, providing a simulated tone hole generating a simulated tonal frequency, and affixing the chimney member to the barrel of the musical wind instrument to generate a chimney tonal frequency substantially equal to the simulated tonal frequency and provide a chimney member length less than the simulated tone hole length.