A specialized audio/instrument cable with built-in digital signal processing capabilities that adds digital audio sampling capabilities that allows the user to trigger synthesized sounds or virtual musical instruments from within the cable itself to affect the sound generated from an instrument or microphone such that the cable is the only connection needed between the instrument or microphone and an output device. Using voice recognition, the specialized cable can select an audio effects chain algorithm and/or sampled sound algorithm extrapolated from a musical digital audio fingerprint (MDAF) created from a desired musician's instrument to alter the sound of the input instrument's audio.

The present disclosure provides a method for chorus mixing, an apparatus, an electronic device and storage media. The method includes converting a main vocal audio signal and a chorus audio signal into signals in frequency domain, respectively, wherein the chorus audio signal comprises main vocal audio played by a speaker; determining a delay between the main vocal audio signal and the chorus audio signal based on a frequency-domain signal of the main vocal audio signal and a frequency-domain signal of the main vocal audio played by the speaker included in a frequency-domain signal of the chorus audio signal; aligning the chorus audio signal with the main vocal audio signal based on the determined delay; performing an echo cancellation on the aligned chorus audio signal; and mixing audio of the main vocal audio signal and the echo-canceled chorus audio signal.

Techniques have been developed to facilitate (1) the capture and pitch correction of vocal performances on handheld or other portable computing devices and (2) the mixing of such pitch-corrected vocal performances with backing tracks for audible rendering on targets that include such portable computing devices and as well as desktops, workstations, gaming stations, even telephony targets. Implementations of the described techniques employ signal processing techniques and allocations of system functionality that are suitable given the generally limited capabilities of such handheld or portable computing devices and that facilitate efficient encoding and communication of the pitch-corrected vocal performances (or precursors or derivatives thereof) via wireless and/or wired bandwidth-limited networks for rendering on portable computing devices or other targets.

An input musical sound signal is input to band pass filters, and pass musical sound signals for each sound pitch are acquired. Total level ratios based on a total of levels of a sound pitch lower than those of the pass musical sound signals are calculated from the levels that are levels of the pass musical sound signals, and output coefficients are acquired on the basis of the total level ratios. Levels of octave musical sound signals acquired by converting the pass musical sound signals into sound pitches lower than those of the pass musical sound signals by one octave are multiplied by the output coefficients. In accordance with this, the octave musical sound signals of a low sound pitch can be extracted from among the octave musical sound signals.

A feedback system may play back, to a user, an altered version of the user's voice in real time, in order to reduce stuttering by the user. The system may operate in different feedback modes at different times. For instance, the system may detect when the severity of a user's stuttering increases, which is indicative of the user habituating to the current feedback mode. The system may then switch to a different feedback mode. In some cases, the feedback modes include at least a Whisper mode, a Reverb mode, and a Harmony mode. In Whisper mode, the user's voice may be transformed to sound as if it were whispering in the user's ears. In Harmony mode, the user's voice may be altered as if the user were harmonizing with himself or herself. In Reverb mode, the user's voice may be altered so that it reverberates.

An accessory for modifying sound output of a musical instrument. The body of the instrument has a soundboard. The accessory includes a sound sensor, an actuator, a fastener, and a controller. The sound sensor engages the body and senses vibration of the body representing the sound output of the musical instrument. The actuator engages the soundboard and deforms the soundboard of the musical instrument so as to modify the sound output of the musical instrument. The sound sensor is preferably arranged distally to the actuator. The fastener engages the accessory to the musical instrument, to locate the actuator against the soundboard of the musical instrument. The controller is connected to the actuator and the sound sensor for receiving and analysing the sound output sensed by the sound sensor, and controlling the actuator in dependence on the sound output sensed by the sound sensor.

A method for processing a voice signal by an electronic system to create a song is disclosed. The method comprises the steps in the electronic system of acquiring an input singing voice recording (11); estimating a musical key (15b) and a Tempo (15a) from the singing voice recording (11); defining a tuning control (16) and a timing control (17) able to align the singing voice recording (11) with the estimated musical key (15b) and Tempo (15a); applying the tuning control (16) and the timing control (17) to the singing voice recording (11) so that an aligned voice recording (20) is obtained. Next, the method comprises the step of generating an music accompaniment (23) as function of the estimated musical key (15b) and Tempo (15a) and an arrangement database (22) and mixing the aligned voice recording (20) and the music accompaniment (23) to obtain the song (12). A system a server and a device are also disclosed.

Techniques have been developed to facilitate (1) the capture and pitch correction of vocal performances on handheld or other portable computing devices and (2) the mixing of such pitch-corrected vocal performances with backing tracks for audible rendering on targets that include such portable computing devices and as well as desktops, workstations, gaming stations, even telephony targets. Implementations of the described techniques employ signal processing techniques and allocations of system functionality that are suitable given the generally limited capabilities of such handheld or portable computing devices and that facilitate efficient encoding and communication of the pitch-corrected vocal performances (or precursors or derivatives thereof) via wireless and/or wired bandwidth-limited networks for rendering on portable computing devices or other targets.

Techniques have been developed to facilitate (1) the capture and pitch correction of vocal performances on handheld or other portable computing devices and (2) the mixing of such pitch-corrected vocal performances with backing tracks for audible rendering on targets that include such portable computing devices and as well as desktops, workstations, gaming stations, even telephony targets. Implementations of the described techniques employ signal processing techniques and allocations of system functionality that are suitable given the generally limited capabilities of such handheld or portable computing devices and that facilitate efficient encoding and communication of the pitch-corrected vocal performances (or precursors or derivatives thereof) via wireless and/or wired bandwidth-limited networks for rendering on portable computing devices or other targets.

A feedback system may play back, to a user, an altered version of the user's voice in real time, in order to reduce stuttering by the user. The system may operate in different feedback modes at different times. For instance, the system may detect when the severity of a user's stuttering increases, which is indicative of the user habituating to the current feedback mode. The system may then switch to a different feedback mode. In some cases, the feedback modes include at least a Whisper mode, a Reverb mode, and a Harmony mode. In Whisper mode, the user's voice may be transformed to sound as if it were whispering in the user's ears. In Harmony mode, the user's voice may be altered as if the user were harmonizing with himself or herself. In Reverb mode, the user's voice may be altered so that it reverberates.